George Escobar
Best known as a Screenwriter based on credits in that role in 2 films, with $795,755 worldwide aggregate box office (rank #7,501) |
Best-known technical roles: Alone Yet Not Alone (Producer), Alone Yet Not Alone (Co-Director), Alone Yet Not Alone (Screenwriter), First Lady (Assistant Director) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 2 | $795,755 | $0 | $795,755 |
Producer | 2 | $795,755 | $0 | $795,755 | |
Co-Director | 1 | $795,755 | $0 | $795,755 | |
Assistant Director | 1 | $89,885 | $0 | $89,885 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Assistant Director at the Domestic Box Office (Rank 1,301-1,400) | 1,372 | $89,885 |
Top Grossing Producer at the Domestic Box Office (Rank 5,201-5,300) | 5,296 | $795,755 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,901-6,000) | 5,960 | $795,755 |
Top Grossing Assistant Director at the Worldwide Box Office (Rank 1,401-1,500) | 1,482 | $89,885 |
Top Grossing Producer at the Worldwide Box Office (Rank 7,101-7,200) | 7,153 | $795,755 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 7,401-7,500) | 7,500 | $795,755 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 14, 2020 | First Lady | First Assistant Director | $89,885 | $89,885 | |
Apr 19, 2019 | The World We Make | Screenwriter Producer |
|||
Jun 13, 2014 | Alone Yet Not Alone | Producer Co-Director Co-Writer |
$795,755 | $795,755 | |
Averages | $442,820 | n/a | $442,820 | ||
Totals | 3 | $885,640 | n/a | $885,640 |
Producer Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 19, 2019 | The World We Make | |||||
Jun 13, 2014 | Alone Yet Not Alone | $534,626 | 103 | $795,755 | $795,755 | 100.0% |
Averages | $534,626 | 103 | $795,755 | $795,755 | 100.0% | |
Totals | 2 | $795,755 | $795,755 |
Writer Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 19, 2019 | The World We Make | |||||
Jun 13, 2014 | Alone Yet Not Alone | $534,626 | 103 | $795,755 | $795,755 | 100.0% |
Averages | $534,626 | 103 | $795,755 | $795,755 | 100.0% | |
Totals | 2 | $795,755 | $795,755 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Assistant Director at the Domestic Box Office (Rank 1,301-1,400) | 1,372 | $89,885 |
Top Grossing Producer at the Domestic Box Office (Rank 5,201-5,300) | 5,296 | $795,755 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,901-6,000) | 5,960 | $795,755 |
Top Grossing Assistant Director at the Worldwide Box Office (Rank 1,401-1,500) | 1,482 | $89,885 |
Top Grossing Producer at the Worldwide Box Office (Rank 7,101-7,200) | 7,153 | $795,755 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 7,401-7,500) | 7,500 | $795,755 |