Mexico Box Office for [REC]³ El comienzo (2012)
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| Theatrical Performance (US$) | ||
| Mexico Box Office | $2,125,524 | Details |
| Worldwide Box Office | $7,250,600 | Details |
| Further financial details... | ||
Synopsis
Koldo and Clara are about to celebrate the most important day of their lives: their wedding. Everything appears to be running smoothly and the bride, the groom and their families are enjoying a wonderful day in the countryside until some of the guests start showing signs of a strange illness. Before they know what’s happening, the bride and groom find themselves in the middle of a hellish ordeal, as an uncontrollable torrent of violence is unleashed on the wedding. What started off as an idyllic day quickly descends into a nightmare of the worst kind...
Metrics
Movie Details
| Mexico Releases: | April 13th, 2012 (Wide), released as [REC]³ El comienzo |
| Video Release: | November 6th, 2012 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for strong bloody horror violence and some language. (Rating bulletin 2227, 6/13/2012) |
| Running Time: | 80 minutes |
| Franchise: | [REC] |
| Keywords: | Zombies, Religious, Wedding Day, Demons, Possessed, End of the World, Prequel |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Canal Plus, Filmax Entertainment |
| Production Countries: | Spain |
| Languages: | French, Spanish |
Per Theater Chart: Utopia for Detropia
September 12th, 2012
There were three new releases that topped $10,000 on the per theater chart. Detropia led the way with $17,414 in one theater. It should expand, but as a documentary, it will likely not expand wide. Hello I Must Be Going earned an average of $11,952 in two theaters, while Keep the Lights On was right behind with an average of $11,115 in five theaters.
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Limited Releases: Girls' Night Out
September 7th, 2012
There are ten films on this week's list, including a couple that are earning quite a bit of buzz for limited releases: The Inbetweeners Movie and Bachelorette. Unfortunately, neither of those films is earning great reviews. There are some films earning overwhelmingly positive reviews, including the documentary Girl Model and Keep the Lights On. Let's hope some films manage to find an audience in limited release, but it could be tough.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2012/04/27 | 9 | $132,347 | 189 | $700 | $1,477,583 | 3 | |
| 2012/05/04 | 9 | $107,025 | -19% | 141 | $759 | $1,684,593 | 4 |
| 2012/05/11 | 7 | $107,637 | +1% | 144 | $747 | $1,846,276 | 5 |
| 2012/05/18 | 10 | $51,371 | -52% | 87 | $590 | $1,982,633 | 6 |
| 2012/05/25 | 10 | $54,586 | +6% | 80 | $682 | $2,063,470 | 7 |
| 2012/06/01 | 13 | $31,790 | -42% | 54 | $589 | $2,125,524 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/19/2012 | $0 | 0 | 23 | 80 | $547,505 | 12/29/2018 |
| Belgium | 4/4/2012 | $0 | 0 | 2 | 2 | $124,650 | 12/6/2015 |
| Hong Kong | 5/17/2012 | $158,962 | 20 | 20 | 42 | $304,306 | 12/10/2015 |
| Mexico | 4/13/2012 | $0 | 0 | 189 | 695 | $2,125,524 | 12/10/2015 |
| North America | 9/7/2012 | $3,001 | 8 | 8 | 17 | $9,600 | |
| Peru | 5/17/2012 | $228,523 | 63 | 63 | 142 | $518,771 | 12/29/2018 |
| Poland | 4/20/2012 | $0 | 0 | 84 | 137 | $285,273 | 12/29/2018 |
| Rest of World | $3,334,971 | ||||||
| Worldwide Total | $7,250,600 | 12/29/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Leticia Dolera | Clara |
Supporting Cast
| Diego Martin | Koldo |
| Ismael Martinez | Rafa |
| Alex Monner | Cousin Adrian |
| Claire Baschet | Natalia |
| Sr. B | Atun |
| Jana Soler | Tita (Clara's Sister) |
| Emilio Mencheta | Uncle Victor |
| Adolf Bataller | Domingo |
| Dolores Martin | Manoli |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paco Plaza | Director |
| Julio Fernandez | Producer |
| Luiso Berdejo | Screenwriter |
| Paco Plaza | Screenwriter |
| Julio Fernandez | Executive Producer |
| Carlos Fernandez | Executive Producer |
| Alberto Marini | Executive Producer |
| Elisa Salinas | Associate Producer |
| Eckenhardt Von Damn | Co-Executive Producer |
| Jaume Balaguero | Creative Producer |
| Teresa Gefaell | Line Producer |
| Oriol Maymo | Line Producer |
| Fernando Izquierdo | Assistant Director |
| Pablo Rosso | Director of Photography |
| Gemma Fauria | Art Director |
| Gabriel Gutierrez | Sound Designer |
| David Gallart | Editor |