Michael McCullers
| Best known as a Screenwriter based on credits in that role in 7 films, with $2,108,313,419 worldwide aggregate box office (rank #79) |
| Best-known technical roles: The Boss Baby (Screenwriter), Hotel Transylvania 3: Summer Vacation (Screenwriter), Austin Powers in Goldmember (Screenwriter), Mr. Peabody & Sherman (Screenwriter), Austin Powers: The Spy Who Shagged Me (Screenwriter) |
| Most productive collaborators: Alec Baldwin, Steve Buscemi, Ramsey Ann Naito, Jimmy Kimmel, Lisa Kudrow |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 7 | $937,235,764 | $1,171,077,655 | $2,108,313,419 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office | 76 | $937,235,764 |
| Top Grossing Screenwriter at the International Box Office (Rank 101-200) | 108 | $1,171,077,655 |
| Top Grossing Screenwriter at the Worldwide Box Office | 79 | $2,108,313,419 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: July
July 1st, 2018
June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month.
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2017 Preview: March
March 1st, 2017
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February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 2, 2021 | The Boss Baby: Family Business | Screenwriter | $57,300,280 | $88,981,452 | $146,281,732 |
| Jul 13, 2018 | Hotel Transylvania 3: Summe… | Screenwriter | $167,500,092 | $359,861,622 | $527,361,714 |
| Mar 31, 2017 | The Boss Baby | Screenwriter | $175,003,033 | $352,906,916 | $527,909,949 |
| Mar 7, 2014 | Mr. Peabody & Sherman | Additional Screenplay Materials Provided by: | $111,506,430 | $158,300,000 | $269,806,430 |
| Jul 30, 2004 | Thunderbirds | Screenwriter | $6,768,055 | $21,463,389 | $28,231,444 |
| Jul 25, 2002 | Austin Powers in Goldmember | Screenwriter | $213,117,789 | $83,220,874 | $296,338,663 |
| Jun 10, 1999 | Austin Powers: The Spy Who … | Screenwriter | $206,040,085 | $106,343,402 | $312,383,487 |
| Averages | $133,890,823 | $167,296,808 | $301,187,631 | ||
| Totals | 7 | $937,235,764 | $1,171,077,655 | $2,108,313,419 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jul 2, 2021 | The Boss Baby: Family … | $16,000,665 | 3,688 | $57,300,280 | $146,281,732 | 39.2% |
| Jul 13, 2018 | Hotel Transylvania 3: … | $44,076,225 | 4,267 | $167,500,092 | $527,361,714 | 31.8% |
| Mar 31, 2017 | The Boss Baby | $50,198,902 | 3,829 | $175,003,033 | $527,909,949 | 33.2% |
| Mar 7, 2014 | Mr. Peabody & Sherman | $32,207,057 | 3,951 | $111,506,430 | $269,806,430 | 41.3% |
| Jul 30, 2004 | Thunderbirds | $2,766,810 | 2,062 | $6,768,055 | $28,231,444 | 24.0% |
| Jul 25, 2002 | Austin Powers in Goldm… | $73,071,188 | 3,613 | $213,117,789 | $296,338,663 | 71.9% |
| Jun 10, 1999 | Austin Powers: The Spy… | $54,917,604 | 3,314 | $206,040,085 | $312,383,487 | 66.0% |
| Averages | $39,034,064 | 3,532 | $133,890,823 | $301,187,631 | 43.9% | |
| Totals | 7 | $937,235,764 | $2,108,313,419 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office | 76 | $937,235,764 |
| Top Grossing Screenwriter at the International Box Office (Rank 101-200) | 108 | $1,171,077,655 |
| Top Grossing Screenwriter at the Worldwide Box Office | 79 | $2,108,313,419 |