Russia (CIS) Box Office for Stalingrad (2013)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $52,033,664 | Details |
Worldwide Box Office | $68,707,119 | Details |
Home Market Performance | ||
North America DVD Sales | $860,482 | Details |
North America Blu-ray Sales | $702,261 | Details |
Total North America Video Sales | $1,562,743 | |
Further financial details... |
Synopsis
STALINGRAD is an epic look at the battle that turned the tide of World War II. A band of determined Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become connected to two Russian women who have been living there. Presented in IMAX 3D, the scale of the battle contrasts with the human drama of the Russian soldiers, the few remaining civilians and their invaders into Stalingrad.
Metrics
Movie Details
Russia (CIS) Releases: | October 10th, 2013 (Wide) |
Video Release: | May 13th, 2014 by Sony Pictures Home Entertainment |
MPAA Rating: | R for sequences of war violence. (Rating bulletin 2300, 11/27/2013) |
Running Time: | 131 minutes |
Keywords: | 3-D, Historical Battles, War, World War II, Visual Effects, 3-D - Shot in 3-D, IMAX: DMR, Romance |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Non-Stop Productions, Art Pictures Studio, Twin Media |
Production Countries: | Russian Federation |
Languages: | German, Russian |
DVD and Blu-ray Releases for May 13th, 2014
May 13th, 2014
It's a weird week on the home market. There are more first-run releases on this week's list than last week, as well as some TV on DVD releases and others. That said, it still feels very shallow. Even coming up with a list of ten new releases will include some filler. According to Amazon.com, I, Frankenstein is the biggest selling new release of the week. However, Her is the best new release of the week and the Blu-ray Combo Pack is the Pick of the Week.
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Per Theater Chart: Mistakes Paid Dividends, while Raid Rules
April 1st, 2014
It was a close race, but The Raid 2 took top spot on the per theater chart with an average of $23,613 in seven theaters. Finding Vivian Maier was right behind with an average of $21,200 in three theaters. The overall number one film, Noah, was the only other film in the $10,000 club, earning an average of $12,257.
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Per Theater Chart: Wind Rises to the Top
March 5th, 2014
There were three films in the $10,000 club this past weekend, two that were not a surprise, but one that was a huge surprise. Leading the way was The Lunchbox with an average of $14,847 in three theaters. This film earned 94% positive reviews. Likewise, Ernest & Celestine earned 100% positive reviews, so its start of $13,078 in one theater is also to be expected. In between those two films was The Bag Man, which earned an average of $14,616 in two theaters, but only managed 9% positive reviews.
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Limited Releases take on the Oscars
February 28th, 2014
It is Oscar weekend, so it should come as no surprise there are not a lot of limited releases with the usual target audience. Art house aficionados will be paying more attention to the Awards than to new releases. Ernest & Celestine is the lone exception, which is the only Oscar-nominated film on this week's list and the best reviewed as well. Most of the rest of the movies are earning reviews that range from mixed to outright terrible. The Lunchbox could be the break-out hit of the weekend, if there is a break-out hit.
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International Box Office: Thor Brightens the Day
November 7th, 2013
Thor: The Dark World made its international debut a week ahead of its domestic debut and it crushed the competition with $109.4 million in 36 markets. Its biggest market was the U.K., where it earned first place with $13.80 million on 522 screens. By comparison, the first Thor film managed $9.11 million on 500. If the film has a similar increase in its opening weekend here, it could open with $100 million. That's probably too optimistic; it did show growth in most major markets, just not as much as it did in the U.K. France was the second best new market with an opening of $9.94 million on 609 screens, compared to $8.69 million for its predecessor. Germany and Mexico were neck-and-neck with $8.31 million on 620 screens and $8.26 million on 2,482 respectively. Russia was strong with $7.59 million on 769 screens. Australia made $6.80 million on 609 screens over the weekend for a total opening of $6.98 million. Brazil was close behind with $6.69 million on 1,090 screens. In South Korea it made $6.11 million on 843 screens over the weekend for a total opening of $7.63 million. The only major market to see a decrease was Spain, where the film made $3.34 million on 717 screens over the weekend for a total opening of $3.82 million. By comparison, Thor made $5.58 million on 562 screens.
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International Box Office: Gravity Grows
October 30th, 2013
Gravity earned first place for the fourth week with $37.7 million on 7,340 screens in 53 markets for a total of $164.4 million internationally and $364.0 million worldwide. This weekend it debuted in first place in France with a very impressive $10.76 million on 398 screens. It also remained in first place in South Korea with $5.29 million on 531 screens over the weekend for a two-week total of $15.55 million. It also repeated in top spot in Mexico with $3.79 million on 1,563 screens over the weekend for a total of $12.04 million after two. The film will likely pull in close to $100 million in just these holdovers, plus it has yet to open in the U.K., Japan and China, so it could make another $100 million in those three markets as well.
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International Box Office: Gravity Orbits a Milestone
October 24th, 2013
For the third weekend in a row, Gravity led the way on the international chart and reached a major milestone in the process. This past weekend, it pulled in $33.5 million on 7,900 screens in 51 markets for an international total of $114.2 million and a worldwide total $283.8 million. It opened in first place in two major markets led by South Korea where it earned $6.30 million on 636 screens over the weekend for a total opening of $7.29 million. Meanwhile in Mexico, it made $5.75 million on 1,783 screens. Its biggest market overall is Russia where it has earned $17.60 million in total, including $2.19 million on 700 screens this past weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/11/22 | 7 | $129,400 | 139 | $931 | $51,939,080 | 7 | |
2013/11/29 | 11 | $32,121 | -75% | 53 | $606 | $52,002,864 | 8 |
2013/12/06 | 11 | $15,082 | -53% | 30 | $503 | $52,025,168 | 9 |
2013/12/13 | 13 | $5,782 | -62% | 8 | $723 | $52,033,664 | 10 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
China | 10/31/2013 | $0 | 0 | 130 | 130 | $11,135,249 | 12/13/2015 |
Estonia | 12/6/2013 | $29,002 | 7 | 7 | 18 | $75,803 | 12/13/2015 |
Latvia | 11/29/2013 | $53,773 | 9 | 9 | 27 | $139,690 | 12/30/2018 |
Lithuania | 11/29/2013 | $63,806 | 10 | 10 | 32 | $165,041 | 12/13/2015 |
North America | 2/28/2014 | $510,846 | 308 | 308 | 610 | $1,013,945 | 3/10/2016 |
Poland | 11/29/2013 | $73,208 | 63 | 79 | 280 | $236,188 | 12/30/2018 |
Russia (CIS) | 10/10/2013 | $0 | 0 | 139 | 230 | $52,033,664 | 12/30/2018 |
Ukraine | 10/10/2013 | $0 | 0 | 19 | 47 | $3,410,087 | 12/30/2018 |
Rest of World | $497,452 | ||||||
Worldwide Total | $68,707,119 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Fedor Bondarchuk | Director |
Sergey Melkumov | Producer |
Anton Zlatopolskiy | Producer |
Dmitry Rudovskiy | Producer |
Alexander Rodnyansky | Producer |
Ilya Tilkin | Screenwriter |
Sergey Snezhkin | Screenwriter |
Angelo Badalamenti | Composer |
Nataliya Gorina | Executive Producer |
Nataliya Gorina | Editor |
Maxim Osadchiy | Cinematographer |
Sergey Ivanov | Production Designer |
Rostislav Alimov | Sound Supervisor |
Arman Yakhin | Visual Effects Supervisor |