Barry Peterson
Best known as a Cinematographer based on credits in that role in 15 films, with $2,005,959,132 worldwide aggregate box office (rank #76) |
Best-known technical roles: 22 Jump Street (Cinematographer), We’re the Millers (Cinematographer), Central Intelligence (Cinematographer), 21 Jump Street (Cinematographer), Sisters (Cinematographer) |
Most productive collaborators: Toby Emmerich, Richard Brener, Jason Bateman, Ed Helms, Nick Offerman |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Cinematographer | 15 | $1,140,846,955 | $865,112,177 | $2,005,959,132 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 53 | $1,140,846,955 |
Top Grossing Cinematographer at the International Box Office | 98 | $865,112,177 |
Top Grossing Cinematographer at the Worldwide Box Office | 76 | $2,005,959,132 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 26, 2020 | Superintelligence | Director of Photography | $4,170,029 | $4,170,029 | |
Aug 3, 2018 | The Spy Who Dumped Me | Director of Photography | $33,562,069 | $45,436,176 | $78,998,245 |
Feb 23, 2018 | Game Night | Director of Photography | $69,179,066 | $48,199,018 | $117,378,084 |
Dec 8, 2017 | Just Getting Started | Director of Photography | $6,069,605 | $686,807 | $6,756,412 |
Jun 17, 2016 | Central Intelligence | Director of Photography | $127,440,871 | $89,753,934 | $217,194,805 |
Dec 18, 2015 | Sisters | Director of Photography | $87,044,645 | $18,986,015 | $106,030,660 |
Jul 29, 2015 | Vacation | Director of Photography | $58,884,188 | $43,422,312 | $102,306,500 |
Jun 13, 2014 | 22 Jump Street | Director of Photography | $191,719,337 | $139,614,539 | $331,333,876 |
Aug 7, 2013 | We’re the Millers | Director of Photography | $150,394,119 | $117,422,157 | $267,816,276 |
Jul 27, 2012 | The Watch | Director of Photography | $34,353,000 | $32,777,045 | $67,130,045 |
Mar 16, 2012 | 21 Jump Street | Cinematographer | $138,447,667 | $64,364,762 | $202,812,429 |
Feb 14, 2008 | Jumper | Cinematographer | $80,172,128 | $142,468,684 | $222,640,812 |
Mar 5, 2004 | Starsky & Hutch | Director of Photography | $88,200,225 | $82,000,000 | $170,200,225 |
Jun 13, 2003 | Hollywood Homicide | Cinematographer | $30,207,785 | $20,201,968 | $50,409,753 |
Sep 28, 2001 | Zoolander | Director of Photography | $45,172,250 | $15,608,731 | $60,780,981 |
Averages | $81,489,068 | $57,674,145 | $133,730,609 | ||
Totals | 15 | $1,140,846,955 | $865,112,177 | $2,005,959,132 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 53 | $1,140,846,955 |
Top Grossing Cinematographer at the International Box Office | 98 | $865,112,177 |
Top Grossing Cinematographer at the Worldwide Box Office | 76 | $2,005,959,132 |