Herschel Weingrod
| Best known as a Screenwriter based on credits in that role in 7 films, with $841,476,353 worldwide aggregate box office (rank #342) |
| Best-known technical roles: Space Jam (Screenwriter), Kindergarten Cop (Screenwriter), Twins (Screenwriter), Trading Places (Screenwriter), Brewster's Millions (Screenwriter) |
| Most productive collaborators: Joe Pytka, Michael Jordan, Leo Benvenuti, Timothy Harris, Steve Rudnick |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 7 | $461,553,579 | $379,922,774 | $841,476,353 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 241 | $461,553,579 |
| Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 492 | $379,922,774 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 342 | $841,476,353 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 15, 1996 | Space Jam | Screenwriter | $90,463,534 | $159,716,850 | $250,180,384 |
| Aug 9, 1991 | Pure Luck | Screenwriter | $22,641,969 | $22,641,969 | |
| Dec 21, 1990 | Kindergarten Cop | Screenwriter | $91,457,688 | $110,542,312 | $202,000,000 |
| Dec 9, 1988 | Twins | Screenwriter | $111,936,388 | $104,663,612 | $216,600,000 |
| Dec 9, 1988 | My Stepmother Is an Alien | Screenwriter | $13,854,000 | $13,854,000 | |
| May 22, 1985 | Brewster's Millions | Screenwriter | $40,800,000 | $5,000,000 | $45,800,000 |
| Jun 8, 1983 | Trading Places | Screenwriter | $90,400,000 | $90,400,000 | |
| Averages | $65,936,226 | $94,980,694 | $120,210,908 | ||
| Totals | 7 | $461,553,579 | $379,922,774 | $841,476,353 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 15, 1996 | Space Jam | $27,528,529 | 2,650 | $90,463,534 | $250,180,384 | 36.2% |
| Aug 9, 1991 | Pure Luck | $5,010,810 | 1,569 | $22,641,969 | $22,641,969 | 100.0% |
| Dec 21, 1990 | Kindergarten Cop | $11,260,685 | 1,934 | $91,457,688 | $202,000,000 | 45.3% |
| Dec 9, 1988 | My Stepmother Is an Alien | $2,066,980 | 1,110 | $13,854,000 | $13,854,000 | 100.0% |
| Dec 9, 1988 | Twins | $11,174,980 | 1,659 | $111,936,388 | $216,600,000 | 51.7% |
| May 22, 1985 | Brewster's Millions | $9,858,905 | 1,521 | $40,800,000 | $45,800,000 | 89.1% |
| Jun 8, 1983 | Trading Places | $7,348,200 | 1,387 | $90,400,000 | $90,400,000 | 100.0% |
| Averages | $10,607,013 | 1,690 | $65,936,226 | $120,210,908 | 74.6% | |
| Totals | 7 | $461,553,579 | $841,476,353 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 241 | $461,553,579 |
| Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 492 | $379,922,774 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 342 | $841,476,353 |