New Zealand Box Office for Romeo & Juliet (2013)
Theatrical Performance (US$) | ||
New Zealand Box Office | $2,501 | Details |
Worldwide Box Office | $1,226,031 | Details |
Home Market Performance | ||
North America DVD Sales | $572,249 | Details |
North America Blu-ray Sales | $179,546 | Details |
Total North America Video Sales | $751,795 | |
Further financial details... |
Synopsis
The families of Montague and Capulet use any excuse to publicly fight in the streets of Verona, drawing a strict rebuke from the Prince. But young Romeo of the Montagues is not interested - he is far too in love with Rosaline, a cousin to the Capulets, a romance which his cousin Benvolio urges him not to pursue. But that night, there is to be a masked celebration at the Capulet estate, and Romeo manages to secure an invitation. The Capulet household prepares for the event, where Lord and Lady Capulet hope that their daughter Juliet will accept the advances of young Count Paris. A free spirit little interested in romance, Juliet seems more interested in bantering with her nurse than listening to her parents. At the ball, Romeo instantly forgets his feelings for Rosaline when he spies Juliet; she is likewise struck dumb when she sees Romeo. They dance briefly, noted by Juliet’s cousin Tybalt, who is told by Lord Capulet to let them be and not start trouble. Later, Romeo and Juliet are dismayed to learn that their new loves are of the rival family; undaunted, Romeo spies Juliet on her balcony and boldly declares his love for her. With the help of Friar Laurence, Romeo tries to conspire a way to pursue Juliet without incurring the wrath of his family, while Juliet relies on her nurse to discreetly deliver messages to her love. But the bad blood between the two families is too strong: in a street duel, an angry Tybalt slays Romeo’s beloved kinsman Mercutio. Romeo, his passions unchecked, then kills Tybalt. Hoping to put an end to the blood feud, the Prince banishes Romeo from Verona - but this is worse than death, because he will forever be separated from Juliet. As the lovers grow more desperate, Friar Laurence attempts to hatch a plan that will allow them to be together forever - but will their boldness and bravery in love result in eternal happiness or tragedy?
Metrics
Movie Details
New Zealand Releases: | March 27th, 2014 (Wide) |
Video Release: | February 4th, 2014 by Fox Home Entertainment |
MPAA Rating: | R for violence and language. (Rating bulletin 2283, 7/31/2012) |
Running Time: | 118 minutes |
Keywords: | Romance, Romeo and Juliet Romance, Suicide, Revenge |
Source: | Based on Play |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Relativity Media, Swarovski Entertainment, Blue Lake Media Fund, Amber Entertainment, Indiana Production Company, Echo Lake Entertainment |
Production Countries: | United Kingdom |
Languages: | English |
DVD and Blu-ray Releases for February 4th, 2014
February 3rd, 2014
It's another slow week on the home market. There are five or so first run releases, but the biggest box office was earned by Free Birds, which earned $55 million. Fortunately, while there are no box office hits, there are some high quality releases, led by Dallas Buyers Club. Unfortunately, the DVD and Blu-ray Combo Pack has so few extras that I'm convinced a special edition is on its way, so it isn't a Pick of the Week contender. So what are the Pick of the Week contenders this week? First there's Cutie and the Boxer on DVD or Blu-ray. Second there's ... Cutie and the Boxer is the Pick of the Week.
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Per Theater Chart: Slave Can't Escape Top Spot
October 29th, 2013
For the second weekend in a row, 12 Years a Slave remained in top spot on the per theater chart. Despite expanding to 123 theaters, the film's average remained potent at $17,352. The Square was right behind with $16,359 in its lone theater. The only other film in the $10,000 club was Capital, which earned an average of $11,200 in two theaters.
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Per Theater Chart: Gravity Completes its Second Orbit
October 15th, 2013
Gravity remained on top of the Per Theater Chart with an average of $11,800. Unfortunately, it was the only film in the $10,000 club.
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Weekend Estimates: Gravity Floats Past Captain Phillips
October 13th, 2013
What could have been a close-run race at the box office this weekend turned into a comfortable win for Gravity, but for all the right reasons. Captain Phillips opened with a sturdy $26 million, on the back of some excellent reviews. But that isn't close to enough to unseat Gravity, which will post one of the best second weekends for a wide release in a long time. Comparisons with Argo are inevitable -- the Oscar-winner fell just 15% in its second weekend, while Gravity will be off 21%, but Gravity opened with over $50 million, compared to Argo's $20 million or so, which makes the performance all the more impressive.
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Limited Releases: God Loves Limited Releases
October 11th, 2013
The headline might claim God loves limited releases, but it is clear the critics don't. There are more than a dozen limited releases on this week's list, but many of them are earning reviews that are weak, or much, much worse. God Loves Uganda is practically the lone exception, as it is earning perfect reviews. Unfortunately, it's a documentary, so its chances of expanding significantly are very limited. On the other hand, The Inevitable Defeat of Mister and Pete might be the breakout hit of the week. Its reviews are not as good, but good enough to suggest it will find an audience, but it is opening in more than 100 theaters, which might be too many.
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2013 Preview: October
October 1st, 2013
October is an awkward month. It sits between the dumping ground that is September and November, the unofficial start of Awards Season / holiday blockbuster season. For the most part, September was stronger than average for the month and there's reason to be optimistic going forward. After all, box office success tends to feed on itself, as does box office struggles. That said, there are not a lot of sure hits over the coming four weeks. Of the nine or ten films opening wide this month, only Gravity has a better than 50/50 chance at $100 million. Captain Phillips could have a shot at the century mark, but only if it becomes a serious Awards Season player. Its early reviews suggest that could be a possibility. Last October, there were two films to reach the $100 million mark, Taken 2 and Argo. On the other hand, pretty much everything else that opened that month crashed and burned. While this October doesn't have as strong a top end, it will hopefully have much better depth.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/07/31 | 48 | $983 | 18 | $55 | $2,501 | 332 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Italy | 2/13/2015 | $60,895 | 0 | 0 | 0 | $60,895 | 11/6/2018 |
New Zealand | 3/27/2014 | $0 | 0 | 18 | 18 | $2,501 | 8/5/2020 |
North America | 10/11/2013 | $520,116 | 461 | 461 | 1,109 | $1,162,635 | |
Worldwide Total | $1,226,031 | 8/5/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Douglas Booth | Romeo |
Hailee Steinfeld | Juliet |
Supporting Cast
Ed Westwick | Tybalt |
Christian Cooke | Mercutio |
Paul Giamatti | Friar Laurence |
Kodi Smit-McPhee | Benvolio |
Lesley Manville | Nurse |
Tomas Arana | Lord Montague |
Laura Morante | Lady Montague |
Damian Lewis | Lord Capulet |
Natascha McElhone | Lady Capulet |
Tom Wisdom | Count Paris |
Stellan Skarsgård | Prince Escalus |
Leon Vitali | Apothecary |
Nathalie Rapti Gomez | Rosaline |
Anton Alexander | Abraham |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Carlo Carlei | Director |
Julian Fellowes | Screenwriter |
Simon Bosanquet | Producer |
Lawrence Elman | Producer |
Julian Fellowes | Producer |
Alexander Koll | Producer |
Ileen Maisel | Producer |
Doug Mankoff | Producer |
Andrew Spaulding | Producer |
Dimitra Tsingou | Producer |
Nadja Swarovski | Producer |
David Tattersall | Director of Photography |
Peter Honess | Editor |
Tonino Zera | Production Designer |
Gianpaolo Rifino | Art Director |
Armando Savoia | Art Director |
Maurizio Leonardi | Set Decorator |
Christina Onori | Set Decorator |
Carlo Poggioli | Costume Designer |
Abel Korzeniowski | Composer |
Armando Savoia | Supervising Art Director |
Tullio Morganti | Sound Mixer |
Rob Ireland | Sound Designer |
Lee Herrick | Supervising Sound Editor |
Richard Pryke | Re-recording Mixer |
Andrew Caller | Re-recording Mixer |
Fabio Traversari | Special Effects Supervisor |
Pasquale Di Viccaro | Visual Effects Supervisor |
Franco Maria Salamon* | Stunt Coordinator |
Ferdinando Bonifazi | Line Producer |
Franco Maria Salamon* | Second Unit Director |
Daniele Massaccesi | Second Unit Camera |
John Hubbard | Casting Director |
Ros Hubbard | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.