Rob Greenberg
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 3 | $62,119,377 | $79,774,342 | $141,893,719 |
Director | 1 | $50,316,123 | $40,928,790 | $91,244,913 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,001-1,100) | 1,092 | $50,316,123 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,601-1,700) | 1,665 | $62,119,377 |
Top Grossing Director at the International Box Office (Rank 1,301-1,400) | 1,309 | $40,928,790 |
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) | 1,472 | $79,774,342 |
Top Grossing Director at the Worldwide Box Office (Rank 1,201-1,300) | 1,212 | $91,244,913 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,501-1,600) | 1,567 | $141,893,719 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: May
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 20, 2022 | The Valet | Screenwriter | |||
May 4, 2018 | Overboard | Director Screenwriter |
$50,316,123 | $40,928,790 | $91,244,913 |
Jul 11, 2008 | Meet Dave | Screenwriter | $11,803,254 | $38,845,552 | $50,648,806 |
Averages | $31,059,689 | $39,887,171 | $70,946,860 | ||
Totals | 3 | $62,119,377 | $79,774,342 | $141,893,719 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 4, 2018 | Overboard | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% |
Averages | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% | |
Totals | 1 | $50,316,123 | $91,244,913 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 20, 2022 | The Valet | |||||
May 4, 2018 | Overboard | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% |
Jul 11, 2008 | Meet Dave | $5,251,918 | 3,011 | $11,803,254 | $50,648,806 | 23.3% |
Averages | $9,981,510 | 2,509 | $31,059,689 | $70,946,860 | 39.2% | |
Totals | 3 | $62,119,377 | $141,893,719 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,001-1,100) | 1,092 | $50,316,123 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,601-1,700) | 1,665 | $62,119,377 |
Top Grossing Director at the International Box Office (Rank 1,301-1,400) | 1,309 | $40,928,790 |
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) | 1,472 | $79,774,342 |
Top Grossing Director at the Worldwide Box Office (Rank 1,201-1,300) | 1,212 | $91,244,913 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,501-1,600) | 1,567 | $141,893,719 |