Russia (CIS) Box Office for Дом на другой стороне (2020)
| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $686,769 | Details |
| Worldwide Box Office | $15,493,093 | Details |
| Further financial details... | ||
Synopsis
Reeling from the unexpected death of her husband, Beth is left alone in the lakeside home he built for her. She tries as best she can to keep it together—but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure. Against the advice of her friends, she begins digging into her husband’s belongings, yearning for answers. What she finds are secrets both strange and disturbing—a mystery she’s determined to unravel.
Metrics
Movie Details
| Russia (CIS) Releases: | September 9th, 2021 (Wide), released as Дом на другой стороне |
| Video Release: | October 5th, 2021 by Walt Disney Home Entertainment |
| MPAA Rating: | R for some violence/disturbing images, and language including some sexual references. (Rating bulletin 2625 (Cert #52691), 4/15/2020) |
| Running Time: | 107 minutes |
| Keywords: | Sundance Film Festival 2020, Supernatural Horror, Supernatural, Near Death Experience, Suicide, Demons, Serial Killer, Death of a Spouse or Fiancée / Fiancé |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Anton Capital Entertainment, Phantom Four, Searchlight Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: strong hold for Free Guy keeps it top for second weekend
August 22nd, 2021
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Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/09/10 | 8 | $261,118 | 500 | $522 | $261,118 | 1 | |
| 2021/09/17 | 10 | $122,964 | -53% | 500 | $246 | $499,731 | 2 |
| 2021/09/24 | 17 | $35,698 | -71% | 227 | $157 | $594,984 | 3 |
| 2021/10/08 | 20 | $2,000 | 0 | $614,000 | 5 | ||
| 2021/10/22 | - | $32 | 0 | $615,564 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/23/2021 | $0 | 0 | 0 | 0 | $174,337 | 10/20/2022 |
| Australia | 10/16/2020 | $0 | 0 | 110 | 423 | $295,187 | 10/20/2022 |
| Brazil | 9/23/2021 | $0 | 0 | 0 | 0 | $403,333 | 10/20/2022 |
| Chile | 9/23/2021 | $0 | 0 | 0 | 0 | $152,761 | 10/20/2022 |
| Colombia | 9/23/2021 | $0 | 0 | 0 | 0 | $177,000 | 10/20/2022 |
| Czech Republic | 8/20/2021 | $41,387 | 64 | 64 | 132 | $120,828 | 10/20/2022 |
| France | 9/15/2021 | $246,325 | 190 | 190 | 190 | $537,004 | 10/20/2022 |
| Germany | 7/15/2021 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 8/20/2021 | $8,419 | 12 | 12 | 25 | $29,740 | 9/17/2021 |
| Mexico | 9/23/2021 | $452,872 | 0 | 0 | 0 | $1,288,516 | 10/20/2022 |
| Netherlands | 9/17/2021 | $64,940 | 41 | 42 | 160 | $234,577 | 10/20/2022 |
| New Zealand | 8/19/2021 | $0 | 0 | 33 | 91 | $30,161 | 10/26/2021 |
| North America | 8/20/2021 | $2,859,409 | 2,240 | 2,240 | 6,505 | $7,100,581 | |
| Poland | 8/20/2021 | $0 | 0 | 0 | 0 | $312,973 | 10/20/2022 |
| Romania | 8/20/2021 | $33,542 | 65 | 65 | 186 | $151,749 | 10/20/2022 |
| Russia (CIS) | 9/9/2021 | $261,118 | 500 | 500 | 1227 | $686,769 | 10/20/2022 |
| Slovakia | 8/20/2021 | $24,120 | 51 | 51 | 87 | $66,589 | 10/7/2021 |
| United Kingdom | 8/20/2021 | $430,045 | 352 | 352 | 666 | $1,342,021 | 10/20/2022 |
| Venezuela | 9/23/2021 | $0 | 0 | 0 | 0 | $4,000 | 10/20/2022 |
| Rest of World | $2,384,967 | ||||||
| Worldwide Total | $15,493,093 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Rebecca Hall | Beth |
Supporting Cast
| Sarah Goldberg | Claire |
| Vondie Curtis-Hall | Mel |
| Evan Jonigkeit | Owen |
| Stacy Martin | Madelyne |
| David Abeles | Gary |
| Christina Jackson | Heather |
| Patrick Klein | Bob |
| Crystal Swan | Principal |
| Catherine Weidner | Teacher |
| Laura Austin | Relative |
| Jacob Garrett White | Clerk |
| Samantha Buck | Becky |
| Lydia Hand | Woman in Pink |
| Lea Enslin | Woman in Green |
| Amy Zubieta | Woman in Green |
| Allie McCulloch | Woman in Red |
| Dannielle Rose | Teacher |
| Shawn Hopseker | Assistant Principal |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Bruckner | Director |
| Ben Collins | Screenwriter |
| Luke Piotrowski | Screenwriter |
| David S. Goyer | Producer |
| Keith Levine | Producer |
| John Zois | Producer |
| Francois Callens | Executive Producer |
| Sébastien Raybaud | Executive Producer |
| Rebecca Hall | Executive Producer |
| David Bruckner | Executive Producer |
| Kathrin Eder | Production Designer |
| Samantha Hawkins | Costume Designer |
| David Marks | Editor |
| Elisha Christian | Director of Photography |
| Ben Lovett | Composer |
| George Paaswell | Unit Production Manager |
| Karen Radzikowski | First Assistant Director |
| Erika McGowan | Second Assistant Director |
| Taylor Rowley | Music Supervisor |
| Andy Rusk | Stunt Coordinator |
| Katri Billard | Script Supervisor |
| Anton Gold | Sound Mixer |
| Prerna Chawla | Set Decorator |
| Justin Hank | Location Manager |
| Annie Tagge | Make up |
| Christina Samuels | Make up |
| Natalie Vermiglio | Hairstylist |
| Andrea Sinenko | Hairstylist |
| Drew Jiritano | Special Effects Coordinator |
| Adam Thayer | Production Supervisor |
| Tara Bayat | Post-Production Supervisor |
| Babs Laco | First Assistant Editor |
| Ric Schnupp | Supervising Sound Editor |
| Ric Schnupp | Sound Designer |
| Ric Schnupp | Re-recording Mixer |
| Craig Kyllonen | Dialogue Editor |
| Ryan Collison | Foley Mixer |
| Connor Nagy | Foley Mixer |
| Nick Seaman | Foley Editor |
| Laura Heinzinger | Foley Editor |
| John Carbonara | Music Editor |
| Leslie Chung | Visual Effects Supervisor |
| Matt Akey | Visual Effects Executive Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.