Kelly Fremon Craig
| Best known as a Screenwriter based on credits in that role in 4 films, with $525,867,287 worldwide aggregate box office (rank #603) |
| Best-known technical roles: Bumblebee (Screenwriter), Are You There God? It’s Me, Margaret (Director), Are You There God? It’s Me, Margaret (Screenwriter), Ordinary Angels (Screenwriter), Are You There God? It’s Me, Margaret (Producer) |
| Most productive collaborators: Hailee Steinfeld, Travis Knight, John Cena, Christina Hodson, Jorge Lendeborg Jr |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 4 | $181,174,049 | $344,693,238 | $525,867,287 |
| Director | 2 | $34,804,039 | $5,873,788 | $40,677,827 | |
| Producer | 1 | $20,372,406 | $1,209,418 | $21,581,824 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 1,301-1,400) | 1,314 | $34,804,039 |
| Top Grossing Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,625 | $20,372,406 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 748 | $181,174,049 |
| Top Grossing Director at the International Box Office (Rank 3,101-3,200) | 3,122 | $5,873,788 |
| Top Grossing Producer at the International Box Office (Rank 5,301-5,400) | 5,344 | $1,209,418 |
| Top Grossing Screenwriter at the International Box Office (Rank 501-600) | 548 | $344,693,238 |
| Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,910 | $40,677,827 |
| Top Grossing Producer at the Worldwide Box Office (Rank 3,401-3,500) | 3,428 | $21,581,824 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 603 | $525,867,287 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Home Market Releases for February 14th, 2017
February 13th, 2017
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It is an interesting week with four top-notch releases. Unfortunately, two of those releases, Doctor Strange and Moonlight, are VOD only. This leaves just two contenders for Pick of the Week: Arrival and The Edge of Seventeen. Both are absolute must haves, but Arrival’s Blu-ray or 4K Ultra HD Combo Pack have far more extras and it is the Pick of the Week.
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2016 - Awards Season: DGA - Nominations
January 12th, 2017
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The last of the Directors Guild of America nominations were announced and the Oscars are really shaping up to be a one-movie show. That movie is Deadpool. I’m joking of course, but it did get yet another nomination. At this point, it could earn a Best Picture Oscar nomination and I wouldn’t be surprised. The film that is dominating Awards Season is La La Land and frankly I’ve lost count of the number of nominations it has received.
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2016 Preview: November
November 1st, 2016
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October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 23, 2024 | Ordinary Angels | Screenwriter | $19,174,421 | $1,283,220 | $20,457,641 |
| Apr 28, 2023 | Are You There God? It’s Me,… | Director Producer Screenwriter |
$20,372,406 | $1,209,418 | $21,581,824 |
| Dec 21, 2018 | Bumblebee | Screenwriter | $127,195,589 | $337,536,230 | $464,731,819 |
| Nov 18, 2016 | The Edge of Seventeen | Director Screenwriter |
$14,431,633 | $4,664,370 | $19,096,003 |
| Averages | $45,293,512 | $86,173,310 | $131,466,822 | ||
| Totals | 4 | $181,174,049 | $344,693,238 | $525,867,287 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 28, 2023 | Are You There God? It’… | $6,739,037 | 3,343 | $20,372,406 | $21,581,824 | 94.4% |
| Nov 18, 2016 | The Edge of Seventeen | $4,754,215 | 1,945 | $14,431,633 | $19,096,003 | 75.6% |
| Averages | $5,746,626 | 2,644 | $17,402,020 | $20,338,914 | 85.0% | |
| Totals | 2 | $34,804,039 | $40,677,827 | |||
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 28, 2023 | Are You There God? It’… | $6,739,037 | 3,343 | $20,372,406 | $21,581,824 | 94.4% |
| Averages | $6,739,037 | 3,343 | $20,372,406 | $21,581,824 | 94.4% | |
| Totals | 1 | $20,372,406 | $21,581,824 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 23, 2024 | Ordinary Angels | $6,163,600 | 3,020 | $19,174,421 | $20,457,641 | 93.7% |
| Apr 28, 2023 | Are You There God? It’… | $6,739,037 | 3,343 | $20,372,406 | $21,581,824 | 94.4% |
| Dec 21, 2018 | Bumblebee | $21,654,047 | 3,597 | $127,195,589 | $464,731,819 | 27.4% |
| Nov 18, 2016 | The Edge of Seventeen | $4,754,215 | 1,945 | $14,431,633 | $19,096,003 | 75.6% |
| Averages | $9,827,725 | 2,976 | $45,293,512 | $131,466,822 | 72.8% | |
| Totals | 4 | $181,174,049 | $525,867,287 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 1,301-1,400) | 1,314 | $34,804,039 |
| Top Grossing Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,625 | $20,372,406 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 748 | $181,174,049 |
| Top Grossing Director at the International Box Office (Rank 3,101-3,200) | 3,122 | $5,873,788 |
| Top Grossing Producer at the International Box Office (Rank 5,301-5,400) | 5,344 | $1,209,418 |
| Top Grossing Screenwriter at the International Box Office (Rank 501-600) | 548 | $344,693,238 |
| Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,910 | $40,677,827 |
| Top Grossing Producer at the Worldwide Box Office (Rank 3,401-3,500) | 3,428 | $21,581,824 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 603 | $525,867,287 |