United Kingdom Box Office for Champions (2023)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $1,025,719 | Details |
Worldwide Box Office | $19,115,227 | Details |
Home Market Performance | ||
North America DVD Sales | $440,323 | Details |
North America Blu-ray Sales | $164,313 | Details |
Total North America Video Sales | $604,636 | |
Further financial details... |
Synopsis
After a series of missteps, a former minor-league basketball coach is ordered by the court to manage a team of players with intellectual disabilities. He soon realizes that despite his doubts, together, this team can go further than they ever imagined.
Metrics
Movie Details
United Kingdom Releases: | March 10th, 2023 (Wide) |
Video Release: | April 28th, 2023 by Universal Home Entertainment |
MPAA Rating: | PG-13 for strong language and crude/sexual references. (Rating bulletin 2767 (cert #53610), 1/25/2023) |
Running Time: | 123 minutes |
Keywords: | Sports Comedy, Community Service, Learning Disabilities, Basketball, Inspirational Coach |
Source: | Based on Movie |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Focus Features, Gold Circle Entertainment |
Production Countries: | United States |
Languages: | English |
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Champions trailer
March 7th, 2023
After a series of missteps, a former minor-league basketball coach is ordered by the court to manage a team of players with intellectual disabilities. He soon realizes that despite his doubts, together, this team can go further than they ever imagined.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2023/03/10 | 8 | $453,776 | 455 | $997 | $453,776 | 1 | |
2023/03/17 | 14 | $121,509 | -73% | 327 | $372 | $840,761 | 2 |
2023/03/24 | 19 | $50,370 | -59% | 153 | $329 | $955,907 | 3 |
2023/03/31 | - | $22,950 | -54% | 48 | $478 | $995,614 | 4 |
2023/04/07 | - | $4,743 | -79% | 10 | $474 | $1,013,020 | 5 |
2023/04/14 | - | $5,297 | +12% | 8 | $662 | $1,022,366 | 6 |
2023/04/21 | - | $1,719 | -68% | 5 | $344 | $1,025,719 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/9/2023 | $308,309 | 233 | 233 | 880 | $917,471 | 8/28/2023 |
Austria | 4/27/2023 | $28,967 | 29 | 30 | 150 | $107,768 | 1/24/2024 |
Brazil | 5/25/2023 | $16,156 | 87 | 87 | 109 | $21,943 | 6/7/2023 |
Chile | 3/23/2023 | $3,653 | 15 | 15 | 15 | $4,410 | 4/5/2023 |
Germany | 4/27/2023 | $96,900 | 68 | 68 | 205 | $132,199 | 5/31/2023 |
Italy | 5/31/2023 | $45,744 | 0 | 12 | 13 | $69,100 | 6/28/2023 |
Mexico | 4/13/2023 | $161,393 | 260 | 260 | 439 | $225,769 | 5/17/2023 |
New Zealand | 3/9/2023 | $22,677 | 70 | 70 | 249 | $73,823 | 5/22/2023 |
North America | 3/10/2023 | $5,148,740 | 3,030 | 3,039 | 9,913 | $16,397,335 | |
Peru | 3/23/2023 | $7,224 | 30 | 30 | 33 | $10,495 | 4/5/2023 |
Poland | 4/28/2023 | $0 | 0 | 0 | 0 | $0 | |
Spain | 12/15/2023 | $67,729 | 240 | 240 | 429 | $125,575 | 1/10/2024 |
Trinidad | 3/23/2023 | $971 | 7 | 7 | 11 | $2,669 | 4/5/2023 |
United Kingdom | 3/10/2023 | $453,776 | 455 | 455 | 1006 | $1,025,719 | 4/26/2023 |
Uruguay | 3/23/2023 | $0 | 0 | 1 | 1 | $951 | 4/5/2023 |
Worldwide Total | $19,115,227 | 1/24/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Woody Harrelson | Marcus |
Kaitlin Olson | Alex |
Ernie Hudson | Coach Phil Perretti |
Cheech Marin | Julio |
Matt Cook | Sonny |
Madison Tevlin | Cosentino |
Joshua Felder | Darius |
Kevin Iannucci | Johnny |
Ashton Gunning | Cody |
Matthew von der Ahe | Craig |
Tom Sinclair | Blair |
James Day Keith | Benny |
Alex Hintz | Arthur |
Casey Metcalfe | Marlon |
Bradley Edens | Showtime |
Supporting Cast
Barbara Pollard | Dot |
Alex Castillo | Judge Mary Mendendez |
Mike Smith | Attorney McGurk |
Alicia Johnston | Coach Maya |
Sean Cullen | Frank O’Connolly |
Jacob Blair | Blake Lassiter |
Ryan Delong | Headband |
Cory Wojcik | Bus Driver |
Lauren Cochrane | Mother on Bus |
Eddy Norman | Child With Mother on Bus |
Stephanie Sy | Reporter |
Alex Hannah | Jimmy |
Champ B. Pederson | Peter the “Ringer” |
Jean-Jacques Javier | Bartender |
Aaron Hughes | Opposing Coach |
Joanne Zahaiko | The Beasts Coach |
Malik Irwin | Jared |
Heath Vermette | Factory Supervisor |
Clint Allen | Shakespeare Actor |
Joanne Rodriguez | Group Home Counselor |
Lois Brothers | Referee |
Matthew Fletcher | Maitre’d |
Brian Dobson | Announcer |
Cameos
Scott Van Pelt | Himself |
Jalen Rose | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Bobby Farrelly | Director |
Mark Rizzo | Screenwriter |
David Marques | Story by |
David Marques | Screenwriter |
Javier Fesser | Screenwriter |
Paul Brooks | Producer |
Scott Niemeyer | Producer |
Jeremy Plager | Producer |
Woody Harrelson | Executive Producer |
Brad Kessell | Executive Producer |
Alexander Jooss | Executive Producer |
Alvaro Longoria | Executive Producer |
Javier Fesser | Executive Producer |
Luis Manso | Executive Producer |
C. Kim Miles | Director of Photography |
Jean Andre Carriere | Production Designer |
Julie Garces | Editor |
Maria Livingstone | Costume Designer |
Michael Franti | Composer |
Natasha Duprey | Music Supervisor |
Jonathan Shore | Co-Producer |
Cary Davies | Co-Producer |
Rick Montgomery | Casting Director |
Drew Locke | Unit Production Manager |
Aaron Graham | Production Manager |
Preston Hudson | First Assistant Director |
Brandon Thomas Ng | First Assistant Director |
Diana Kim | Second Assistant Director |
Nikki Stanghetti | Production Supervisor |
Anna Schwartz | Associate Producer |
B.J. Verot | Stunt Coordinator |
Sara McCudden | Set Decorator |
Russ Dyck | Sound Mixer |
Suze Dunbar | Script Supervisor |
Davin Macrae | Special Effects Coordinator |
Jon van Winkle | Art Director |
Crystal Biloski | Assistant Art Director |
Kristy Greig | Make up |
Stacey Mendoza | Hairstylist |
Neal Baksh | Location Manager |
Koah Kruse | Post-Production Supervisor |
Aaron Merrill | First Assistant Editor |
James Fonnyadt | Sound Supervisor |
Kelly Cole | Re-recording Mixer |
Bill Mellow | Re-recording Mixer |
Chris Baker | Sound Designer |
Aaron Olson | Dialogue/ADR Editor |
Gregorio Gomez | Sound Effects Editor |
Craig George | Sound Effects Editor |
Jeff Jackman | Sound Effects Editor |
Shane Rees | Foley Supervisor |
Chase Maxwell | Foley Recordist |
Jesse Barden | Foley Editor |
Alexis Mondragon | Foley Editor |
Brett Keyes | Visual Effects Supervisor |
Lance Povlock | Music Editor |
Bryant J. Fuhrmann | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.