Elaine Goldsmith-Thomas
Best known as a Producer based on credits in that role in 11 films, with $603,230,369 worldwide aggregate box office (rank #545) |
Best-known technical roles: Hustlers (Producer), Maid in Manhattan (Producer), Second Act (Screenwriter), Second Act (Producer), The Boy Next Door (Producer) |
Most productive collaborators: Jennifer Lopez, Benny Medina, Constance Wu, Lorene Scafaria, Julia Stiles |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Producer | 11 | $371,524,102 | $231,706,267 | $603,230,369 |
Screenwriter | 1 | $39,282,227 | $24,006,627 | $63,288,854 | |
Executive Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 401-500) | 408 | $371,524,102 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,101-2,200) | 2,143 | $39,282,227 |
Top Grossing Producer at the International Box Office (Rank 701-800) | 743 | $231,706,267 |
Top Grossing Screenwriter at the International Box Office (Rank 2,301-2,400) | 2,384 | $24,006,627 |
Top Grossing Producer at the Worldwide Box Office (Rank 501-600) | 545 | $603,230,369 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400) | 2,301 | $63,288,854 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: December
December 1st, 2018
November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 16, 2024 | This is Me… Now: A Love Sto… | Executive Producer | |||
May 12, 2023 | The Mother | Producer | |||
Jan 27, 2023 | Shotgun Wedding | Producer | $4,337,609 | $4,337,609 | |
Feb 11, 2022 | Marry Me | Producer | $22,438,180 | $26,336,813 | $48,774,993 |
Sep 13, 2019 | Hustlers | Producer | $104,963,598 | $45,504,321 | $150,467,919 |
Dec 21, 2018 | Second Act | Screenwriter Producer |
$39,282,227 | $24,006,627 | $63,288,854 |
Aug 4, 2017 | Kidnap | Producer | $30,718,107 | $4,117,973 | $34,836,080 |
Jan 23, 2015 | The Boy Next Door | Producer | $36,006,065 | $17,395,873 | $53,401,938 |
Apr 13, 2007 | Perfect Stranger | Producer | $23,760,822 | $38,765,566 | $62,526,388 |
Aug 6, 2004 | Little Black Book | Producer | $20,422,207 | $1,336,164 | $21,758,371 |
Dec 13, 2002 | Maid in Manhattan | Producer | $93,932,896 | $69,905,321 | $163,838,217 |
Averages | $46,440,513 | $25,745,141 | $67,025,597 | ||
Totals | 11 | $371,524,102 | $231,706,267 | $603,230,369 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 12, 2023 | The Mother | |||||
Jan 27, 2023 | Shotgun Wedding | $4,337,609 | ||||
Feb 11, 2022 | Marry Me | $7,949,980 | 3,643 | $22,438,180 | $48,774,993 | 46.0% |
Sep 13, 2019 | Hustlers | $33,181,361 | 3,525 | $104,963,598 | $150,467,919 | 69.8% |
Dec 21, 2018 | Second Act | $6,489,983 | 2,607 | $39,282,227 | $63,288,854 | 62.1% |
Aug 4, 2017 | Kidnap | $10,016,323 | 2,418 | $30,718,107 | $34,836,080 | 88.2% |
Jan 23, 2015 | The Boy Next Door | $14,910,105 | 2,615 | $36,006,065 | $53,401,938 | 67.4% |
Apr 13, 2007 | Perfect Stranger | $11,206,163 | 2,661 | $23,760,822 | $62,526,388 | 38.0% |
Aug 6, 2004 | Little Black Book | $7,075,217 | 2,445 | $20,422,207 | $21,758,371 | 93.9% |
Dec 13, 2002 | Maid in Manhattan | $18,711,407 | 3,050 | $93,932,896 | $163,838,217 | 57.3% |
Averages | $13,692,567 | 2,871 | $46,440,513 | $67,025,597 | 65.3% | |
Totals | 10 | $371,524,102 | $603,230,369 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 21, 2018 | Second Act | $6,489,983 | 2,607 | $39,282,227 | $63,288,854 | 62.1% |
Averages | $6,489,983 | 2,607 | $39,282,227 | $63,288,854 | 62.1% | |
Totals | 1 | $39,282,227 | $63,288,854 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 401-500) | 408 | $371,524,102 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,101-2,200) | 2,143 | $39,282,227 |
Top Grossing Producer at the International Box Office (Rank 701-800) | 743 | $231,706,267 |
Top Grossing Screenwriter at the International Box Office (Rank 2,301-2,400) | 2,384 | $24,006,627 |
Top Grossing Producer at the Worldwide Box Office (Rank 501-600) | 545 | $603,230,369 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400) | 2,301 | $63,288,854 |