Hong Kong Box Office for Soul Boys of the Western World (2015)
Theatrical Performance (US$) | ||
Hong Kong Box Office | $37,104 | Details |
Worldwide Box Office | $37,104 | Details |
Further financial details... |
Synopsis
Relive the music, fashion, and spirit of the 1980s via the incredible saga of the rise, fall, and comeback of New Wave legends Spandau Ballet. From the streets of working class London to the top of the pop charts, Spandau Ballet conquered the airwaves in the 80s with international hits like “True” and “Gold.” But the behind-the-scenes story was just as compelling, as the band overcame ego clashes and a bitter breakup to reunite triumphantly for their current tour. Featuring never-before-seen home movies, archival footage, and interviews with the band, Soul Boys of the Western World is a captivating chronicle of the rollercoaster ride of fame and an awesomely retro time capsule of the sounds and styles of an unforgettable decade.
Metrics
Movie Details
Hong Kong Releases: | May 8th, 2015 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 136 minutes |
Keywords: | 1980s, Fashion, Set in London, Music Industry, Musicians |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Wellingmax |
Production Countries: | United Kingdom |
Languages: | English |
Limited Releases: Looking Stylish
May 1st, 2015
Two points before we get to the films on this week's list. One, the column is late. Sorry. Two, anyone else noticing a decrease is stability with Firefox? It has been crashing a lot the past few days, hence the delay with this column. This week’s list is filled with many films that are earning good reviews, but not great reviews, and are playing on Video on Demand. Iris is the best film coming out this week, but Far from the Madding Crowd is probably going to be the biggest hit.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Hong Kong | 5/8/2015 | $0 | 0 | 4 | 6 | $37,104 | 11/26/2018 |
North America | 4/29/2015 | $0 | 0 | 0 | 0 | $0 | |
Worldwide Total | $37,104 | 11/26/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Tony Hadley | Himself/Spandau Ballet Member |
John Keeble | Himself/Spandau Ballet Member |
Gary Kemp | Himself/Spandau Ballet Member |
Martin Kemp | Himself/Spandau Ballet Member |
Steve Norman | Himself/Spandau Ballet Member |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
George Hencken | Director |
Kate Griffiths | Archive Producer |
Chris Duveen | Editor |
Steve Dagger | Producer |
Scott Millaney | Producer |
George Hencken | Co-Producer |
Simon Rigden Green | Associate Producer |
Clare Lucas | Production Manager |
Dan Johnson | Re-recording Mixer |
Dan Johnson | Dialogue Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.