Iceland Box Office for Last Christmas (2019)
-(2019).jpg)
| Theatrical Performance (US$) | ||
| Iceland Box Office | $109,196 | Details |
| Worldwide Box Office | $123,429,381 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,410,837 | Details |
| North America Blu-ray Sales | $1,652,901 | Details |
| Total North America Video Sales | $3,063,738 | |
| Further financial details... | ||
Synopsis
Kate harumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two… But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart and you gotta have faith.
Metrics
Movie Details
| Production Budget: | $30,000,000 |
| Iceland Releases: | November 8th, 2019 (Wide) |
| Video Release: | February 4th, 2020 by Universal Home Entertainment March 16th, 2020 by Universal Pictures UK |
| MPAA Rating: | PG-13 for language and sexual content. (Rating bulletin 2584 (Cert #52277), 6/26/2019) |
| Running Time: | 103 minutes |
| Keywords: | Christmas, Santa Claus, Romance, Christmas in November, Medical and Hospitals, Dysfunctional Family |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Calamity Films, Feigco Entertainment, Universal Pictures, Perfect World Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/11/15 | - | $15,587 | 8 | $1,948 | $54,592 | 2 | |
| 2019/11/22 | - | $9,780 | -37% | 6 | $1,630 | $76,832 | 3 |
| 2019/11/29 | - | $6,800 | -30% | 6 | $1,133 | $90,618 | 4 |
| 2019/12/06 | - | $3,761 | -45% | 4 | $940 | $97,660 | 5 |
| 2019/12/13 | - | $2,433 | -35% | 5 | $487 | $101,527 | 6 |
| 2019/12/20 | - | $1,607 | -34% | 3 | $536 | $105,581 | 7 |
| 2019/12/27 | - | $1,359 | -15% | 3 | $453 | $109,196 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Albania | 12/5/2019 | $11,567 | 2 | 3 | 6 | $35,800 | 1/15/2020 |
| Argentina | 12/5/2019 | $17,903 | 37 | 37 | 71 | $36,783 | 1/3/2020 |
| Australia | 11/8/2019 | $1,509,881 | 393 | 393 | 1969 | $8,112,064 | 12/29/2020 |
| Austria | 11/15/2019 | $280,544 | 73 | 74 | 471 | $1,419,105 | 1/15/2020 |
| Belgium | 11/27/2019 | $193,329 | 60 | 60 | 257 | $857,113 | 1/15/2020 |
| Bolivia | 12/5/2019 | $12,798 | 19 | 19 | 36 | $35,357 | 12/25/2019 |
| Brazil | 11/28/2019 | $603,613 | 472 | 524 | 1658 | $1,866,431 | 8/26/2020 |
| Bulgaria | 11/15/2019 | $27,010 | 0 | 5 | 5 | $132,085 | 1/1/2020 |
| Central America | 12/5/2019 | $156,189 | 142 | 142 | 334 | $488,913 | 1/15/2020 |
| Chile | 12/5/2019 | $24,946 | 49 | 49 | 81 | $46,010 | 1/1/2020 |
| Colombia | 11/28/2019 | $51,776 | 106 | 106 | 127 | $91,697 | 1/15/2020 |
| Croatia | 11/7/2019 | $95,000 | 28 | 28 | 179 | $517,070 | 12/13/2023 |
| Cyprus | 11/14/2019 | $16,130 | 7 | 7 | 50 | $113,768 | 1/15/2020 |
| Czech Republic | 11/29/2019 | $96,140 | 113 | 113 | 293 | $367,862 | 10/19/2022 |
| Denmark | 11/14/2019 | $404,046 | 81 | 95 | 537 | $1,716,319 | 1/15/2020 |
| Ecuador | 12/20/2019 | $62,548 | 47 | 47 | 114 | $229,493 | 1/23/2020 |
| Egypt | 11/20/2019 | $42,005 | 20 | 23 | 115 | $248,451 | 1/15/2020 |
| Estonia | 12/6/2019 | $29,600 | 27 | 27 | 75 | $108,700 | 1/1/2020 |
| Finland | 11/8/2019 | $95,000 | 64 | 66 | 479 | $800,585 | 1/6/2021 |
| France | 11/27/2019 | $819,466 | 315 | 315 | 1248 | $2,146,760 | 1/10/2020 |
| Germany | 11/14/2019 | $1,575,386 | 491 | 579 | 3691 | $7,875,998 | 1/29/2020 |
| Greece | 11/14/2019 | $103,165 | 46 | 73 | 358 | $857,049 | 1/15/2020 |
| Hong Kong | 12/5/2019 | $229,027 | 0 | 55 | 175 | $813,817 | 1/23/2020 |
| Hungary | 11/8/2019 | $176,000 | 50 | 63 | 344 | $913,166 | 10/19/2022 |
| Iceland | 11/8/2019 | $0 | 0 | 8 | 35 | $109,196 | 1/1/2020 |
| India | 11/8/2019 | $63,000 | 181 | 181 | 219 | $143,456 | 1/15/2020 |
| Indonesia | 12/6/2019 | $153,620 | 150 | 150 | 238 | $510,989 | 1/15/2020 |
| Israel | 11/7/2019 | $139,000 | 28 | 28 | 144 | $506,311 | 10/19/2022 |
| Italy | 12/19/2019 | $733,271 | 0 | 4 | 5 | $2,513,181 | 8/28/2020 |
| Japan | 12/6/2019 | $210,931 | 72 | 72 | 236 | $1,070,518 | 1/23/2020 |
| Latvia | 11/29/2019 | $13,347 | 14 | 14 | 47 | $65,139 | 1/15/2020 |
| Lebanon | 11/21/2019 | $24,931 | 14 | 14 | 57 | $119,396 | 1/15/2020 |
| Lithuania | 12/6/2019 | $33,754 | 16 | 16 | 50 | $143,511 | 1/8/2020 |
| Macedonia | 12/5/2019 | $4,913 | 2 | 2 | 7 | $16,913 | 1/15/2020 |
| Malaysia | 11/28/2019 | $132,369 | 76 | 77 | 240 | $360,472 | 1/23/2020 |
| Mexico | 12/6/2019 | $822,513 | 0 | 210 | 257 | $3,205,425 | 1/23/2020 |
| Middle East Region | 11/21/2019 | $255,958 | 62 | 62 | 166 | $1,067,943 | 1/15/2020 |
| Mongolia | 12/6/2019 | $33,366 | 9 | 9 | 45 | $139,893 | 1/23/2020 |
| Netherlands | 11/8/2019 | $417,240 | 115 | 130 | 997 | $3,924,253 | 10/19/2022 |
| New Zealand | 11/7/2019 | $167,084 | 94 | 100 | 649 | $971,588 | 10/19/2022 |
| North America | 11/8/2019 | $11,441,055 | 3,448 | 3,454 | 13,469 | $35,150,750 | |
| Norway | 11/8/2019 | $281,000 | 118 | 118 | 665 | $2,116,550 | 1/1/2020 |
| Paraguay | 11/28/2019 | $5,963 | 14 | 14 | 30 | $16,378 | 1/15/2020 |
| Peru | 12/5/2019 | $96,221 | 84 | 84 | 148 | $323,527 | 1/15/2020 |
| Philippines | 11/27/2019 | $101,879 | 102 | 102 | 123 | $157,002 | 12/18/2019 |
| Poland | 11/29/2019 | $211,445 | 135 | 152 | 484 | $1,267,257 | 10/19/2022 |
| Portugal | 12/6/2019 | $42,023 | 41 | 44 | 160 | $206,205 | 10/19/2022 |
| Romania | 11/15/2019 | $114,405 | 81 | 81 | 339 | $429,936 | 10/20/2022 |
| Russia (CIS) | 12/5/2019 | $1,451,147 | 1062 | 1062 | 3118 | $3,818,575 | 10/19/2022 |
| Serbia and Montenegro | 12/5/2019 | $60,965 | 40 | 40 | 99 | $147,236 | 2/10/2021 |
| Singapore | 11/28/2019 | $88,181 | 31 | 33 | 95 | $275,016 | 1/15/2020 |
| Slovakia | 11/29/2019 | $70,262 | 54 | 54 | 195 | $240,375 | 6/16/2020 |
| Slovenia | 11/28/2019 | $38,193 | 19 | 19 | 102 | $257,814 | 2/19/2020 |
| South Africa | 12/6/2019 | $94,712 | 85 | 85 | 283 | $402,718 | 1/23/2020 |
| South Korea | 12/5/2019 | $819,019 | 618 | 618 | 1018 | $1,745,090 | 1/15/2020 |
| Spain | 11/29/2019 | $503,197 | 276 | 285 | 1204 | $1,872,977 | 1/29/2020 |
| Sweden | 11/15/2019 | $266,476 | 137 | 137 | 586 | $1,269,290 | 1/15/2020 |
| Switzerland | 11/14/2019 | $248,740 | 44 | 58 | 363 | $1,494,240 | 1/15/2020 |
| Taiwan | 12/6/2019 | $216,298 | 92 | 92 | 301 | $735,490 | 1/23/2020 |
| Thailand | 12/12/2019 | $108,372 | 40 | 40 | 80 | $196,041 | 1/1/2020 |
| Trinidad | 11/13/2019 | $35,684 | 19 | 19 | 62 | $131,862 | 1/1/2020 |
| Turkey | 11/29/2019 | $30,765 | 36 | 36 | 75 | $70,741 | 10/19/2022 |
| Ukraine | 1/2/2020 | $671,000 | 184 | 184 | 523 | $1,278,306 | 2/17/2021 |
| United Arab Emirates | 11/21/2019 | $132,239 | 50 | 50 | 108 | $439,765 | 12/24/2020 |
| United Kingdom | 11/15/2019 | $3,424,531 | 612 | 660 | 4271 | $24,436,021 | 12/23/2020 |
| Uruguay | 12/5/2019 | $2,944 | 8 | 8 | 12 | $5,348 | 12/25/2019 |
| Venezuela | 11/22/2019 | $10,276 | 0 | 0 | 0 | $39,265 | 12/18/2019 |
| Vietnam | 12/6/2019 | $91,221 | 185 | 185 | 370 | $207,026 | 1/15/2020 |
| Worldwide Total | $123,429,381 | 12/13/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Emilia Clarke | Kate |
| Henry Golding | Tom |
Supporting Cast
| Michelle Yeoh | Santa |
| Emma Thompson | Adelia |
| Madison Ingoldsby | Young Kate |
| Boris Isakovic | Ivan |
| Lucy Miller | Young Marta |
| Maxim Baldry | Ed |
| Margaret Clunie | Shower Sarah |
| John-Luke Roberts | Klaus The German Clown |
| Bilal Zafar | Oscar |
| Patti LuPone | Joyce |
| Lydia Leonard | Marta |
| Michael Addo | Fit Looking Guy |
| Peter Mygind | The Dane, aka “Boy” |
| Rob Delaney | Theater Director |
| Peter Serafinowicz | Theater Producer |
| Sara Powell | Casting Director |
| Ranjit Singh Shubh | Bus Driver |
| Ritu Arya | Jenna |
| Ansu Kabia | Rufus |
| Fabien Frankel | Fabien |
| Laura Evelyn | Police Woman Churchill |
| Ingrid Oliver | Police Woman Crowley |
| Rebecca Root | Dr. Addis |
| Angus Brown | Ice Rink Security Guard |
| Kemi Durosinmi | Nigerian Tourist |
| Yinka Awoni | Nigerian Tourist |
| Angela Wynter | Ice Show Casting Director |
| Sue Perkins | Ice Show Director |
| Ben Owen-Jones | Danny |
| David Hargreaves | Arthur |
| Joe Blakemore | Army “Tom” |
| Calvin Demba | Nathan |
| Leon Delroy Williams | Traffic Cone Man |
| Anna Calder-Marshall | Dora |
| Jassie Mortimer | Croatian Woman |
| Michael Matovski | Croatian Man |
| Jake Lampart | Angry Man on Bus |
| Jade Anouka | Alba |
| David Mumeni | Guy in Pub |
| Laila Alj | Moroccan Vendor’s Wife |
| Liran Nathan | Moroccan Vendor |
| Amit Shah | Andy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paul Feig | Director |
| Emma Thompson | Screenwriter |
| Bryony Kimmings | Screenwriter |
| Emma Thompson | Story by |
| Greg Wise | Story by |
| Paul Feig | Producer |
| Jessie Henderson | Producer |
| David Livingstone | Producer |
| Emma Thompson | Producer |
| Sarah Bradshaw | Executive Producer |
| Theodore Shapiro | Composer |
| John Schwartzman | Director of Photography |
| Steve Dent | Stunt Coordinator |
| Gary Freeman | Production Designer |
| Brent White | Editor |
| Renee Ehrlich Kalfus | Costume Designer |
| Fiona Weir | Casting Director |
| Alice Searby | Casting Director |
| Sarah Bradshaw | Unit Production Manager |
| Simone Goodridge | Unit Production Manager |
| Phil Booth | First Assistant Director |
| Tom Mulberge | Second Assistant Director |
| David Austin | Associate Producer |
| Tom Still | Supervising Art Director |
| Richard Hardy | Art Director |
| Raffaella Giovannetiti | Set Decorator |
| Mike Dawson | Special Effects Supervisor |
| Simon Halfon | Co-Producer |
| Michael Mann | Production Supervisor |
| Charlotte Finlay | Costume Supervisor |
| Pippa Woods | Make-up and Hair Designer |
| Jo Beckett | Script Supervisor |
| Bill Darby | Supervising Location Manager |
| Duncan Flower | Location Manager |
| Neil Grigson | Location Manager |
| Jennifer White | Choreography |
| Ian Cunningham | First Assistant Editor |
| Chris Burdon | Re-recording Mixer |
| James H. Mather* | Re-recording Mixer |
| Candela Palencia | Sound Supervisor |
| James H. Mather* | Sound Supervisor |
| Michael Maroussas | Dialogue Editor |
| Tomas Blazukas | Sound Effects Editor |
| Ben Chick | Foley Editor |
| Sophia Hardman | Foley Editor |
| Becky Bentham | Music Supervisor |
| Paul Chandler | Music Editor |
| Chris Fogel | Score Recordist |
| Chris Fogel | Score Mixer |
| David Lingenfelser | Visual Effects Supervisor |
| Scott Dougherty | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.