Larry Carow
| Best known as a Sound Editor based on credits in that role in 10 films, with $1,558,591,853 worldwide aggregate box office (rank #5) |
| Best-known technical roles: The Hunt for Red October (Sound Editor), Who Framed Roger Rabbit? (Sound Editor), Back to the Future Part II (Sound Editor), White Men Can't Jump (Sound Editor), Back to the Future Part III (Sound Editor) |
| Most productive collaborators: Robert Zemeckis, Alan Silvestri, Dean Cundey, Steve Starkey, Max Kleven |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Editor | 10 | $766,760,369 | $791,831,484 | $1,558,591,853 |
| Sound Effects Editor | 1 | $11,715,321 | $0 | $11,715,321 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Sound Editor at the Domestic Box Office | 5 | $766,760,369 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 801-900) | 870 | $11,715,321 |
| Top Grossing Sound Editor at the International Box Office | 10 | $791,831,484 |
| Top Grossing Sound Editor at the Worldwide Box Office | 5 | $1,558,591,853 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 801-900) | 881 | $11,715,321 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 31, 1992 | Death Becomes Her | Sound Editor | $58,422,650 | $90,600,000 | $149,022,650 |
| Mar 27, 1992 | White Men Can't Jump | Sound Editor | $76,253,806 | $14,500,000 | $90,753,806 |
| May 24, 1990 | Back to the Future Part III | Sound Editor | $88,055,283 | $156,031,976 | $244,087,259 |
| Mar 2, 1990 | The Hunt for Red October | Sound Editor | $120,709,866 | $79,790,134 | $200,500,000 |
| Nov 22, 1989 | Back to the Future Part II | Sound Editor | $118,450,002 | $213,521,866 | $331,971,868 |
| Mar 10, 1989 | Chances Are | Sound Editor | $15,939,663 | $15,939,663 | |
| Jun 22, 1988 | Who Framed Roger Rabbit? | Sound Editor | $154,112,492 | $197,387,508 | $351,500,000 |
| Dec 9, 1987 | Empire of the Sun | Sound Editor | $22,238,696 | $22,238,696 | |
| Mar 26, 1986 | The Money Pit | Sound Editor | $37,499,651 | $37,499,651 | |
| Mar 30, 1984 | Romancing the Stone | Sound Editor | $75,078,260 | $40,000,000 | $115,078,260 |
| Jul 18, 1980 | Used Cars | Sound Effects Editor | $11,715,321 | $11,715,321 | |
| Averages | $70,770,517 | $113,118,783 | $142,755,198 | ||
| Totals | 11 | $778,475,690 | $791,831,484 | $1,570,307,174 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Sound Editor at the Domestic Box Office | 5 | $766,760,369 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 801-900) | 870 | $11,715,321 |
| Top Grossing Sound Editor at the International Box Office | 10 | $791,831,484 |
| Top Grossing Sound Editor at the Worldwide Box Office | 5 | $1,558,591,853 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 801-900) | 881 | $11,715,321 |