United Arab Emirates Box Office for Rampart (2012)
Theatrical Performance (US$) | ||
United Arab Emirates Box Office | $62,923 | Details |
Worldwide Box Office | $1,540,340 | Details |
Home Market Performance | ||
North America DVD Sales | $1,730,470 | Details |
North America Blu-ray Sales | $538,741 | Details |
Total North America Video Sales | $2,269,211 | |
Further financial details... |
Synopsis
Los Angeles, 1999—Officer Dave Brown is a Vietnam vet and a Rampart Precinct cop, dedicated to doing “the people’s dirty work” and asserting his own code of justice, often blurring the lines between right and wrong to maintain his action-hero state of mind. When he gets caught on tape beating a suspect, he finds himself in a personal and emotional downward spiral as the consequences of his past sins and his refusal to change his ways in light of a department wide corruption scandal seal his fate. Brown internalizes his fear, anguish and paranoia as his world, complete with two ex-wives who are sisters, two daughters, an aging mentor dispensing bad advice, investigators galore, and a series of seemingly random women, starts making less and less sense. In the end, what is left is a human being stripped of all his pretense, machismo, chauvinism, arrogance, sexism, homophobia, racism, aggression, misanthropy; but is it enough to redeem him as a man?
Metrics
Movie Details
United Arab Emirates Releases: | April 12th, 2012 (Wide) |
Video Release: | May 15th, 2012 by Alchemy |
MPAA Rating: | R for pervasive language, sexual content and some violence. (Rating bulletin 2196, 11/2/2011) |
Running Time: | 103 minutes |
Keywords: | Corrupt Cops, Film Noir, Homeless, Bigotry, Relationships Gone Wrong, Sex Crimes, Addiction, Dysfunctional Family |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Lightstream Pictures, Waypoint Entertainment, Thrid Mind Pictures |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Grey Brightens Up Blu-ray
June 7th, 2012
Getting caught up on the Blu-ray sales chart after a massive overhaul of the database, which hopefully you didn't notice too much. We're splitting the two weeks into two articles, otherwise they would be just too cumbersome. We start with the week ending May 20th, which featured six new releases on the chart. Top spot went to The Grey with 375,000 units sold, but in terms of revenue, it was in second place with $7.50 million. Its opening week Blu-ray share was 51%, which even just last year would have been momentous, but now is standard for a first-run release for any action or adventure film.
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DVD Sales: A Colorful Couple Weeks on DVD
June 5th, 2012
After a major change on the back end of site, we have two weeks of home market numbers to get to, starting with the week ending on May 20th. New releases dominated the chart taking the top three spots and four of the top six. The Grey earned first place with 360,000 units / $6.12 million. This is a fine start given its theatrical run, but not an exceptional one.
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DVD and Blu-ray Releases for May 15th, 2012
May 14th, 2012
It's not a bad week, for this time of year, with three films that are selling well, and two of those earned really good reviews. Unfortunately, I'm still waiting for those screeners. Also, after those three big releases, there's a sharp drop-off in sales strength and we quickly find releases that would be overlooked most weeks. As for the best of the best, both Chronicle and The Grey are contenders for Pick of the Week, but like I said, I don't have the screeners to judge the extras. Therefore, I'm giving that title to Being John Malkovich Criterion Collection Blu-ray.
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Jazzing Up the Per Theater Chart
February 14th, 2012
Chico and Rita started its run on top of the per theater chart with $21,400 in one theater. Given its reviews and its Oscar nomination, it should have no trouble expanding at least somewhat. The overall number one film, The Vow, was in second place on the per theater chart with an average of $13,929. Safe House was close behind with $12,880. It's not too common for wide releases to earn more than $10,000 on the per theater chart at this time of year, so to have two of them do so on the same weekend is doubly impressive. The final film in the $10,000 club was Rampart with an average of $12,089. Like Chico and Rita it should expand for similar reasons. (I.E. Strong reviews and major nominations.)
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Limited Releases run Rampart
February 10th, 2012
First of all, I'm equally proud and ashamed for making that pun in the title. Secondly, it's another Oscar week on the limited releases with three Oscars nominees on the list: Chico and Rita, In Darkness, and 2012 Oscar Shorts coming out. Additionally, while Rampart didn't earn any Oscar nods, it did pick up an Independent Spirit Award nomination, so there are some high quality movies to check out this week.
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Awards Season: Early Nods Speak Volumes
November 30th, 2011
As it does every year, Independent Spirit Award nominations kick off the unofficial start of Awards Season. This year there were two films that topped the list of nominations: The Artist and Take Shelter. Both of those films earned five nominations, but they weren't the only films to be singled out.
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Feasting on Limited Releases
November 24th, 2011
It's Thanksgiving long weekend, which means the openings of the limited releases are spread over three days. It also means there are a few Awards Season contenders making their theatrical debuts this week. Will any of the Oscar hopefuls snag a nomination? It's too soon to tell, but there's no shortage of contenders with five of the six films earning 80% positive reviews or better. The Artist is earning the best reviews, while A Dangerous Method will likely be the biggest box office hit of the group.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/04/27 | 16 | $295 | 1 | $295 | $62,923 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 2/10/2012 | $60,446 | 5 | 106 | 487 | $969,239 | 7/16/2013 |
Portugal | 6/7/2012 | $0 | 0 | 1 | 1 | $315,158 | 12/10/2015 |
United Arab Emirates | 4/12/2012 | $0 | 0 | 1 | 1 | $62,923 | 12/29/2018 |
Rest of World | $193,020 | ||||||
Worldwide Total | $1,540,340 | 12/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Woody Harrelson | Dave Brown |
Supporting Cast
Ned Beatty | Hartshorn |
Ben Foster | Terry |
Anne Heche | Catherine |
Ice Cube | Kyle Timkins |
Cynthia Nixon | Barbara |
Sigourney Weaver | Joan Confrey |
Robin Wright | Linds Fentress |
Steve Buscemi | Bill Blago |
Robert Wisdom | Captain |
Brie Larson | Helen |
William Paul Clark | Barbara’s Boyfriend |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Oren Moverman | Director |
Oren Moverman | Screenwriter |
James Ellroy | Screenwriter |
Lawrence Inglee | Producer |
Ben Foster | Producer |
Clark Peterson | Producer |
Ken Kao | Producer |
Paul Currie | Executive Producer |
Michael DeFranco | Executive Producer |
Mark Gordon | Executive Producer |
Garrett Kelleher | Executive Producer |
Lila Yacoub | Executive Producer |
Luca Borghese | Co-Producer |
Bobby Bukowski | Director of Photography |
David Wasco | Production Designer |
Jay Rabinowitz | Editor |
Catherine George | Costume Designer |
Dickon Hinchliffe | Composer |
Jim Black | Music Supervisor |
Laura Rosenthal | Casting Director |
Rachel Tenner | Casting Director |
Sandy Wasco* | Set Decorator |
William Paul Clark | Assistant Director |
William Paul Clark | Associate Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.