Chris Spain
Best known as a Screenwriter based on credits in that role in 2 films, with $132,468,131 worldwide aggregate box office (rank #1,583) |
Best-known technical roles: What Men Want (Screenwriter), How to Be a Latin Lover (Screenwriter) |
Best-known acting roles: Preservation Partier (Dumb & Dumber) |
Most productive collaborators: Jon Zack, Eugenio Derbez, Ken Marino, Taraji P. Henson, Adam Shankman |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $127,175,374 | $119,224,626 | $246,400,000 |
In Technical Roles | Screenwriter | 2 | $86,761,307 | $45,706,824 | $132,468,131 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 15,301-15,400) | 15,356 | $127,175,374 |
Top Stars at the International Box Office (Rank 18,501-18,600) | 18,535 | $119,224,626 |
Top Stars at the Worldwide Box Office (Rank 17,001-17,100) | 17,010 | $246,400,000 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,201-1,300) | 1,299 | $86,761,307 |
Top Grossing Screenwriter at the International Box Office (Rank 1,801-1,900) | 1,846 | $45,706,824 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,501-1,600) | 1,583 | $132,468,131 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Preview: April
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 16, 1994 | Dumb & Dumber | Preservation Partier | $127,175,374 | $119,224,626 | $246,400,000 |
Averages | $127,175,374 | $119,224,626 | $246,400,000 | ||
Totals | 1 | $127,175,374 | $119,224,626 | $246,400,000 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 8, 2019 | What Men Want | Screenwriter | $54,611,903 | $15,300,000 | $69,911,903 |
Apr 28, 2017 | How to Be a Latin Lover | Screenwriter | $32,149,404 | $30,406,824 | $62,556,228 |
Averages | $43,380,654 | $22,853,412 | $66,234,066 | ||
Totals | 2 | $86,761,307 | $45,706,824 | $132,468,131 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 8, 2019 | What Men Want | $18,232,087 | 2,912 | $54,611,903 | $69,911,903 | 78.1% |
Apr 28, 2017 | How to Be a Latin Lover | $12,252,439 | 1,203 | $32,149,404 | $62,556,228 | 51.4% |
Averages | $15,242,263 | 2,058 | $43,380,654 | $66,234,066 | 64.8% | |
Totals | 2 | $86,761,307 | $132,468,131 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,201-1,300) | 1,299 | $86,761,307 |
Top Grossing Screenwriter at the International Box Office (Rank 1,801-1,900) | 1,846 | $45,706,824 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,501-1,600) | 1,583 | $132,468,131 |