Michael Kane
| Best known as a Screenwriter based on credits in that role in 4 films, with $36,226,322 worldwide aggregate box office (rank #3,185) |
| Best-known technical roles: All the Right Moves (Screenwriter), The Legend of the Lone Ranger (Screenwriter), The Bear (Screenwriter), Southern Comfort (Screenwriter) |
| Most productive collaborators: Tom Cruise, Stephen Deutsch, Craig T. Nelson, Lea Thompson, Charles Cioffi |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 1 | $0 | $0 | $0 |
| In Technical Roles | Screenwriter | 4 | $36,226,322 | $0 | $36,226,322 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 2,201-2,300) | 2,283 | $36,226,322 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,101-3,200) | 3,185 | $36,226,322 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| May 25, 1962 | Lonely Are the Brave | Paul Bondi | |||
| Averages | n/a | n/a | n/a | ||
| Totals | 1 | n/a | n/a | n/a | |
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 28, 1984 | The Bear | Screenwriter | $2,687,148 | $2,687,148 | |
| Oct 21, 1983 | All the Right Moves | Screenwriter | $17,200,000 | $17,200,000 | |
| Sep 25, 1981 | Southern Comfort | Screenwriter | $2,939,174 | $2,939,174 | |
| May 22, 1981 | The Legend of the Lone Ranger | Screenwriter | $13,400,000 | $13,400,000 | |
| Averages | $9,056,581 | n/a | $9,056,581 | ||
| Totals | 4 | $36,226,322 | n/a | $36,226,322 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Sep 28, 1984 | The Bear | $1,160,644 | 750 | $2,687,148 | $2,687,148 | 100.0% |
| Oct 21, 1983 | All the Right Moves | $1,625,486 | 909 | $17,200,000 | $17,200,000 | 100.0% |
| Sep 25, 1981 | Southern Comfort | $116,943 | 450 | $2,939,174 | $2,939,174 | 100.0% |
| May 22, 1981 | The Legend of the Lone… | $2,700,000 | 980 | $13,400,000 | $13,400,000 | 100.0% |
| Averages | $1,400,768 | 772 | $9,056,581 | $9,056,581 | 100.0% | |
| Totals | 4 | $36,226,322 | $36,226,322 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 2,201-2,300) | 2,283 | $36,226,322 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,101-3,200) | 3,185 | $36,226,322 |