Germany Box Office for Richard Jewell (2019)
| Theatrical Performance (US$) | ||
| Germany Box Office | $379,717 | Details |
| Worldwide Box Office | $43,092,210 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,101,580 | Details |
| North America Blu-ray Sales | $892,663 | Details |
| Total North America Video Sales | $1,994,243 | |
| Further financial details... | ||
Synopsis
“There is a bomb in Centennial Park. You have thirty minutes.” The world is first introduced to Richard Jewell as the security guard who reports finding the device at the 1996 Atlanta bombing—his report making him a hero whose swift actions save countless lives. But within days, the law enforcement wannabe becomes the FBI’s number one suspect, vilified by press and public alike, his life ripped apart. Reaching out to independent, anti-establishment attorney Watson Bryant, Jewell staunchly professes his innocence. But Bryant finds he is out of his depth as he fights the combined powers of the FBI, GBI and APD to clear his client’s name, while keeping Richard from trusting the very people trying to destroy him.
Metrics
Movie Details
| Production Budget: | $45,000,000 |
| Germany Releases: | June 26th, 2020 (Wide) |
| Video Release: | March 3rd, 2020 by Warner Home Video |
| MPAA Rating: | R for language including some sexual references, and brief bloody images. (Rating bulletin 2604 (Cert #52441), 11/3/2019) |
| Running Time: | 129 minutes |
| Keywords: | Biography, 1990s, Set in Atlanta, GA, Olympics, Terrorism, Media Circus, Falsely Accused, Biographical Drama |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Appian Way, 75 Year Plan, Misher Films, Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/3/2020 | $79,182 | 102 | 102 | 163 | $157,501 | 1/20/2020 |
| Australia | 2/14/2020 | $398,722 | 252 | 252 | 867 | $840,843 | 3/24/2020 |
| Brazil | 1/3/2020 | $199,000 | 124 | 124 | 239 | $353,000 | 1/15/2020 |
| Bulgaria | 1/10/2020 | $11,139 | 0 | 0 | 0 | $21,399 | 1/28/2020 |
| China | 1/10/2020 | $225,000 | 1394 | 1654 | 3048 | $685,000 | 1/22/2020 |
| Czech Republic | 1/17/2020 | $19,361 | 69 | 69 | 99 | $35,172 | 10/19/2022 |
| France | 2/20/2020 | $2,300,000 | 485 | 561 | 2046 | $5,700,000 | 3/24/2020 |
| Germany | 6/26/2020 | $0 | 0 | 0 | 0 | $379,717 | 4/12/2021 |
| Hong Kong | 1/3/2020 | $108,485 | 0 | 0 | 0 | $238,000 | 1/15/2020 |
| Italy | 1/16/2020 | $1,297,359 | 0 | 7 | 7 | $3,066,573 | 10/19/2022 |
| Japan | 1/17/2020 | $786,000 | 244 | 244 | 488 | $2,700,000 | 3/4/2020 |
| Mexico | 1/1/2020 | $360,456 | 365 | 365 | 365 | $1,000,000 | 10/19/2022 |
| Netherlands | 3/6/2020 | $123,501 | 83 | 83 | 165 | $242,712 | 10/19/2022 |
| New Zealand | 2/13/2020 | $25,229 | 67 | 67 | 224 | $58,494 | 10/19/2022 |
| North America | 12/13/2019 | $4,705,265 | 2,502 | 2,502 | 10,158 | $22,345,542 | |
| Portugal | 1/3/2020 | $109,340 | 65 | 65 | 192 | $270,400 | 10/19/2022 |
| Romania | 2/14/2020 | $22,641 | 61 | 61 | 122 | $45,534 | 3/23/2020 |
| Russia (CIS) | 1/9/2020 | $489,169 | 430 | 430 | 1109 | $1,100,000 | 10/19/2022 |
| Slovakia | 1/24/2020 | $9,308 | 44 | 44 | 54 | $15,002 | 2/5/2020 |
| Spain | 1/3/2020 | $579,632 | 270 | 299 | 1073 | $2,100,000 | 3/4/2020 |
| Turkey | 3/27/2020 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 1/31/2020 | $209,616 | 319 | 319 | 319 | $209,616 | 2/5/2020 |
| Rest of World | $1,527,705 | ||||||
| Worldwide Total | $43,092,210 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Sam Rockwell | Watson Bryant |
| Kathy Bates | Bobi Jewell |
| Paul Walter Hauser | Richard Jewell |
Supporting Cast
| Jon Hamm | Tom Shaw |
| Olivia Wilde | Kathy Scruggs |
| Brandon Stanley | Student |
| Ryan Boz | Student |
| Charles Green | Dr. W. Ray Cleere |
| Mike Pniewski | Brandon Hamm |
| Ian Gomez | Agent Dan Bennet |
| Nina Arianda | Nadya Light |
| Ronnie Allen | Kenny Rogers Impersonator |
| David Lengel | Cameraman |
| Elizabeth Keener | Pregnant Woman |
| Grant Roberts | Will Jones — APD |
| Alan Heckner | Bill Miller — GBI |
| Desmond Phillips | Mike Silver — APD |
| Alex Collins | Max Green — APD |
| Michael Otis | Mr. Braden |
| Izzy Herbert | Mariah Braden |
| Kelly Collins Lintz | Mrs. Braden |
| Jonathan D. Bergman | Jerrod Braden |
| Daniel Annone | Drunk Teen |
| Zack Shires | Drunk Teen |
| Christian Adam | Drunk Teen |
| Megan Mieduch | 911 Operator #1 |
| Eric Mendenhall | Eric Rudolph |
| Randy Havens | Sound Tech |
| Kevin Patrick Murphy | Sound Tech |
| Mitchell Hoog | Teen Intern |
| David Shae | Ron Martz |
| Brian Brightman | Zoeller |
| Mike Wilson | Forsythe |
| Andrea Laing | 911 Operator #2 |
| Aubriana Davis | Girl in Park |
| Deja Dee | Woman in Park |
| Franco Castan | APD Cop |
| Kendrick Cross | GBI Guy |
| Brandon Morris | ATF Guy |
| Billy Slaughter | Tim Barker |
| Philip Fornah | Grateful APD Cop |
| Dani Deette | Grateful APD Cop |
| John Atwood | Mr. Brenner |
| Dylan Kussman | Bruce Hughes |
| Max Bickelhaup | Unnamed Swimmer |
| Robert Treveiler | Patrick Williams |
| David DeVries | John Walter |
| Maury Morgan | News Anchor |
| Tommy Kane | Horde Reporter |
| Mallory Hoff | Horde Reporter |
| Jill-Michele Melean | Horde Reporter |
| Gregory Clarkson | Horde Reporter |
| Nicole Sellars | Horde Reporter |
| Garon Grigsby | Bryant Gumbel |
| Niko Nicotera | Dave Dutchess |
| Josh Henry | FBI Physical Evidence Guy |
| Wayne Duvall | Richard Rackleff |
| Jesse Burt | Supply Cart Guy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Clint Eastwood | Director |
| Clint Eastwood | Producer |
| Tim Moore | Producer |
| Jessica Meier | Producer |
| Kevin Misher | Producer |
| Jonah Hill | Producer |
| Leonardo DiCaprio | Producer |
| Jennifer Davisson Killoran | Producer |
| Billy Ray | Screenwriter |
| Marie Brenner | Story Based on the Article “American Nightmare: The Ballad of Richard Jewell” by |
| Yves Belanger | Director of Photography |
| Kevin Ishioka | Production Designer |
| Joel Cox | Editor |
| Deborah Hopper | Costume Designer |
| Arturo Sandoval | Composer |
| Tim Gunny Moore | Unit Production Manager |
| David M. Bernstein | First Assistant Director |
| Jeff Hubbard | Second Assistant Director |
| Stephen S. Campanelli | Second Unit Director |
| Holly Hagy | Associate Producer |
| Priscilla Elliott | Supervising Art Director |
| Chris Craine | Art Director |
| Ron Reiss | Set Decorator |
| Nathan Godley | Assistant Editor |
| David Cox | Assistant Editor |
| Adam Ohl | Visual Effects Producer |
| Erin Mast | Script Supervisor |
| Alan Robert Murray | Supervising Sound Editor |
| Jose Antonio Garcia | Sound Mixer |
| Chris McGeary | Music Editor |
| Chris McGeary | Score Producer |
| Chris McGeary | Score Coordinator |
| Juan Lopez | Costume Supervisor |
| Kimberly Felix-Burke | Make up |
| Mark Bautista | Make up |
| Ashley McGuire | Make up |
| Joy Zapata | Hairstylist |
| Vito Trotta | Hairstylist |
| Deaundra Metzger | Hairstylist |
| Holly Hagy | Production Supervisor |
| Patrick O. Mignano | Supervising Location Manager |
| Elizabeth Wright | Location Manager |
| Clarke McAlarney | Set Designer |
| Jake Ewonus | Set Designer |
| Cameron Steenhagen | Supervising Dialogue Editor |
| John Joseph Thomas | Sound Effects Editor |
| Doug Jackson | Sound Effects Editor |
| Michael W. Mitchell | Sound Effects Editor |
| Christian Wenger | Sound Effects Editor |
| Tom Ozanich | Sound Designer |
| Michael Dressel | Supervising Foley Editor |
| Willard Overstreet | Foley Editor |
| John Reitz | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Richard Duarte | Foley Mixer |
| Jack Cucci | Foley Mixer |
| Thom Williams | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.