John Leveque
Best known as a Supervising Sound Editor based on credits in that role in 10 films, with $1,662,847,168 worldwide aggregate box office (rank #75) |
Best-known technical roles: Batman Forever (Supervising Sound Editor), The Sum of All Fears (Supervising Sound Editor), The Fugitive (Supervising Sound Editor), A Time to Kill (Supervising Sound Editor), Clear and Present Danger (Supervising Sound Editor) |
Most productive collaborators: Steve Mann, Kimberly Lowe-Voigt, Frank A. Montano, Anthony R. Milch, Donald L. Warner, Jr. |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Supervising Sound Editor | 10 | $968,164,019 | $694,683,149 | $1,662,847,168 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Supervising Sound Editor at the Domestic Box Office | 61 | $968,164,019 |
Top Grossing Supervising Sound Editor at the International Box Office | 96 | $694,683,149 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office | 75 | $1,662,847,168 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 28, 2003 | The Core | Supervising Sound Editor | $31,111,260 | $43,009,532 | $74,120,792 |
May 31, 2002 | The Sum of All Fears | Supervising Sound Editor | $118,471,320 | $75,028,680 | $193,500,000 |
Nov 17, 2000 | Bounce | Supervising Sound Editor | $36,805,288 | $16,620,004 | $53,425,292 |
Oct 1, 1999 | Three Kings | Supervising Sound Editor | $60,652,036 | $47,100,000 | $107,752,036 |
Mar 6, 1998 | U.S. Marshals | Supervising Sound Editor | $57,833,603 | $57,833,603 | |
Sep 19, 1997 | L.A. Confidential | Supervising Sound Editor | $64,604,977 | $61,600,000 | $126,204,977 |
Jul 24, 1996 | A Time to Kill | Supervising Sound Editor | $108,766,007 | $43,500,000 | $152,266,007 |
Jun 16, 1995 | Batman Forever | Supervising Sound Editor | $184,031,112 | $152,498,032 | $336,529,144 |
Aug 3, 1994 | Clear and Present Danger | Supervising Sound Editor | $122,012,656 | $85,487,344 | $207,500,000 |
Aug 6, 1993 | The Fugitive | Supervising Sound Editor | $183,875,760 | $169,839,557 | $353,715,317 |
Averages | $96,816,402 | $77,187,017 | $166,284,717 | ||
Totals | 10 | $968,164,019 | $694,683,149 | $1,662,847,168 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Supervising Sound Editor at the Domestic Box Office | 61 | $968,164,019 |
Top Grossing Supervising Sound Editor at the International Box Office | 96 | $694,683,149 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office | 75 | $1,662,847,168 |