Nicholas Kazan
| Best known as a Screenwriter based on credits in that role in 5 films, with $181,521,857 worldwide aggregate box office (rank #1,404) |
| Best-known technical roles: Bicentennial Man (Screenwriter), Matilda (Screenwriter), Fallen (Executive Producer), Fallen (Screenwriter), Mobsters (Screenwriter) |
| Most productive collaborators: Chris Columbus, Wolfgang Pampel, Sam Neill, Gail Katz, Embeth Davidtz |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 5 | $152,321,857 | $29,200,000 | $181,521,857 |
| Executive Producer | 2 | $25,310,938 | $1,772,492 | $27,083,430 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,101-3,200) | 3,127 | $25,310,938 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 877 | $152,321,857 |
| Top Grossing Executive Producer at the International Box Office (Rank 5,601-5,700) | 5,637 | $1,772,492 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,401-2,500) | 2,413 | $29,200,000 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,801-3,900) | 3,880 | $27,083,430 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,404 | $181,521,857 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 21, 2016 | The Whole Truth | Executive Producer | $1,772,492 | $1,772,492 | |
| Dec 17, 1999 | Bicentennial Man | Screenwriter | $58,220,776 | $29,200,000 | $87,420,776 |
| Jan 16, 1998 | Fallen | Executive Producer Screenwriter |
$25,310,938 | $25,310,938 | |
| Aug 2, 1996 | Matilda | Screenwriter | $33,098,222 | $33,098,222 | |
| Jul 26, 1991 | Mobsters | Screenwriter | $20,246,790 | $20,246,790 | |
| Oct 17, 1990 | Reversal of Fortune | Screenwriter | $15,445,131 | $15,445,131 | |
| Averages | $30,464,371 | $15,486,246 | $30,549,058 | ||
| Totals | 6 | $152,321,857 | $30,972,492 | $183,294,349 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Dec 17, 1999 | Bicentennial Man | $8,234,926 | 2,767 | $58,220,776 | $87,420,776 | 66.6% |
| Jan 16, 1998 | Fallen | $9,146,119 | 2,448 | $25,310,938 | $25,310,938 | 100.0% |
| Aug 2, 1996 | Matilda | $8,208,609 | 2,006 | $33,098,222 | $33,098,222 | 100.0% |
| Jul 26, 1991 | Mobsters | $6,030,585 | 1,449 | $20,246,790 | $20,246,790 | 100.0% |
| Oct 17, 1990 | Reversal of Fortune | 661 | $15,445,131 | $15,445,131 | 100.0% | |
| Averages | $7,905,060 | 1,866 | $30,464,371 | $36,304,371 | 93.3% | |
| Totals | 5 | $152,321,857 | $181,521,857 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,101-3,200) | 3,127 | $25,310,938 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 877 | $152,321,857 |
| Top Grossing Executive Producer at the International Box Office (Rank 5,601-5,700) | 5,637 | $1,772,492 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,401-2,500) | 2,413 | $29,200,000 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,801-3,900) | 3,880 | $27,083,430 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,404 | $181,521,857 |