Mexico Box Office for No Manches Frida (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $11,813,157 | Details |
Worldwide Box Office | $23,540,937 | Details |
Home Market Performance | ||
North America DVD Sales | $251,838 | Details |
Total North America Video Sales | $251,838 | |
Further financial details... |
Synopsis
The story of Zequi, a recently released bank robber who goes to recover stolen money buried by his ditzy accomplice before going to jail. They return to the site only to find that Frida Kahlo High has built a gymnasium over the loot. To get the money, he poses as a substitute teacher for a school that can’t seem to keep any teachers around. He meets the sweet and earnest Lucy, as well as an unruly classroom. Lucy and her fellow teachers have no control over the students, and Zequi comes in ready to lay down the law-but he quickly finds out that life on the inside may have been easier to deal with than a school full of wild and rebellious teenagers.
Metrics
Movie Details
Mexico Releases: | September 16th, 2016 (Wide) |
Video Release: | December 27th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for crude sexual content, drug material, teen smoking and drinking, brief strong language and gestures, and thematic elements. (Rating bulletin 2435 (Cert #50538), 7/27/2016) |
Running Time: | 100 minutes |
Franchise: | No Manches Frida |
Keywords: | Life on the Outside, Heist, Teachers, Bad Teachers, Remake, Foreign-Language Remake, Hispanic, Farcical / Slapstick Comedy |
Source: | Remake |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Pantelion Films, Lionsgate, Alcon Entertainment, Neverending Media, Constantin Film, Rat Pack Film Produktion |
Production Countries: | United States |
Languages: | Spanish |
Home Market Releases for December 27th, 2016
December 26th, 2016
This Tuesday is the day after Boxing Day. I don’t know if there is a worse possible day to release something on the home market. There are a few films on this week’s list you could call busted Oscar bait, but almost nothing that is a contender for Pick of the Week. Fortunately, it is almost nothing and not completely nothing. A Man Called Ove is the best release and the DVD or Blu-ray are clearly the Pick of the Week.
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Theater Averages: Denial Denies American Honey Top Spot with $18,746
October 5th, 2016
Denial and American Honey were the only two films in the $10,000 club on the theater average chart this week. Denial earned first place with an average of $18,746 in five theaters, while American Honey was relatively close behind with an average of $17,801 in four.
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Theater Averages: Cameraperson Finishes First, Not Last, with $12,760
September 13th, 2016
A trio of films reached the $10,000 club on the theater average chart this week, lead by Cameraperson with $12,760 in one theater. The Last Princess was also playing in one theater and was right behind with $11,607. The final film in the $10,000 club was Kicks with an average of $10,704 in three theaters.
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Theater Averages: White Girl Starts in the Black with Average of $10,155
September 7th, 2016
There were only two films to earn more than $10,000 on the theater average chart. White Girl lead the way with an average of $11,353 in three theaters. Meanwhile, No Manches Frida earned an average $10,155 in 362 theaters, which is even more impressive.
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Weekend Wrap-Up: Breathe Blows Away the New Releases
September 7th, 2016
The Labor Day long weekend wasn’t even close with Don’t Breathe earning more over three days than any other film earned over four. There were a couple of other major stories as Suicide Squad hit $300 million on Monday and Bad Moms hit $100 million on Saturday. Given the production budgets of those two films, the latter has a lot more reasons to celebrate. As for the new releases, the studios will just be hoping no one remembers them in a few weeks. The Light Between Oceans missed the top five, while Morgan missed the top ten. The overall box office fell 16% to $99 million over the three-day weekend and $127 million including Monday. This is 8.9% higher than the same weekend last year. Year-to-date, 2016’s lead over 2015 grew to $500 million at $7.98 billion to $7.48 billion. That’s a lead of 6.7%. It would take a real collapse for 2016 to lose at this rate.
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Weekend Estimates: Don’t Breathe Wins Long, Slow Weekend
September 4th, 2016
Don’t Breathe is pulling off an easy win at the box office this weekend, and will become in the process the first horror film to win two straight weekends since Ouija did so, with some help from Halloween, in 2014. With an estimated 3-day $15.7 million, Don’t Breathe is ahead of Suicide Squad, which will stay in the top two for a fifth straight weekend with $10 million or so. Its total stands at $297 million as of Sunday, and will pass $300 million tomorrow. The relative success of those two films prompts a question… where are the new releases?
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Friday Estimates: New Releases are a Stain on the Box Office
September 3rd, 2016
Labor Day long weekend is rarely a great time at the box office, but I wasn’t prepared for this. Neither of the new releases reached the top five on the Friday box office chart, leaving Don’t Breathe the clear winner for the day with $4.18 million. This is down just 58% from its opening Friday, so it will easily top predictions. It looks like it will earn more over three days ($14 million) than we predicted it would earn over four ($13 million).
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Limited and VOD Releases: Take Off, You Hoser
September 2nd, 2016
It’s a bad week for limited releases, as the only two films earning any real advance buzz are Skiptrace and Yoga Hosers, neither of which are earning good reviews. Of all of the films on this week’s list, Zoom is the only one I really want to see. It’s just $5 to rent on Video on Demand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/16 | 1 | $3,213,971 | 0 | $3,213,971 | 1 | ||
2016/09/23 | 2 | $2,048,205 | -36% | 0 | $6,646,266 | 2 | |
2016/09/30 | 3 | $1,373,805 | -33% | 0 | $9,119,958 | 3 | |
2016/10/07 | 4 | $685,368 | -50% | 0 | $10,380,414 | 4 | |
2016/10/14 | 6 | $385,440 | -44% | 0 | $11,213,836 | 5 | |
2016/10/21 | 9 | $177,427 | -54% | 0 | $11,813,157 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 9/16/2016 | $3,213,971 | 0 | 0 | 0 | $11,813,157 | 10/25/2016 |
North America | 9/2/2016 | $3,676,235 | 362 | 465 | 2,269 | $11,528,613 | 6/24/2017 |
Rest of World | $199,167 | ||||||
Worldwide Total | $23,540,937 | 6/24/2017 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Omar Chaparro | Zequi |
Martha Higareda | Lucy |
Fernanda Castillo | Caro |
Adal Ramones | Sr. Valdez |
Monica Dionne | Miss Gaby |
Raquel Garza | Jenny |
Supporting Cast
Regina Pavón | Mónica |
Pamela Moreno | Cuquis |
Andres Pardave | Pepe |
Aidan Vallejo | Freshman Boy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nacho G. Velilla | Director |
Laurence Rosenthal | Screenwriter |
Claudio Herrera | Screenwriter |
Sergio Adrian Sanchez | Screenwriter |
Bora Dagtekin | Based on the film "Fack Ju Gohte" by |
Edward Allen | Producer |
Martha Higareda | Producer |
Mauricio Arguelles | Producer |
Martin Moszkowicz | Executive Producer |
Andrew Kosove | Executive Producer |
Broderick Johnson | Executive Producer |
Clifford Werber | Executive Producer |