Mike Le-Mare
Best known as a Supervising Sound Editor based on credits in that role in 3 films, with $100,031,891 worldwide aggregate box office (rank #375) |
Best-known technical roles: Ronin (Supervising Sound Editor), Ronin (Sound Designer), Reindeer Games (Supervising Sound Editor), The Terminator (Sound Effects Editor), 1969 (Supervising Sound Editor) |
Most productive collaborators: Robert De Niro, Tony Gibbs, Jean Reno, J.D. Zeik, Natascha McElhone |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Supervising Sound Editor | 3 | $70,950,674 | $29,081,217 | $100,031,891 |
Sound Effects Editor | 1 | $38,019,031 | $40,000,000 | $78,019,031 | |
Sound Designer | 1 | $41,610,884 | $29,081,217 | $70,692,101 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 25, 2000 | Reindeer Games | Supervising Sound Editor | $23,360,779 | $23,360,779 | |
Sep 25, 1998 | Ronin | Supervising Sound Ed… Sound Designer |
$41,610,884 | $29,081,217 | $70,692,101 |
Nov 18, 1988 | 1969 | Supervising Sound Editor | $5,979,011 | $5,979,011 | |
Oct 26, 1984 | The Terminator | Sound Effects Editor | $38,019,031 | $40,000,000 | $78,019,031 |
Averages | $27,242,426 | $34,540,609 | $44,512,731 | ||
Totals | 4 | $108,969,705 | $69,081,217 | $178,050,922 |