Beth Sterner

Best known as a Sound Editor based on credits in that role in 3 films, with $695,426,305 worldwide aggregate box office (rank #49)
Best-known technical roles: Mission: Impossible III (Sound Editor), The Hunt for Red October (Sound Editor), Shooter (Sound Editor), Rat Race (Dialogue Editor), Drillbit Taylor (Sound Effects Editor)
Most productive collaborators: Susan Kurtz, Richard Vane, Mark Wahlberg, Antoine Fuqua, Jonathan Lemkin

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Editor3$301,214,796$394,211,509$695,426,305
Sound Effects Editor3$124,929,707$93,378,442$218,308,149
Supervising Sound Editor3$45,155,706$126,602$45,282,308
Dialogue Editor1$56,607,223$30,000,000$86,607,223

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Mar 21, 2008Drillbit Taylor Sound Effects Editor $32,862,104$16,824,159$49,686,263
Mar 23, 2007Shooter Sound Editor $47,003,582$48,534,978$95,538,560
Mar 2, 2007Black Snake Moan Sound Effects Editor $9,396,870$1,554,283$10,951,153
May 5, 2006Mission: Impossible III Sound Editor $133,501,348$265,886,397$399,387,745
Aug 17, 2001Rat Race Dialogue Editor $56,607,223$30,000,000$86,607,223
Oct 13, 2000The Ladies Man Supervising Sound Editor $13,592,872$126,602$13,719,474
Aug 4, 1995Virtuosity Supervising Sound Editor $23,998,226$23,998,226
Mar 17, 1995Losing Isaiah Supervising Sound Editor $7,564,608$7,564,608
Jun 27, 1990Days of Thunder Sound Effects Editor $82,670,733$75,000,000$157,670,733
Mar 2, 1990The Hunt for Red October Sound Editor $120,709,866$79,790,134$200,500,000
 
Averages $52,790,743$64,714,569$104,562,399
Totals 10 $527,907,432$517,716,553$1,045,623,985