Germany Box Office for Eiga Slam Dunk (2022)
Theatrical Performance (US$) | ||
Germany Box Office | $0 | Details |
Worldwide Box Office | $278,965,560 | Details |
Further financial details... |
Synopsis
Shohoku's “speedster” and point guard, Ryota Miyagi, always plays with brains and lightning speed, running circles around his opponents while feigning composure. Born and raised in Okinawa, Ryota had a brother who was three years older. Following in the footsteps of his older brother, who was a famous local player from a young age, Ryota also became addicted to basketball. In his second year of high school, Ryota plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui as they take the stage at the Inter-High School National Championship. And now, they are on the brink of challenging the reigning champions, Sannoh Kogyo High School.
Metrics
Movie Details
Germany Releases: | December 5th, 2023 (Limited) |
MPAA Rating: | PG-13 for language, violence and thematic elements. (Rating bulletin 2785 (cert #54479), 5/31/2023) |
Running Time: | 124 minutes |
Keywords: | Sports Comedy, Anime, Basketball, High School, High School Sports, Romance, First Love, Novel or Other Work Adapted by Author |
Source: | Based on Comic/Graphic Novel |
Genre: | Comedy |
Production Method: | Digital Animation |
Creative Type: | Contemporary Fiction |
Production Countries: | Japan |
Languages: | Japanese |
Weekend predictions: Barbie shooting for $80-million-plus second weekend
July 28th, 2023
All eyes remain on Barbie this weekend as it attempts to follow up its opening weekend, the 20th-best of all time, with something in the top 20 second weekends of all time. Based on how it’s been doing during the week, that seems like a good bet. It’ll have a bit of competition from Haunted Mansion this time around though, and perhaps more people will choose to watch Barbie or Oppenheimer this weekend, rather than both together. Even at the low end though, we’re still looking ahead to a very good weekend in theaters.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/24/2023 | $151,236 | 58 | 58 | 126 | $278,064 | 10/16/2023 |
Brazil | 8/3/2023 | $0 | 0 | 0 | 0 | $0 | |
China | 4/20/2023 | $39,380,000 | 204028 | 204028 | 315833 | $90,671,291 | 8/22/2023 |
Finland | 8/4/2023 | $4,550 | 17 | 17 | 17 | $7,154 | 8/11/2023 |
France | 7/26/2023 | $0 | 0 | 0 | 0 | $0 | |
Germany | 12/5/2023 | $0 | 0 | 0 | 0 | $0 | |
Hong Kong | 1/12/2023 | $0 | 0 | 0 | 0 | $5,300,000 | 4/7/2023 |
Indonesia | 2/22/2023 | $0 | 0 | 0 | 0 | $700,000 | 4/7/2023 |
Italy | 5/11/2023 | $303,458 | 0 | 0 | 0 | $590,335 | 5/22/2023 |
Japan | 12/3/2022 | $0 | 0 | 0 | 0 | $117,350,000 | 11/6/2023 |
Malaysia | 2/23/2023 | $0 | 0 | 0 | 0 | $1,100,000 | 4/7/2023 |
Mexico | 7/27/2023 | $354,067 | 0 | 0 | 0 | $354,067 | 8/2/2023 |
New Zealand | 8/24/2023 | $40,333 | 25 | 25 | 43 | $70,784 | 10/2/2023 |
North America | 7/28/2023 | $662,211 | 581 | 581 | 713 | $1,291,869 | |
Philippines | 2/1/2023 | $0 | 0 | 0 | 0 | $7,000,000 | 4/7/2023 |
Portugal | 5/30/2024 | $4,341 | 41 | 41 | 48 | $6,403 | 6/12/2024 |
Singapore | 2/2/2023 | $0 | 0 | 0 | 0 | $900,000 | 4/7/2023 |
South Africa | 9/15/2023 | $0 | 0 | 0 | 0 | $0 | |
South Korea | 1/4/2023 | $2,603,233 | 1023 | 1058 | 14133 | $37,381,644 | 5/22/2024 |
Spain | 7/7/2023 | $47,669 | 161 | 161 | 207 | $119,712 | 7/20/2023 |
Taiwan | 1/13/2023 | $0 | 0 | 0 | 0 | $14,900,000 | 4/7/2023 |
Thailand | 2/23/2023 | $0 | 0 | 0 | 0 | $450,000 | 4/7/2023 |
Turkey | 7/28/2023 | $2,152 | 33 | 33 | 33 | $2,152 | 8/3/2023 |
United Kingdom | 9/1/2023 | $170,513 | 154 | 154 | 154 | $170,513 | 9/6/2023 |
Vietnam | 4/23/2023 | $0 | 0 | 0 | 0 | $321,572 | 2/14/2024 |
Worldwide Total | $278,965,560 | 6/12/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Takehiko Inoue | Director |
Takehiko Inoue | Screenwriter |
Takehiko Inoue | Story Creator |