Australia Box Office for Amores Perros (2001)
Theatrical Performance (US$) | ||
Australia Box Office | $14,524 | Details |
Worldwide Box Office | $20,883,834 | Details |
Further financial details... |
Synopsis
Three stories of life along the margins in Mexico City converge in this inventive thriller. Octavio is sharing an apartment with his brother, which leads to a serious problem when he falls in love with Susanna, his sister-in-law. Octavio and Susanna want to run away together, but Octavio has no money. He does, however, know a man who stages dog fights, and he volunteers his dog Cofi for the next round of fights. Cofi bravely rises to the occasion, but the dog's success in the ring leads to a violent altercation. Elsewhere, Daniel, a successful publishing magnate, leaves his family to take up with a beautiful model, Valeria. Valeria, however, soon loses a leg in an auto accident, and as Daniel tends to her needs, her tiny pet dog gets trapped under the floorboards of their apartment. And finally, El Chivo is an elderly homeless man who is trying to contact his daughter, whom he hasn't seen in years. Desperate for money, El Chivo is hired by a businessman to assassinate his partner; however, as he's following his target, he's interrupted by an auto accident, from which Octavio and his injured dog stagger in search of help.
Metrics
Movie Details
Production Budget: | $2,000,000 |
Australia Releases: | April 5th, 2001 (Wide) |
Video Release: | January 15th, 2004 by Lionsgate Home Entertainment |
MPAA Rating: | R for violence/gore, language and sexuality. |
Running Time: | 153 minutes |
Keywords: | Life Drama, Car Accident, Love Triangle, Dysfunctional Family, Domestic Abuse, Relationships Gone Wrong, Animal Abuse, The Other Woman, Models, Paralysis / Loss of a Limb, Wheelchair User, Hitmen, Animal Lead, Segments |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Mexico |
Languages: | Spanish |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2001/04/06 | - | $14,524 | 7 | $2,075 | $14,524 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/5/2001 | $14,524 | 7 | 7 | 7 | $14,524 | 4/1/2020 |
North America | 3/30/2001 | $61,047 | 2 | 187 | 1,469 | $5,383,834 | 11/21/2014 |
Rest of World | $15,485,476 | ||||||
Worldwide Total | $20,883,834 | 4/1/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
Gael Garcia Bernal | Octavio |
Adriana Barraza |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Alejandro Gonzalez Inarritu | Director |
Guillermo Arriaga | Screenwriter |
Alejandro Gonzalez Inarritu | Producer |