Lebanon Box Office for 47 Ronin (2013)
Theatrical Performance (US$) | ||
Lebanon Box Office | $93,024 | Details |
Worldwide Box Office | $151,716,815 | Details |
Home Market Performance | ||
North America DVD Sales | $7,915,529 | Details |
North America Blu-ray Sales | $10,244,007 | Details |
Total North America Video Sales | $18,159,536 | |
Further financial details... |
Synopsis
After a treacherous warlord kills their master and banishes their kind, 47 leaderless samurai vow to seek vengeance and restore honor to their people. Driven from their homes and dispersed across the land, this band of Ronin must seek the help of Kai—a half-breed they once rejected—as they fight their way across a savage world of mythic beasts, shape-shifting witchcraft and wondrous terrors. As this exiled, enslaved outcast becomes their most deadly weapon, he will transform into the hero who inspires this band of outnumbered rebels to seize eternity
Metrics
Movie Details
Production Budget: | $175,000,000 |
Lebanon Releases: | December 26th, 2013 (Wide) |
Video Release: | April 1st, 2014 by Universal Home Entertainment |
MPAA Rating: | PG-13 for intense sequences of violence and action, some disturbing images, and thematic elements. (Rating bulletin 2286, 8/21/2013) |
Running Time: | 127 minutes |
Franchise: | 47 Ronin |
Keywords: | Martial Arts, Wuxia, Inspired by a True Story, Revenge, 3-D, 3-D - Shot in 3-D, Action Adventure, Witches, Shapeshifter, Orphan, Interracial Child |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Relativity Media, Bluegrass Films |
Production Countries: | United States |
Languages: | English, Japanese |
DVD and Blu-ray Releases for April 1st, 2014
March 31st, 2014
The home market isn't terrible this week and there are a couple of releases on top that could sell well. However, it is not a very deep week and even the second page of the new releases over on Amazon.com has some releases I would call filler. Anchorman: The Legend Continues on 3-Disc Blu-ray Combo Pack is the best-selling new release of the week and it is arguably the best as well. The Pirate Fairy on Blu-ray Combo Pack is the second best-selling new release of the week and also a contender for Pick of the Week. Meanwhile, I'm really looking forward to seeing Knights of Badassdom but the Blu-ray Combo Pack is still on its way.
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International Box Office: Wolf Leads the Pack
January 23rd, 2014
The Wolf of Wall Street rocketed from fifth place to first place with $32.84 million in 4,446 screens in 36 markets for an international total of $80.86 million over four weeks of release. The film opened in first place in the U.K. with $7.65 million on 500 screens, while in Germany it earned first place with $6.66 million on 502 screens. Meanwhile, it made $3.62 million on 327 screens in Spain, earning first place in that market as well.
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International Box Office: Frozen Fights Its Way to the Top
January 15th, 2014
After being in second place for a long time, Frozen finally scored first place with $27.8 million in 50 markets for totals of $394.6 million internationally and $711.9 million worldwide. The film had no major market openings this past weekend, but it opens this weekend in South Korea and in Japan in March.
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International Box Office: Hobbit Hits Half a Billion
January 9th, 2014
The Hobbit: The Desolation of Smaug began 2014 the same way it ended 2013, on top. This weekend it pulled in $58 million in 62 markets for totals of $527 million internationally and $756 million worldwide. The film had no major market openings this past weekend, but did remain in fourth place in Russia with $9.6 million on 1,378 screens for a total of $42 million after three weeks of release. It was able to remain in top spot in Germany for the fourth weekend in a row with $8.6 million on 1,40 screens for a total of $75.1 million there. Granted, the film won't match An Unexpected Journey's debut, but it will end its run with well over $800 million worldwide, possibly even $900 million worldwide. There's no way to look at that figure and not call the movie a smashing success.
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Weekend Wrap-Up: Box Office Goes Cold
January 7th, 2014
The box office wasn't as boisterous as anticipated and this is partially due to the seasonal storm that hit the east coast. This is also partially due to weaker than expected numbers for Paranormal Activity: The Marked Ones, which only managed second place in its debut. This allowed Frozen to return to top spot on the chart, even though it was a little weaker than expected. The overall box office fell 27% from last weekend down to $141 million. Compared to last year, the box office was down 4%, which isn't a good result, but it is also not terrible. Had The Marked Ones merely matched expectations, it would have been a virtual tie.
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International Box Office: Hobbit Ends the Year On Top
January 1st, 2014
As it has the past couple of weeks, The Hobbit: The Desolation of Smaug topped the international chart earning $99.7 million on 15,782 screens in 61 markets for totals of $424.8 million internationally and $615.1 million worldwide. The film opened in Australia on Boxing Day, but due to the holidays earning first place with a total opening of $12.9 million on 629 screens; however, this was a little behind An Unexpected Journey's debut there. On the other hand, the film set the record for biggest total opening in Poland with $5.6 million on 425 screens.
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Weekend Wrap-Up and Holiday Schedule
December 30th, 2013
Some studios are still closed and won't open till this time next week, so we won't have all of the final numbers for the past two weeks till then. We do have some final numbers, as well as some studio estimates that we can look at now. As for the upcoming week, it will look a lot like last week in terms of stories. We won't have a per theater chart, we might have an international top ten, while prediction, contest, and limited releases will be mostly normal. We might even have a review this weekend. (That's assuming some of the late screeners finally arrive, because at the moment I have nothing to review.)
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Weekend Projections: Hobbit Top But Frozen Most Impressive
December 29th, 2013
The Hobbit will extend its run at the top of the chart to three weekends, according to studio estimates released on Sunday, but Frozen is the real winner, with a 47% increase in box office from last weekend (the second-best in the top 10 behind Saving Mr. Banks), and a new entry in the record books as the second-most-successful film in its 6th weekend in theaters -- only Avatar tops it.
The rest of the chart is a mess of new releases enjoying varying degrees of success.
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Weekend Predictions: Holiday Treats or Lumps of Coal
December 27th, 2013
It's the final weekend of the year and there are a lot of films fighting for spots in the top five, including five films that opened on Christmas Day. Unfortunately for those films, it looks like The Hobbit: The Desolation of Smaug will remain in first place for the third weekend in a row. The Wolf of Wall Street will likely be the biggest of the five new releases, but it is unlikely that it will have a shot at first place; it might only finish fifth. The other new releases are even weaker. Last year there were only three new releases for the final weekend of the year, but none of them bombed, so 2013 might end on a low note. 2013 should still win in the year-over-year comparison, but losing on the final weekend of the year is a bad sign for 2014's debut.
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Holiday Schedule and Early Predictions
December 23rd, 2013
It's Christmas week and that means most stories will be delayed and / or shortened. Many studios are closed for the next two weeks, and some did so before releasing final box office numbers for the weekend. (This includes Paramount, so we we won't have a winner in our Box Office Prediction contest either.) International numbers will likely be delayed for a couple weeks as well. As far as weekend predictions go...
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2013 Preview: December
December 1st, 2013
We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/12/27 | 3 | $93,024 | 17 | $5,472 | $93,024 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Bulgaria | 12/27/2013 | $308,265 | 38 | 38 | 38 | $308,265 | 12/30/2018 |
Croatia | 12/26/2013 | $56,501 | 26 | 26 | 26 | $56,501 | 12/30/2018 |
Egypt | 12/25/2013 | $22,245 | 10 | 10 | 14 | $139,359 | 12/30/2018 |
Greece | 12/25/2013 | $247,695 | 69 | 69 | 69 | $266,792 | 12/13/2015 |
Hong Kong | 12/25/2013 | $263,422 | 47 | 47 | 47 | $335,901 | 12/13/2015 |
Hungary | 12/26/2013 | $421,186 | 48 | 48 | 48 | $421,186 | 12/30/2018 |
Indonesia | 12/20/2013 | $564,807 | 94 | 112 | 206 | $1,892,041 | 12/30/2018 |
Japan | 12/6/2013 | $1,022,721 | 753 | 753 | 1504 | $2,864,072 | 12/13/2015 |
Jordan | 12/26/2013 | $22,292 | 5 | 5 | 5 | $22,292 | 12/30/2018 |
Lebanon | 12/26/2013 | $93,024 | 17 | 17 | 17 | $93,024 | 12/30/2018 |
Lithuania | 12/27/2013 | $45,836 | 11 | 11 | 11 | $76,993 | 12/13/2015 |
Malaysia | 12/19/2013 | $1,110,093 | 99 | 106 | 205 | $2,479,710 | 12/13/2015 |
Netherlands | 12/26/2013 | $431,988 | 67 | 67 | 67 | $786,556 | 12/13/2015 |
North America | 12/25/2013 | $9,910,310 | 2,689 | 2,690 | 7,494 | $38,362,475 | 12/5/2016 |
Portugal | 12/26/2013 | $435,633 | 62 | 62 | 62 | $435,633 | 12/13/2015 |
Romania | 12/27/2013 | $325,870 | 39 | 39 | 39 | $325,870 | 12/30/2018 |
Singapore | 12/19/2013 | $983,262 | 49 | 49 | 98 | $1,981,936 | 12/13/2015 |
Spain | 12/25/2013 | $1,088,221 | 326 | 326 | 326 | $1,844,140 | 12/13/2015 |
Taiwan | 12/24/2013 | $633,029 | 72 | 72 | 72 | $1,531,790 | 12/13/2015 |
Thailand | 12/24/2013 | $760,792 | 147 | 147 | 147 | $1,129,819 | 12/13/2015 |
Turkey | 12/27/2013 | $638,928 | 180 | 180 | 180 | $638,928 | 12/30/2018 |
Ukraine | 1/1/2014 | $256,625 | 91 | 91 | 91 | $256,625 | 12/30/2018 |
United Arab Emirates | 12/26/2013 | $621,279 | 50 | 50 | 50 | $909,681 | 12/30/2018 |
United Kingdom | 12/26/2013 | $2,332,760 | 377 | 377 | 377 | $2,332,760 | 12/13/2015 |
Vietnam | 12/24/2013 | $184,879 | 62 | 62 | 62 | $393,247 | 12/30/2018 |
Rest of World | $91,831,219 | ||||||
Worldwide Total | $151,716,815 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keanu Reeves | Kai |
Supporting Cast
Hiroyuki Sanada | Oishi |
Ko Shibasaki | Mika |
Tadanobu Asano | Lord Kira |
Min Tanaka | Lord Asano |
Masayoshi Haneda | Yasuno |
Hiroshi Sogabe | Hazama |
Takato Yonemoto | Basho |
Hiroshi Yamada | Hara |
Shu Nakajima | Horibe |
Cary-Hiroyuki Tagawa | Shogun Tsunayoshi |
Neil Fingleton | Lovecraftian Samurai |
Rinko Kikuchi | Witch |
Natsuki Kunimoto | Riku |
Togo Igawa | Tengu Lord |
Tanroh Ishida | Shogun's Adjutant |
Eizo Tomita | Advisor |
Dai Tabuchi | Advisor |
Masayuki Deai | Isogai |
Yorick van Wageningen | Kapitan |
Junichi Kajioka | Guard |
Clyde Kusatsu | Drunk Official |
Haruka Abe | Mika's Handmaidens |
Tomoko Komura | Mika's Handmaidens |
Takako Akashi | Mika's Handmaidens |
Akira Koieyama | Kira's Spy |
Arisa Maekawa | Teen Mika |
Daniel Barber | Teen Kai |
Masashi Fujimoto | Lead Soldier |
Gedde Watanabe | Troupe Leader |
Manato Sekiguchi | Young Oishi |
Rick Genest | Foreman |
Narrator(s)
Ron Bottitta | Narrator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Carl Rinsch | Director |
Chris Morgan | Screenwriter |
Hossein Amini | Screenwriter |
Chris Morgan | Story Creator |
Walter Hamada | Story Creator |
Pamela Abdy | Producer |
Eric McLeod | Producer |
Scott Stuber | Executive Producer |
Chris Fenton | Executive Producer |
Walter Hamada | Executive Producer |
Jan Roelfs | Production Designer |
Stuart Baird | Editor |
Ilan Eshkeri | Composer |
John Mathieson | Director of Photography |
Penny Rose | Costume Designer |
Denise Chamian | Casting Director |
Priscilla John | Casting Director |
Yoko Narahashi | Casting Director |
Christian Manz | Visual Effects Supervisor |
Eric McLeod | Unit Production Manager |
Diane Sabatini | Unit Production Manager |
Simon Warnock | Assistant Director |
Sallie Hard | Assistant Director |
Phil Neilson | Second Unit Director |
Garv Thorp | Visual Effects Producer |
Sara Desmond | Production Supervisor |
Gary Freeman | Supervising Art Director |
David Allday | Senior Art Director |
Les Tomkins | Senior Art Director |
John Chichester | Art Director |
Robert Cowper | Art Director |
Faye Green | Art Director |
Guy Bradley | Assistant Art Director |
Gavin Fitch | Assistant Art Director |
Gae Buckley | Set Designer |
Oliver Carroll | Set Designer |
Kevin Cross | Set Designer |
Miranda Diamond | Set Designer |
David Doran | Set Designer |
Oliver Goodier | Set Designer |
A. Todd Holland | Set Designer |
Masako Masuda | Set Designer |
David Moreau | Set Designer |
Suzanna Smith | Set Designer |
John Warnke | Set Designer |
Anthony Leonardi, III | Creature Designer |
Nick Lloyd | Creature Designer |
Giles Asbury | Story Artist |
Richard Bennett | Story Artist |
Jim Cornish | Story Artist |
Michael Anthony Jackson | Story Artist |
Chandler Wood | Story Artist |
Elli Griff | Set Decorator |
Stephen Sharratt | Art Director |
Malcolm Stone | Art Director |
John Midgley | Sound Mixer |
Paul Corbould | Special Effects Supervisor |
Alicia Davies | Special Effects Coordinator |
Amanda Knight | Make up |
Amanda Burns | Make up |
Amanda Byrne | Make up |
Lisa Tomblin | Hairstylist |
Elisabetta de Leo* | Hairstylist |
Stephen Rose | Hairstylist |
Will Dodds | Second Assistant Director |
Bryn Lawrence | Assistant Director |
Ray Kenny | Assistant Director |
Megan Roberts | Assistant Director |
Frank A. Montano | Re-recording Mixer |
Jon Taylor | Re-recording Mixer |
Simon Morgan | Associate Editor |
Dylan Quirt | Associate Editor |
Tim Nielsen | Supervising Sound Editor |
Teri E. Dorman | Dialogue Editor |
Dan Laurie* | Dialogue Editor |
Kevin O'Connell | Additional Sound Re-recording Mixer |
James Ashwill | Foley Mixer |
Blake Collins | Foley Mixer |
Richard Duarte | Foley Mixer |
John Guentner | Foley Mixer |
Andrew Silver | Music Editor |
Tesse Gohl | Score Producer |
Steve McLaughlin | Score Producer |
Fraser Taggart | Second Unit Camera |
Kenneth Karman | Music Editor |
Chris Carreras | First Assistant Director |
Chris Carreras | Additional Photography |
Jacob Riehle | Assistant Sound Editor |
Nia Hansen | Foley Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.