Gloria Katz
| Best known as a Screenwriter based on credits in that role in 5 films, with $515,674,665 worldwide aggregate box office (rank #612) |
| Best-known technical roles: Indiana Jones and the Temple of Doom (Screenwriter), American Graffiti (Screenwriter), Howard the Duck (Screenwriter), Lucky Lady (Screenwriter), Radioland Murders (Screenwriter) |
| Most productive collaborators: George Lucas, Willard Huyck, Harrison Ford, Richard Dreyfuss, Ron Howard |
| Born: October 25, 1942 (82 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 5 | $337,474,665 | $178,200,000 | $515,674,665 |
| Director | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 386 | $337,474,665 |
| Top Grossing Screenwriter at the International Box Office (Rank 901-1,000) | 946 | $178,200,000 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 612 | $515,674,665 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 21, 1994 | Radioland Murders | Screenwriter | $1,299,060 | $1,299,060 | |
| Aug 1, 1986 | Howard the Duck | Screenwriter | $16,295,774 | $16,295,774 | |
| May 23, 1984 | Indiana Jones and the Templ… | Screenwriter | $179,880,271 | $153,200,000 | $333,080,271 |
| Jan 1, 1975 | Lucky Lady | Screenwriter | $24,441,725 | $24,441,725 | |
| Dec 11, 1974 | Messiah of Evil | Director | |||
| Aug 11, 1973 | American Graffiti | Screenwriter | $115,557,835 | $25,000,000 | $140,557,835 |
| Averages | $67,494,933 | $89,100,000 | $103,134,933 | ||
| Totals | 6 | $337,474,665 | $178,200,000 | $515,674,665 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Dec 11, 1974 | Messiah of Evil | |||||
| Averages | n/a | n/a | n/a | n/a | 0.0% | |
| Totals | 1 | n/a | n/a | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Oct 21, 1994 | Radioland Murders | $835,570 | 844 | $1,299,060 | $1,299,060 | 100.0% |
| Aug 1, 1986 | Howard the Duck | $5,070,136 | 1,563 | $16,295,774 | $16,295,774 | 100.0% |
| May 23, 1984 | Indiana Jones and the … | $25,337,110 | 1,687 | $179,880,271 | $333,080,271 | 54.0% |
| Jan 1, 1975 | Lucky Lady | $24,441,725 | $24,441,725 | 100.0% | ||
| Aug 11, 1973 | American Graffiti | $115,557,835 | $140,557,835 | 82.2% | ||
| Averages | $10,414,272 | 1,365 | $67,494,933 | $103,134,933 | 87.2% | |
| Totals | 5 | $337,474,665 | $515,674,665 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 386 | $337,474,665 |
| Top Grossing Screenwriter at the International Box Office (Rank 901-1,000) | 946 | $178,200,000 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 612 | $515,674,665 |