L’insulte (2017)

L’insulte
Theatrical Performance
Domestic Box Office $1,000,038Details
International Box Office $2,349,313Details
Worldwide Box Office $3,349,351
Home Market Performance
Est. Domestic DVD Sales $32,290 Details
Est. Domestic Blu-ray Sales $70,015 Details
Total Est. Domestic Video Sales $102,305
Further financial details...

Metrics

Opening Weekend:$24,600 (2.5% of total gross)
Legs:9.04 (domestic box office/biggest weekend)
Domestic Share:29.9% (domestic box office/worldwide)
Theater counts:3 opening theaters/51 max. theaters, 6.0 weeks average run per theater
Infl. Adj. Dom. BO $1,183,353

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 12th, 2018 (Limited) by Cohen Media Group, released as The Insult
International Releases: December 6th, 2017 (Wide), released as L'Insulto (Italy)
January 19th, 2018 (Wide) (Turkey)
February 2nd, 2018 (Wide) (France)
February 16th, 2018 (Wide) (Netherlands)
March 16th, 2018 (Wide), released as El Insulto (Spain)
... Show all releases
Video Release: May 1st, 2018 by Sony Pictures Home Entertainment, released as The Insult
MPAA Rating: R for language and some violent images.
(Rating bulletin 2497 (Cert #51271), 10/11/2017)
Running Time: 112 minutes
Comparisons: vs. Indigènes
Create your own comparison chart…
Keywords: Courtroom / Legal Drama, Christians, Set in Palestine, Set in Lebanon, Refugee
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Lebanon
Languages: Arabic

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 42 $24,600   3 $8,200   $24,600 1
Jan 19, 2018 44 $23,222 -6% 3 $7,741   $64,642 2
Jan 26, 2018 36 $60,872 +162% 10 $6,087   $143,712 3
Feb 2, 2018 32 $110,583 +82% 37 $2,989   $278,978 4
Feb 9, 2018 36 $110,122 n/c 50 $2,202   $455,609 5
Feb 16, 2018 42 $84,337 -23% 43 $1,961   $623,467 6
Feb 23, 2018 45 $76,270 -10% 51 $1,495   $762,171 7
Mar 2, 2018 43 $52,674 -31% 47 $1,121   $856,382 8
Mar 9, 2018 56 $19,787 -62% 16 $1,237   $904,521 9
Mar 16, 2018 54 $20,006 +1% 12 $1,667   $934,572 10
Mar 23, 2018 61 $15,713 -21% 11 $1,428   $962,115 11
Mar 30, 2018 71 $7,895 -50% 9 $877   $975,475 12
Apr 6, 2018 66 $8,024 +2% 8 $1,003   $990,180 13
Apr 13, 2018 77 $3,758 -53% 8 $470   $1,000,038 14

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 41 $41,420   3 $13,807   $41,420 1
Jan 19, 2018 45 $40,820 -1% 3 $13,607   $82,240 2
Jan 26, 2018 37 $86,155 +111% 9 $9,573   $168,395 3
Feb 2, 2018 32 $177,092 +106% 37 $4,786   $345,487 4
Feb 9, 2018 36 $193,643 +9% 49 $3,952   $539,130 5
Feb 16, 2018 42 $146,771 -24% 43 $3,413   $685,901 6
Feb 23, 2018 43 $117,807 -20% 51 $2,310   $803,708 7
Mar 2, 2018 45 $81,026 -31% 51 $1,589   $884,734 8
Mar 9, 2018 58 $29,832 -63% 16 $1,865   $914,566 9
Mar 16, 2018 54 $31,836 +7% 12 $2,653   $946,402 10
Mar 23, 2018 67 $21,178 -33% 11 $1,925   $967,580 11
Mar 30, 2018 66 $14,576 -31% 9 $1,620   $982,156 12
Apr 6, 2018 65 $14,124 -3% 9 $1,569   $996,280 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/30/2018 $26,011 0 0 0 $60,589 1/1/2019
Australia 8/31/2018 $79,965 24 26 179 $470,899 8/29/2022
France 2/2/2018 $278,057 0 0 0 $731,495 6/13/2018
Italy 12/6/2017 $203,161 0 0 0 $850,711 1/26/2018
Netherlands 2/16/2018 $26,871 22 22 44 $87,626 2/26/2018
Spain 3/16/2018 $59,154 37 37 73 $135,200 3/29/2018
Turkey 1/19/2018 $3,925 0 0 0 $12,793 1/1/2019
 
International Total$2,349,313 8/29/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Ziad Doueiri Director

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$24,600 (2.5% of total gross)
Legs:9.04 (domestic box office/biggest weekend)
Domestic Share:29.9% (domestic box office/worldwide)
Theater counts:3 opening theaters/51 max. theaters, 6.0 weeks average run per theater
Infl. Adj. Dom. BO $1,183,353

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 12th, 2018 (Limited) by Cohen Media Group, released as The Insult
International Releases: December 6th, 2017 (Wide), released as L'Insulto (Italy)
January 19th, 2018 (Wide) (Turkey)
February 2nd, 2018 (Wide) (France)
February 16th, 2018 (Wide) (Netherlands)
March 16th, 2018 (Wide), released as El Insulto (Spain)
... Show all releases
Video Release: May 1st, 2018 by Sony Pictures Home Entertainment, released as The Insult
MPAA Rating: R for language and some violent images.
(Rating bulletin 2497 (Cert #51271), 10/11/2017)
Running Time: 112 minutes
Comparisons: vs. Indigènes
Create your own comparison chart…
Keywords: Courtroom / Legal Drama, Christians, Set in Palestine, Set in Lebanon, Refugee
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Lebanon
Languages: Arabic

Production and Technical Credits

Ziad Doueiri Director

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 42 $24,600   3 $8,200   $24,600 1
Jan 19, 2018 44 $23,222 -6% 3 $7,741   $64,642 2
Jan 26, 2018 36 $60,872 +162% 10 $6,087   $143,712 3
Feb 2, 2018 32 $110,583 +82% 37 $2,989   $278,978 4
Feb 9, 2018 36 $110,122 n/c 50 $2,202   $455,609 5
Feb 16, 2018 42 $84,337 -23% 43 $1,961   $623,467 6
Feb 23, 2018 45 $76,270 -10% 51 $1,495   $762,171 7
Mar 2, 2018 43 $52,674 -31% 47 $1,121   $856,382 8
Mar 9, 2018 56 $19,787 -62% 16 $1,237   $904,521 9
Mar 16, 2018 54 $20,006 +1% 12 $1,667   $934,572 10
Mar 23, 2018 61 $15,713 -21% 11 $1,428   $962,115 11
Mar 30, 2018 71 $7,895 -50% 9 $877   $975,475 12
Apr 6, 2018 66 $8,024 +2% 8 $1,003   $990,180 13
Apr 13, 2018 77 $3,758 -53% 8 $470   $1,000,038 14

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 41 $41,420   3 $13,807   $41,420 1
Jan 19, 2018 45 $40,820 -1% 3 $13,607   $82,240 2
Jan 26, 2018 37 $86,155 +111% 9 $9,573   $168,395 3
Feb 2, 2018 32 $177,092 +106% 37 $4,786   $345,487 4
Feb 9, 2018 36 $193,643 +9% 49 $3,952   $539,130 5
Feb 16, 2018 42 $146,771 -24% 43 $3,413   $685,901 6
Feb 23, 2018 43 $117,807 -20% 51 $2,310   $803,708 7
Mar 2, 2018 45 $81,026 -31% 51 $1,589   $884,734 8
Mar 9, 2018 58 $29,832 -63% 16 $1,865   $914,566 9
Mar 16, 2018 54 $31,836 +7% 12 $2,653   $946,402 10
Mar 23, 2018 67 $21,178 -33% 11 $1,925   $967,580 11
Mar 30, 2018 66 $14,576 -31% 9 $1,620   $982,156 12
Apr 6, 2018 65 $14,124 -3% 9 $1,569   $996,280 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/30/2018 $26,011 0 0 0 $60,589 1/1/2019
Australia 8/31/2018 $79,965 24 26 179 $470,899 8/29/2022
France 2/2/2018 $278,057 0 0 0 $731,495 6/13/2018
Italy 12/6/2017 $203,161 0 0 0 $850,711 1/26/2018
Netherlands 2/16/2018 $26,871 22 22 44 $87,626 2/26/2018
Spain 3/16/2018 $59,154 37 37 73 $135,200 3/29/2018
Turkey 1/19/2018 $3,925 0 0 0 $12,793 1/1/2019
 
International Total$2,349,313 8/29/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.