Gary Mundheim
| Best known as a Sound Editor based on credits in that role in 3 films, with $589,349,495 worldwide aggregate box office (rank #59) |
| Best-known technical roles: The Fugitive (Dialogue Editor), Back to the Future Part II (Sound Editor), Back to the Future Part III (Sound Editor), An American Tail: Fievel Goes West (Sound Effects Editor), The Pick-Up Artist (Sound Editor) |
| Most productive collaborators: Harrison Ford, Andrew Davis, Tommy Lee Jones, Sela Ward, Roy Huggins |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Editor | 3 | $219,795,653 | $369,553,842 | $589,349,495 |
| Dialogue Editor | 1 | $183,875,760 | $169,839,557 | $353,715,317 | |
| Sound Effects Editor | 1 | $20,218,664 | $0 | $20,218,664 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Dialogue Editor at the Domestic Box Office (Rank 201-300) | 202 | $183,875,760 |
| Top Grossing Sound Editor at the Domestic Box Office (Rank 101-200) | 103 | $219,795,653 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 801-900) | 810 | $20,218,664 |
| Top Grossing Dialogue Editor at the International Box Office (Rank 201-300) | 225 | $169,839,557 |
| Top Grossing Sound Editor at the International Box Office | 43 | $369,553,842 |
| Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 201-300) | 222 | $353,715,317 |
| Top Grossing Sound Editor at the Worldwide Box Office | 59 | $589,349,495 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 801-900) | 849 | $20,218,664 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Aug 6, 1993 | The Fugitive | Dialogue Editor | $183,875,760 | $169,839,557 | $353,715,317 |
| Nov 22, 1991 | An American Tail: Fievel Go… | Sound Effects Editor | $20,218,664 | $20,218,664 | |
| May 24, 1990 | Back to the Future Part III | Sound Editor | $88,055,283 | $156,031,976 | $244,087,259 |
| Nov 22, 1989 | Back to the Future Part II | Sound Editor | $118,450,002 | $213,521,866 | $331,971,868 |
| Sep 18, 1987 | The Pick-Up Artist | Sound Editor | $13,290,368 | $13,290,368 | |
| Averages | $84,778,015 | $179,797,800 | $192,656,695 | ||
| Totals | 5 | $423,890,077 | $539,393,399 | $963,283,476 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Dialogue Editor at the Domestic Box Office (Rank 201-300) | 202 | $183,875,760 |
| Top Grossing Sound Editor at the Domestic Box Office (Rank 101-200) | 103 | $219,795,653 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 801-900) | 810 | $20,218,664 |
| Top Grossing Dialogue Editor at the International Box Office (Rank 201-300) | 225 | $169,839,557 |
| Top Grossing Sound Editor at the International Box Office | 43 | $369,553,842 |
| Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 201-300) | 222 | $353,715,317 |
| Top Grossing Sound Editor at the Worldwide Box Office | 59 | $589,349,495 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 801-900) | 849 | $20,218,664 |