United Kingdom Box Office for Under the Wire (2018)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $20,447 | Details |
| Worldwide Box Office | $23,876 | Details |
| Further financial details... | ||
Synopsis
Legendary war correspondent Marie Colvin and photographer Paul Conroy were no strangers to danger but their last mission together would shock the world, this is the story of that fatal, final mission.
Metrics
Movie Details
| United Kingdom Releases: | September 7th, 2018 (Limited) |
| MPAA Rating: | R or language and disturbing violent images. (Rating bulletin 2533 (Cert #51663), 6/19/2018) |
| Running Time: | 95 minutes |
| Keywords: | War Correspondent, War, Set in Syria |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Abramorama, History Films, BFI, A&E Indiefilms, BBC Storyville, Arrow Media, Vice Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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Limited and VOD Releases: Limited Releases get a Green Light
November 16th, 2018
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This week is filled with films that are earning reviews that are good, but likely not quite good enough to thrive in limited release. There are a few exceptions, mostly documentaries. This leaves Green Book as the only film that has a real shot at mainstream success. In fact, given its reviews, it could earn some Awards Season success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/09/07 | - | $10,074 | 6 | $1,679 | $10,074 | 1 | |
| 2018/09/14 | - | $1,571 | -84% | 0 | $16,105 | 2 | |
| 2018/09/21 | - | $740 | -53% | 2 | $370 | $20,447 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 11/16/2018 | $2,271 | 2 | 2 | 2 | $3,429 | |
| United Kingdom | 9/7/2018 | $10,074 | 6 | 6 | 8 | $20,447 | 9/26/2018 |
| Worldwide Total | $23,876 | 9/26/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Supporting Cast
| Anne Wittman | Voiceover artist |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Christopher Martin | Director |
| Christopher Martin | Screenwriter |
| Tom Brisley | Producer |
| Molly Thompson | Executive Producer |
| Laura Fleury | Executive Producer |
| Mary Burke | Executive Producer |
| Emma Loach | Executive Producer |
| Mandy Chang | Executive Producer |
| Eddy Moretti | Executive Producer |
| Ben Anderson | Executive Producer |
| Stephanie Mavropoulos | Co-Producer |
| Danny Gabai | Co-Producer |
| Michael Kronish | Co-Producer |
| Dudley Sargeant | Editor |
| Steve Organ | Director of Photography |
| Paul Conroy | Story based on the book by |