Phil Benson
Best known as a Supervising Sound Editor based on credits in that role in 4 films, with $268,202,296 worldwide aggregate box office (rank #251) |
Best-known technical roles: Space Cowboys (Sound Effects Editor), Contact (Supervising Sound Editor), Jersey Girl (Associate Producer), Jay and Silent Bob Strike Back (Supervising Sound Editor), Dogma (Supervising Sound Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Supervising Sound Editor | 4 | $179,422,168 | $88,780,128 | $268,202,296 |
Sound Effects Editor | 1 | $90,454,043 | $38,420,000 | $128,874,043 | |
Associate Producer | 1 | $25,266,129 | $11,800,000 | $37,066,129 | |
Dialogue Editor | 1 | $17,468,887 | $4,650,382 | $22,119,269 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 26, 2004 | Jersey Girl | Associate Producer | $25,266,129 | $11,800,000 | $37,066,129 |
Oct 11, 2002 | Punch-Drunk Love | Supervising Sound Editor | $17,791,031 | $6,800,000 | $24,591,031 |
Aug 24, 2001 | Jay and Silent Bob Strike Back | Supervising Sound Editor | $30,059,386 | $3,703,014 | $33,762,400 |
Aug 4, 2000 | Space Cowboys | Sound Effects Editor | $90,454,043 | $38,420,000 | $128,874,043 |
Nov 12, 1999 | Dogma | Supervising Sound Editor | $30,651,422 | $13,297,443 | $43,948,865 |
Jul 11, 1997 | Contact | Supervising Sound Editor | $100,920,329 | $64,979,671 | $165,900,000 |
Nov 3, 1995 | Home for the Holidays | Dialogue Editor | $17,468,887 | $4,650,382 | $22,119,269 |
Averages | $44,658,747 | $20,521,501 | $65,180,248 | ||
Totals | 7 | $312,611,227 | $143,650,510 | $456,261,737 |