Serbia and Montenegro Box Office for Edge of Tomorrow (2014)
| Theatrical Performance (US$) | ||
| Serbia and Montenegro Box Office | $63,741 | Details |
| Worldwide Box Office | $367,028,980 | Details |
| Home Market Performance | ||
| North America DVD Sales | $11,337,322 | Details |
| North America Blu-ray Sales | $17,064,853 | Details |
| Total North America Video Sales | $28,402,175 | |
| Further financial details... | ||
Synopsis
In a near future, a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. The world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances. Lt. Col. Bill Cage is an officer who has never seen a day of combat when he is unceremoniously demoted and then dropped—untrained and ill-equipped—into what amounts to little more than a suicide mission. Cage is killed within minutes, managing to take an Alpha down with him. But, impossibly, he wakes back at the beginning of the same hellish day, and is forced to fight and die again… and again. But with each pass, Cage becomes tougher, smarter, and able to engage the Mimics with increasing skill, alongside Special Forces warrior Rita Vrataski, who has lain waste to more Mimics than anyone on Earth. As Cage and Rita take the fight to the aliens, each repeated battle becomes an opportunity to find the key to annihilating the alien invaders and saving the Earth.
Metrics
Movie Details
| Production Budget: | $178,000,000 |
| Serbia and Montenegro Releases: | May 29th, 2014 (Wide) |
| Video Release: | October 7th, 2014 by Warner Home Video |
| MPAA Rating: | PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material. (Rating bulletin 2317, 4/9/2014) |
| Running Time: | 136 minutes |
| Franchise: | Edge of Tomorrow |
| Keywords: | Alien Invasion, War, Time Travel, Visual Effects, 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., Village Roadshow Productions, RatPac Entertainment, Dune Entertainment |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2014/06/27 | 5 | $2,279 | 28 | $81 | $54,445 | 5 | |
| 2014/07/04 | 6 | $2,114 | -7% | 28 | $76 | $58,100 | 6 |
| 2014/07/11 | 8 | $1,721 | -19% | 28 | $61 | $60,858 | 7 |
| 2014/07/18 | 11 | $786 | -54% | 28 | $28 | $62,664 | 8 |
| 2014/07/25 | 12 | $542 | -31% | 28 | $19 | $63,741 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/29/2014 | $0 | 0 | 29 | 56 | $1,368,888 | 12/30/2018 |
| Australia | 6/5/2014 | $0 | 0 | 215 | 394 | $8,844,776 | 5/16/2022 |
| Austria | 5/29/2014 | $0 | 0 | 45 | 131 | $948,024 | 12/17/2015 |
| Belgium | 5/28/2014 | $0 | 0 | 83 | 177 | $1,219,740 | 12/17/2015 |
| Bolivia | 5/29/2014 | $0 | 0 | 7 | 7 | $223,512 | 12/30/2018 |
| Brazil | 5/29/2014 | $0 | 0 | 74 | 196 | $4,532,190 | 12/17/2015 |
| Bulgaria | 6/6/2014 | $0 | 0 | 26 | 109 | $368,323 | 12/30/2018 |
| Chile | 5/29/2014 | $0 | 0 | 14 | 34 | $937,557 | 12/30/2018 |
| Colombia | 5/30/2014 | $0 | 0 | 7 | 16 | $1,538,449 | 12/30/2018 |
| Croatia | 5/29/2014 | $0 | 0 | 18 | 60 | $162,768 | 12/30/2018 |
| Czech Republic | 6/5/2014 | $0 | 0 | 49 | 159 | $885,372 | 12/30/2018 |
| Denmark | 6/4/2014 | $0 | 0 | 54 | 54 | $946,280 | 12/15/2015 |
| Ecuador | 6/6/2014 | $0 | 0 | 86 | 112 | $528,421 | 12/30/2018 |
| Egypt | 6/6/2014 | $0 | 0 | 8 | 34 | $378,321 | 12/30/2018 |
| Estonia | 6/6/2014 | $0 | 0 | 5 | 13 | $172,965 | 12/16/2015 |
| Finland | 5/28/2014 | $0 | 0 | 37 | 94 | $753,986 | 12/17/2015 |
| France | 6/4/2014 | $0 | 0 | 532 | 1415 | $10,783,506 | 12/17/2015 |
| Germany | 5/29/2014 | $0 | 0 | 411 | 1390 | $6,344,381 | 12/17/2015 |
| Hong Kong | 5/29/2014 | $0 | 0 | 9 | 24 | $2,762,111 | 12/17/2015 |
| Hungary | 5/29/2014 | $0 | 0 | 52 | 260 | $1,139,708 | 12/30/2018 |
| Iceland | 5/28/2014 | $0 | 0 | 3 | 5 | $118,239 | 12/30/2018 |
| India | 6/6/2014 | $0 | 0 | 31 | 37 | $1,893,660 | 12/15/2015 |
| Israel | 5/29/2014 | $0 | 0 | 14 | 33 | $887,287 | 12/30/2018 |
| Italy | 5/29/2014 | $0 | 0 | 153 | 439 | $4,421,378 | 12/17/2015 |
| Japan | 6/4/2014 | $0 | 0 | 632 | 2509 | $13,403,859 | 12/17/2015 |
| Kenya | 5/30/2014 | $0 | 0 | 3 | 11 | $85,938 | 12/30/2018 |
| Latvia | 6/6/2014 | $0 | 0 | 3 | 13 | $143,231 | 12/30/2018 |
| Lebanon | 6/5/2014 | $0 | 0 | 4 | 11 | $222,962 | 12/30/2018 |
| Lithuania | 5/30/2014 | $0 | 0 | 7 | 21 | $200,562 | 12/17/2015 |
| Malaysia | 5/29/2014 | $0 | 0 | 34 | 52 | $3,740,645 | 12/17/2015 |
| Mexico | 6/5/2014 | $0 | 0 | 308 | 471 | $8,001,255 | 12/17/2015 |
| Netherlands | 5/29/2014 | $0 | 0 | 116 | 238 | $1,616,227 | 12/17/2015 |
| New Zealand | 6/5/2014 | $0 | 0 | 68 | 148 | $1,435,725 | 12/17/2015 |
| Nigeria | 5/30/2014 | $0 | 0 | 11 | 18 | $83,200 | 12/30/2018 |
| North America | 6/6/2014 | $28,760,246 | 3,490 | 3,505 | 17,714 | $100,206,256 | 4/24/2017 |
| Norway | 6/4/2014 | $0 | 0 | 43 | 87 | $1,484,523 | 12/16/2015 |
| Peru | 6/5/2014 | $0 | 0 | 32 | 33 | $1,203,538 | 12/30/2018 |
| Philippines | 6/5/2014 | $0 | 0 | 0 | 0 | $1,747,969 | 12/30/2018 |
| Poland | 6/6/2014 | $0 | 0 | 112 | 260 | $1,338,815 | 12/30/2018 |
| Portugal | 5/29/2014 | $0 | 0 | 1 | 1 | $487,716 | 9/30/2016 |
| Romania | 6/6/2014 | $0 | 0 | 28 | 109 | $775,203 | 12/30/2018 |
| Russia (CIS) | 6/5/2014 | $0 | 0 | 362 | 614 | $21,450,184 | 12/30/2018 |
| Serbia and Montenegro | 5/29/2014 | $0 | 0 | 28 | 140 | $63,741 | 12/30/2018 |
| Singapore | 6/5/2014 | $0 | 0 | 10 | 35 | $2,615,835 | 12/17/2015 |
| Slovakia | 6/5/2014 | $0 | 0 | 17 | 42 | $272,392 | 12/17/2015 |
| Slovenia | 5/29/2014 | $0 | 0 | 9 | 18 | $42,185 | 12/15/2015 |
| South Africa | 6/13/2014 | $0 | 0 | 82 | 133 | $649,464 | 12/15/2015 |
| South Korea | 6/4/2014 | $0 | 0 | 390 | 861 | $34,846,736 | 11/11/2020 |
| Spain | 5/30/2014 | $0 | 0 | 199 | 554 | $4,053,607 | 12/17/2015 |
| Sweden | 6/5/2014 | $0 | 0 | 61 | 157 | $1,718,606 | 12/17/2015 |
| Switzerland | 5/28/2014 | $0 | 0 | 4 | 4 | $424,954 | 12/17/2015 |
| Taiwan | 5/30/2014 | $0 | 0 | 57 | 120 | $7,694,797 | 12/17/2015 |
| Thailand | 6/5/2014 | $0 | 0 | 6 | 8 | $1,853,832 | 12/16/2015 |
| Turkey | 6/6/2014 | $0 | 0 | 200 | 320 | $2,320,294 | 12/30/2018 |
| Ukraine | 6/5/2014 | $0 | 0 | 59 | 105 | $1,387,973 | 12/30/2018 |
| United Arab Emirates | 6/5/2014 | $0 | 0 | 16 | 68 | $2,870,798 | 12/30/2018 |
| United Kingdom | 5/30/2014 | $0 | 0 | 254 | 546 | $13,260,634 | 12/17/2015 |
| Uruguay | 6/5/2014 | $0 | 0 | 4 | 9 | $108,950 | 12/30/2018 |
| Venezuela | 6/6/2014 | $0 | 0 | 36 | 122 | $2,901,597 | 12/17/2015 |
| Vietnam | 6/6/2014 | $0 | 0 | 3 | 5 | $627,943 | 12/30/2018 |
| Rest of World | $79,526,992 | ||||||
| Worldwide Total | $367,028,980 | 5/16/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Tom Cruise | Lt. Col. Bill Cage |
| Emily Blunt | Rita Vrataski |
Supporting Cast
| Bill Paxton | Master Sergeant Farell |
| Brendan Gleeson | General Brigham |
| Jonas Armstrong | Skinner |
| Tony Way | Kimmel |
| Kick Gurry | Griff |
| Franz Drameh | Ford |
| Dragomir Mrsic | Kuntz |
| Charlotte Riley | Nance |
| Masayoshi Haneda | Takeda |
| Terence Maynard | Cruel Sergeant |
| Noah Taylor | Dr. Carter |
| Madeleine Mantock | Julie |
| Assly Zandry | Infirmary Nurse |
| Sebastian Blunt | Young Soldier/Tarmac |
| Beth Goddard | Secretary-Judith |
| Ronan Summers | Dog Soldier 1 |
| Aaron Romano | Dog Soldier 2 |
| Usman Akram | Dog Soldier 3 |
| Bentley Kalu | Dog Soldier 4 |
| Mairead McKinley | Bar Maid |
| Andrew Neil | Old Man |
| Martin Hyder | Drunk |
| Tommy Campbell | Drop Ship Pilot |
| John Dutton | Old Man 2 |
| Harry Landis | Old Man 3 |
| Rachel Handshaw | Military Spokesperson 1 |
| Martin McDougall | Military Spokesperson 2 |
| David Kaye | Voice of UDF Commercial |
Cameos
| Anna Botting | Sky News Anchor/Herself |
| Jane Hill | BBC News Anchor/Herself |
| Erin Burnett | CNN News Anchor/Herself |
| Dany Cushmaro | Channel 2 News Anchor/Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Doug Liman | Director |
| Erwin Stoff | Producer |
| Tom Lassally | Producer |
| Jeffrey Silver | Producer |
| Gregory Jacobs | Producer |
| Jason Hoffs | Producer |
| Jez Butterworth | Screenwriter |
| Christopher McQuarrie | Screenwriter |
| John-Henry Butterworth | Screenwriter |
| Hiroshi Sakurazaka | Based on the novel 'All You Need is Kill' |
| Joby Harold | Executive Producer |
| Doug Liman | Executive Producer |
| Dave Bartis | Executive Producer |
| Bruce Berman | Executive Producer |
| Hidemi Fukuhara | Executive Producer |
| Dion Beebe | Director of Photography |
| Oliver Scholl | Production Designer |
| James Herbert | Editor |
| Tim Lewis | Co-Producer |
| Kim H. Winther | Co-Producer |
| Christophe Beck | Composer |
| Laura Jennings | Editor |
| Lucinda Syson | Casting Director |
| Kate Hawley | Costume Designer |
| Nick Davis | Visual Effects Supervisor |
| Julianne Jordan | Music Supervisor |
| Tim Lewis | Unit Production Manager |
| Jeffrey Silver | Unit Production Manager |
| Kim H. Winther | Assistant Director |
| Max Keene | Assistant Director |
| Chris Carreras | Assistant Director |
| Will Dodds | Assistant Director |
| Simon Crane | Second Unit Director |
| Simon Crane | Stunt Coordinator |
| Fraser Taggart | Second Unit Director of Photography |
| Neil Lamont | Supervising Art Director |
| Alastair Bullock | Art Director |
| Gary Tomkins | Art Director |
| Mark Harris | Art Director |
| Christian Huband | Art Director |
| Jason Knox-Johnston | Art Director |
| Haley Easton-Street | Art Director |
| Stephen Swain | Art Director |
| Andrew Palmer | Art Director |
| Jo Finkel | Assistant Art Director |
| Robert Hochstoeger | Assistant Art Director |
| Ashley Lamont | Assistant Art Director |
| Will Coubrough | Assistant Art Director |
| Jeffrey Simon | Assistant Art Director |
| Polly Seath | Art Department Coordinator |
| Lisa Vick | Script Supervisor |
| Stuart Wilson | Sound Mixer |
| Marianne Jenkins | Post-Production Executive |
| Tim Grover | Post-Production Supervisor |
| Philip Hedgecock | Assistant Editor |
| Mark Burton | Assistant Editor |
| Angus Munro | Assistant Editor |
| Henry Kemplen | Assistant Editor |
| Bob Eberlein | Visual Effects Photography |
| Kelly Chang | Apprentice Editor |
| Alex Bicknell | Visual Effects Producer |
| Dominic Gibbs | Supervising Sound Editor |
| Chris Burdon | Re-recording Mixer |
| Mark Taylor | Re-recording Mixer |
| Jimmy Boyle | Sound Designer |
| Dan Morgan | Dialogue Editor |
| Michael Fentum | Sound Effects Editor |
| Ben Meechan | Sound Effects Editor |
| Dan Grace | Costume Supervisor |
| Joe Hobbs | Assistant Costume Designer |
| Brendan Handscombe | Assistant Costume Supervisor |
| Sarah Monzani | Make-up and Hair Designer |
| Ailbhe Lemass | Make up |
| Terry Madden | Assistant Director: Second Unit |
| Simon Chase | Dialogue Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.