Jane Schoenbrun
Best known as a Director based on credits in that role in 2 films, with $5,419,031 worldwide aggregate box office (rank #4,311) |
Best-known technical roles: I Saw the TV Glow (Director), I Saw the TV Glow (Screenwriter), We’re All Going to the World’s Fair (Director), We’re All Going to the World’s Fair (Screenwriter), We’re All Going to the World’s Fair (Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Director | 2 | $5,050,877 | $368,154 | $5,419,031 |
Screenwriter | 2 | $5,050,877 | $368,154 | $5,419,031 | |
Editor | 1 | $101,178 | $5,466 | $106,644 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 2,501-2,600) | 2,568 | $5,050,877 |
Top Grossing Editor at the Domestic Box Office (Rank 2,201-2,300) | 2,269 | $101,178 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,601-4,700) | 4,651 | $5,050,877 |
Top Grossing Director at the International Box Office (Rank 7,101-7,200) | 7,166 | $368,154 |
Top Grossing Editor at the International Box Office (Rank 2,801-2,900) | 2,886 | $5,466 |
Top Grossing Screenwriter at the International Box Office (Rank 5,801-5,900) | 5,884 | $368,154 |
Top Grossing Director at the Worldwide Box Office (Rank 4,301-4,400) | 4,311 | $5,419,031 |
Top Grossing Editor at the Worldwide Box Office (Rank 2,801-2,900) | 2,850 | $106,644 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,801-5,900) | 5,852 | $5,419,031 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 3, 2024 | I Saw the TV Glow | Director Screenwriter |
$4,949,699 | $362,688 | $5,312,387 |
Apr 15, 2022 | We’re All Going to the Worl… | Director Screenwriter Editor |
$101,178 | $5,466 | $106,644 |
Averages | $2,525,439 | $184,077 | $2,709,516 | ||
Totals | 2 | $5,050,877 | $368,154 | $5,419,031 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 3, 2024 | I Saw the TV Glow | $119,015 | 469 | $4,949,699 | $5,312,387 | 93.2% |
Apr 15, 2022 | We’re All Going to the… | $12,750 | 41 | $101,178 | $106,644 | 94.9% |
Averages | $65,883 | 255 | $2,525,439 | $2,709,516 | 94.0% | |
Totals | 2 | $5,050,877 | $5,419,031 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 3, 2024 | I Saw the TV Glow | $119,015 | 469 | $4,949,699 | $5,312,387 | 93.2% |
Apr 15, 2022 | We’re All Going to the… | $12,750 | 41 | $101,178 | $106,644 | 94.9% |
Averages | $65,883 | 255 | $2,525,439 | $2,709,516 | 94.0% | |
Totals | 2 | $5,050,877 | $5,419,031 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 2,501-2,600) | 2,568 | $5,050,877 |
Top Grossing Editor at the Domestic Box Office (Rank 2,201-2,300) | 2,269 | $101,178 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,601-4,700) | 4,651 | $5,050,877 |
Top Grossing Director at the International Box Office (Rank 7,101-7,200) | 7,166 | $368,154 |
Top Grossing Editor at the International Box Office (Rank 2,801-2,900) | 2,886 | $5,466 |
Top Grossing Screenwriter at the International Box Office (Rank 5,801-5,900) | 5,884 | $368,154 |
Top Grossing Director at the Worldwide Box Office (Rank 4,301-4,400) | 4,311 | $5,419,031 |
Top Grossing Editor at the Worldwide Box Office (Rank 2,801-2,900) | 2,850 | $106,644 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,801-5,900) | 5,852 | $5,419,031 |