Anya Kochoff
Best known as a Screenwriter based on credits in that role in 3 films, with $208,298,323 worldwide aggregate box office (rank #1,194) |
Best-known technical roles: Monster-in-Law (Screenwriter), Mother’s Day (Screenwriter) |
Also credited as: Anya Kochoff Romano |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 3 | $115,424,160 | $92,874,163 | $208,298,323 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,001-1,100) | 1,080 | $115,424,160 |
Top Grossing Screenwriter at the International Box Office (Rank 1,301-1,400) | 1,322 | $92,874,163 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) | 1,194 | $208,298,323 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2016 Preview: April
April 1st, 2016
March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 29, 2016 | Mother’s Day | Screenwriter | $32,492,859 | $19,874,163 | $52,367,022 |
May 13, 2005 | Monster-in-Law | Screenwriter | $82,931,301 | $73,000,000 | $155,931,301 |
Averages | $57,712,080 | $46,437,082 | $104,149,162 | ||
Totals | 2 | $115,424,160 | $92,874,163 | $208,298,323 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 29, 2016 | Mother’s Day | $8,369,184 | 3,291 | $32,492,859 | $52,367,022 | 62.0% |
May 13, 2005 | Monster-in-Law | $23,105,133 | 3,424 | $82,931,301 | $155,931,301 | 53.2% |
Averages | $15,737,159 | 3,358 | $57,712,080 | $104,149,162 | 57.6% | |
Totals | 2 | $115,424,160 | $208,298,323 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,001-1,100) | 1,080 | $115,424,160 |
Top Grossing Screenwriter at the International Box Office (Rank 1,301-1,400) | 1,322 | $92,874,163 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) | 1,194 | $208,298,323 |