F. Hudson Miller
Best known as a Sound Effects Editor based on credits in that role in 4 films, with $736,368,775 worldwide aggregate box office (rank #163) |
Best-known technical roles: Man on Fire (Supervising Sound Editor), Con Air (Sound Editor), Crimson Tide (Sound Editor), The Hunt for Red October (Sound Editor), 300: Rise of an Empire (Sound Effects Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Sound Effects Editor | 4 | $302,356,138 | $434,012,637 | $736,368,775 |
Sound Editor | 4 | $383,860,631 | $348,490,134 | $732,350,765 | |
Supervising Sound Editor | 2 | $140,269,376 | $133,748,763 | $274,018,139 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 36 | $383,860,631 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 101-200) | 173 | $302,356,138 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 201-300) | 245 | $140,269,376 |
Top Grossing Sound Editor at the International Box Office | 49 | $348,490,134 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 101-200) | 154 | $434,012,637 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 201-300) | 252 | $133,748,763 |
Top Grossing Sound Editor at the Worldwide Box Office | 45 | $732,350,765 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 101-200) | 163 | $736,368,775 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 243 | $274,018,139 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 7, 2014 | 300: Rise of an Empire | Sound Effects Editor | $106,580,051 | $224,200,000 | $330,780,051 |
Dec 25, 2013 | Grudge Match | Sound Effects Editor | $29,817,991 | $40,000,000 | $69,817,991 |
Apr 23, 2004 | Man on Fire | Supervising Sound Editor | $77,906,816 | $53,061,763 | $130,968,579 |
Nov 21, 2001 | Spy Game | Supervising Sound Editor | $62,362,560 | $80,687,000 | $143,049,560 |
Jun 6, 1997 | Con Air | Sound Editor | $101,117,573 | $123,000,000 | $224,117,573 |
Feb 9, 1996 | Broken Arrow | Sound Editor | $70,645,997 | $77,700,000 | $148,345,997 |
May 12, 1995 | Crimson Tide | Sound Editor | $91,387,195 | $68,000,000 | $159,387,195 |
Jun 5, 1992 | Patriot Games | Sound Effects Editor | $83,287,363 | $94,812,637 | $178,100,000 |
Jun 27, 1990 | Days of Thunder | Sound Effects Editor | $82,670,733 | $75,000,000 | $157,670,733 |
Mar 2, 1990 | The Hunt for Red October | Sound Editor | $120,709,866 | $79,790,134 | $200,500,000 |
Averages | $82,648,615 | $91,625,153 | $174,273,768 | ||
Totals | 10 | $826,486,145 | $916,251,534 | $1,742,737,679 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 36 | $383,860,631 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 101-200) | 173 | $302,356,138 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 201-300) | 245 | $140,269,376 |
Top Grossing Sound Editor at the International Box Office | 49 | $348,490,134 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 101-200) | 154 | $434,012,637 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 201-300) | 252 | $133,748,763 |
Top Grossing Sound Editor at the Worldwide Box Office | 45 | $732,350,765 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 101-200) | 163 | $736,368,775 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 243 | $274,018,139 |