South Korea Box Office for The Row (2018)
Theatrical Performance (US$) | ||
South Korea Box Office | $58,247 | Details |
Worldwide Box Office | $80,749 | Details |
Home Market Performance | ||
North America DVD Sales | $4,607 | Details |
North America Blu-ray Sales | $8,441 | Details |
Total North America Video Sales | $13,048 | |
Further financial details... |
Synopsis
With a serial killer preying upon girls on campus, Riley, an incoming freshman, finds herself entangled in a sinister plot involving a dark secret at the sorority that she pledged, while her father, Cole—the detective investigating the case—must uncover the identity of the killer before it’s too late…and Riley becomes the next victim.
Metrics
Movie Details
South Korea Releases: | September 10th, 2019 (Wide) |
Video Release: | September 25th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | R for bloody violence, language, drug and alcohol abuse, and some sexual content. (Rating bulletin 2528 (Cert #51612), 5/23/2018) |
Running Time: | 82 minutes |
Keywords: | Early / Simultaneous Video-on-Demand release, Serial Killer, Police Procedural, Police Detective, Fraternity/Sorority, College, Slasher Horror, Revenge, Redemption |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Fuel 1 |
Production Countries: | Canada, United States |
Languages: | English |
Limited and VOD Releases: Will Any Release Solve the Box Office Puzzle?
July 27th, 2018
We are entering the dog days of summer, which means there are not a lot of limited releases. It’s too late to get a boost from summer vacations while trying to expand, but it is way too early for Awards Season buzz. There are some films that could find smaller audiences in theaters, like Scarred Hearts or Puzzle, but I don’t expect any of them to earn any real measure of mainstream success.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/11 | - | $646 | 1 | $646 | $2,799 | 5 | |
2019/10/18 | - | $2,113 | +227% | 1 | $2,113 | $6,793 | 6 |
2019/10/25 | - | $2,795 | +32% | 1 | $2,795 | $11,500 | 7 |
2019/11/08 | - | $660 | 1 | $660 | $14,930 | 9 | |
2019/11/15 | - | $3,231 | +390% | 2 | $1,616 | $19,277 | 10 |
2019/11/22 | 36 | $2,398 | -26% | 1 | $2,398 | $23,514 | 11 |
2019/11/29 | 25 | $5,566 | +132% | 4 | $1,392 | $30,477 | 12 |
2019/12/06 | - | $643 | -88% | 1 | $643 | $31,934 | 13 |
2019/12/13 | - | $657 | +2% | 1 | $657 | $34,184 | 14 |
2019/12/20 | 21 | $6,321 | +862% | 4 | $1,580 | $44,881 | 15 |
2019/12/27 | 21 | $6,919 | +9% | 3 | $2,306 | $58,247 | 16 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 7/27/2018 | $0 | 0 | 0 | 0 | $0 | 1/20/2023 |
South Korea | 9/10/2019 | $0 | 0 | 4 | 20 | $58,247 | 1/2/2020 |
Rest of World | $22,502 | ||||||
Worldwide Total | $80,749 | 1/20/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Lala Kent | Riley Cole |
Mia Frampton | Becks |
Sarah McDaniel | Isabel |
Supporting Cast
Tanya Mityushina | Hayley Ashton |
Randy Couture | Detective Cole |
Colin Egglesfield | Villiers |
Dylan Sprayberry | Carter |
Lexi Atkins | Ana |
Malea Rose | Captain Ellingham |
Reka Rene | CSI Agent Wagner |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Matty Beckerman | Director |
Sarah Scougal | Screenwriter |
Randall Emmett | Producer |
Lorne Greenberg | Producer |
Noel Ashman | Producer |
Henry Winterstern | Executive Producer |
Arianne Fraser | Executive Producer |
Delphine Perrier | Executive Producer |
Wayne Marc Godfrey | Executive Producer |
Robert Jones | Executive Producer |
Barry Brooker | Executive Producer |
Stan Wertlieb | Executive Producer |
Mark Stewart | Executive Producer |
Alan Pao | Executive Producer |
Luke Daniels | Executive Producer |
Ted Fox | Executive Producer |
Vance Owen | Executive Producer |
Tim Sullivan | Co-Producer |
Alex Eckert | Co-Producer |
Anthony Callie | Co-Producer |
Ryan Black | Co-Executive Producer |
Bernie Gewissler | Line Producer |
Jamie Barber | Director of Photography |
Ethan Maniquis | Editor |
Jared Beckerman | Composer |
Ashley Waldron | Music Supervisor |