Whit Stillman
Best known as a Director based on credits in that role in 5 films, with $38,445,193 worldwide aggregate box office (rank #1,978) |
Best-known technical roles: Love & Friendship (Director), Love & Friendship (Screenwriter), Love & Friendship (Producer), Barcelona (Director), Barcelona (Screenwriter) |
Most productive collaborators: Kate Beckinsale, Xavier Samuel, Jane Austen, Chloƫ Sevigny, Stephen Fry |
Born: January 25, 1952 (72 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $0 | $0 | $0 |
In Technical Roles | Director | 5 | $28,210,622 | $10,234,571 | $38,445,193 |
Screenwriter | 5 | $28,210,622 | $10,234,571 | $38,445,193 | |
Producer | 3 | $19,978,766 | $9,917,807 | $29,896,573 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,458 | $28,210,622 |
Top Grossing Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,650 | $19,978,766 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,501-2,600) | 2,559 | $28,210,622 |
Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,528 | $10,234,571 |
Top Grossing Producer at the International Box Office (Rank 3,201-3,300) | 3,292 | $9,917,807 |
Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,295 | $10,234,571 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,978 | $38,445,193 |
Top Grossing Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,085 | $29,896,573 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,101-3,200) | 3,124 | $38,445,193 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Sep 6, 2024 | A New York Story | ||||
Averages | n/a | n/a | n/a | ||
Totals | 1 | n/a | n/a | n/a |
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 13, 2016 | Love & Friendship | Director Producer Screenwriter |
$14,016,568 | $9,917,807 | $23,934,375 |
Apr 6, 2012 | Damsels in Distress | Director Screenwriter |
$1,007,535 | $316,764 | $1,324,299 |
May 29, 1998 | The Last Days of Disco | Director Screenwriter Producer |
$3,024,198 | $3,024,198 | |
Jul 29, 1994 | Barcelona | Director Screenwriter |
$7,224,321 | $7,224,321 | |
Aug 3, 1990 | Metropolitan | Director Screenwriter Producer |
$2,938,000 | $2,938,000 | |
Averages | $5,642,124 | $5,117,286 | $7,689,039 | ||
Totals | 5 | $28,210,622 | $10,234,571 | $38,445,193 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 13, 2016 | Love & Friendship | $133,513 | 826 | $14,016,568 | $23,934,375 | 58.6% |
Apr 6, 2012 | Damsels in Distress | $58,589 | 205 | $1,007,535 | $1,324,299 | 76.1% |
May 29, 1998 | The Last Days of Disco | $277,601 | 168 | $3,024,198 | $3,024,198 | 100.0% |
Jul 29, 1994 | Barcelona | $7,224,321 | $7,224,321 | 100.0% | ||
Aug 3, 1990 | Metropolitan | 3 | $2,938,000 | $2,938,000 | 100.0% | |
Averages | $156,568 | 301 | $5,642,124 | $7,689,039 | 86.9% | |
Totals | 5 | $28,210,622 | $38,445,193 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 13, 2016 | Love & Friendship | $133,513 | 826 | $14,016,568 | $23,934,375 | 58.6% |
May 29, 1998 | The Last Days of Disco | $277,601 | 168 | $3,024,198 | $3,024,198 | 100.0% |
Aug 3, 1990 | Metropolitan | 3 | $2,938,000 | $2,938,000 | 100.0% | |
Averages | $205,557 | 332 | $6,659,589 | $9,965,524 | 86.2% | |
Totals | 3 | $19,978,766 | $29,896,573 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 13, 2016 | Love & Friendship | $133,513 | 826 | $14,016,568 | $23,934,375 | 58.6% |
Apr 6, 2012 | Damsels in Distress | $58,589 | 205 | $1,007,535 | $1,324,299 | 76.1% |
May 29, 1998 | The Last Days of Disco | $277,601 | 168 | $3,024,198 | $3,024,198 | 100.0% |
Jul 29, 1994 | Barcelona | $7,224,321 | $7,224,321 | 100.0% | ||
Aug 3, 1990 | Metropolitan | 3 | $2,938,000 | $2,938,000 | 100.0% | |
Averages | $156,568 | 301 | $5,642,124 | $7,689,039 | 86.9% | |
Totals | 5 | $28,210,622 | $38,445,193 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,458 | $28,210,622 |
Top Grossing Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,650 | $19,978,766 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,501-2,600) | 2,559 | $28,210,622 |
Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,528 | $10,234,571 |
Top Grossing Producer at the International Box Office (Rank 3,201-3,300) | 3,292 | $9,917,807 |
Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,295 | $10,234,571 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,978 | $38,445,193 |
Top Grossing Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,085 | $29,896,573 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,101-3,200) | 3,124 | $38,445,193 |