On Any Sunday: The Next Chapter (2014)

On Any Sunday: The Next Chapter poster
Theatrical Performance
Domestic Box Office $509,916Details
International Box Office $19,691Details
Worldwide Box Office $529,607
Home Market Performance
Est. Domestic DVD Sales $797,585 Details
Est. Domestic Blu-ray Sales $97,677 Details
Total Est. Domestic Video Sales $895,262
Further financial details...

Synopsis

This insider look at motorcycle racing reached a wide audience that was fascinated by the heartfelt stories of real-life riders, earning an Academy Award nomination for Best Documentary Feature. Four decades later, On Any Sunday: The Next Chapter shows that the passion for riding motorcycles is as strong as ever. The Next Chapter journeys deeper into the humanity and excitement of motorcycle culture across disciplines – the passion for the race, the love of family and friends, and the thrill of the ride.

Metrics

Opening Weekend:$320,984 (62.9% of total gross)
Legs:1.59 (domestic box office/biggest weekend)
Domestic Share:96.3% (domestic box office/worldwide)
Theater counts:231 opening theaters/231 max. theaters, 1.4 weeks average run per theater
Infl. Adj. Dom. BO $672,812

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 7th, 2014 (Limited) by Hannover House
Video Release: February 10th, 2015 by Anchor Bay Home Entertainment
MPAA Rating: PG for perilous action, some crashes and brief language.
(Rating bulletin 2340, 9/17/2014)
Running Time: 94 minutes
Franchise: On Any Sunday
Comparisons: vs. Racing Dreams
Create your own comparison chart…
Keywords: Delayed Sequel, Motorcycle Racing, Auto Racing, Motorsports
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Red Bull Media House, Freeride Entertainment
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 7, 2014 21 $320,984   231 $1,390   $320,984 1
Nov 14, 2014 39 $48,602 -85% 73 $666   $474,377 2
Nov 21, 2014 55 $13,586 -72% 16 $849   $507,324 3

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 7, 2014 - $143,586     231 $622   $143,586 1
Nov 8, 2014 - $105,290 -27%   231 $456   $248,876 2
Nov 9, 2014 - $72,108 -32%   231 $312   $320,984 3
Nov 10, 2014 - $27,819 -61%   231 $120   $348,803 4
Nov 11, 2014 - $30,921 +11%   231 $134   $379,724 5
Nov 12, 2014 - $21,223 -31%   231 $92   $400,947 6
Nov 13, 2014 - $24,828 +17%   231 $107   $425,775 7
Nov 14, 2014 - $12,012 -52% -92% 73 $165   $437,787 8
Nov 15, 2014 - $19,186 +60% -82% 73 $263   $456,973 9
Nov 16, 2014 - $17,404 -9% -76% 73 $238   $474,377 10
Nov 17, 2014 - $4,554 -74% -84% 73 $62   $478,931 11
Nov 18, 2014 - $4,424 -3% -86% 73 $61   $483,355 12
Nov 19, 2014 - $6,206 +40% -71% 73 $85   $489,561 13
Nov 20, 2014 - $4,177 -33% -83% 73 $57   $493,738 14
Nov 21, 2014 - $8,905 +113% -26% 16 $557   $502,643 15
Nov 22, 2014 34 $2,512 -72% -87% 16 $157   $505,155 16
Nov 23, 2014 - $2,169 -14% -88% 16 $136   $507,324 17
Nov 24, 2014 - $779 -64% -83% 16 $49   $508,103 18
Nov 25, 2014 - $1,425 +83% -68% 16 $89   $509,528 19
Nov 26, 2014 - $284 -80% -95% 2 $142   $509,812 20
Nov 27, 2014 - $104 -63% -98% 2 $52   $509,916 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 7, 2014 23 $425,775   231 $1,843   $425,775 1
Nov 14, 2014 41 $67,963 -84% 73 $931   $493,738 2
Nov 21, 2014 56 $16,178 -76% 2 $8,089   $509,916 3

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Carlin Dunne Himself
Ashley Fiolek Herself
Doug Henry Himself
Robbie Maddison Himself
Marc Marquez Himself
Brad Oxley Himself
Travis Pastrana Himself
Dani Pedrosa Himself
Kenny Roberts Himself
Roland Sands Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dana Brown Director
Dana Brown Screenwriter
Scott Rousseau Screenwriter
Bruce Brown Story Creator
Jonnie Broi Producer
Ben Bryan Producer
Nicholas Schrunk Producer
Bruce Brown Executive Producer
Scott Bradfield Executive Producer
Derek Westerlund Executive Producer
Charlie Rosene Executive Producer
Philipp Manderla Executive Producer
Todd Huffman Executive Producer
Don Paul Hoffman Executive Producer
Patrick Panzarella Executive Producer
Andrew Boucher Editor
Dave Palmer Composer
Alex Fostvedt Director of Photography

Per Theater Chart: Everything Above All Others

November 12th, 2014

The Theory of Everything poster

There were four films in the $10,000 club, including The Theory of Everything, which led the way with an average of $41,753 in five theaters. This is high enough to make some measure of mainstream success nearly inevitable. Up next were a pair of wide releases. Big Hero 6 earned an average of $14,947, while Interstellar was right behind with an average of $13,342. The final film in the $10,000 club was National Gallery, which earned $10,049 in one theater over the weekend for a total opening of $13,165.

More...

Everything is a Limited Release

November 7th, 2014

The Theory of Everything poster
There are a ton of limited releases coming out this week, including The Theory of Everything, which many people think will be an Awards Season contender. There are also a couple of foreign-language films worth checking out, Why Don't You Play in Hell and The Way He Looks. And finally, there are a trio of documentaries, Actress, Death Metal Angola, and National Gallery. Unfortunately, there are also a lot of films earning mixed or weaker reviews, so hopefully the good films don't get squeezed out.

More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

This insider look at motorcycle racing reached a wide audience that was fascinated by the heartfelt stories of real-life riders, earning an Academy Award nomination for Best Documentary Feature. Four decades later, On Any Sunday: The Next Chapter shows that the passion for riding motorcycles is as strong as ever. The Next Chapter journeys deeper into the humanity and excitement of motorcycle culture across disciplines – the passion for the race, the love of family and friends, and the thrill of the ride.

Metrics

Opening Weekend:$320,984 (62.9% of total gross)
Legs:1.59 (domestic box office/biggest weekend)
Domestic Share:96.3% (domestic box office/worldwide)
Theater counts:231 opening theaters/231 max. theaters, 1.4 weeks average run per theater
Infl. Adj. Dom. BO $672,812

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 7th, 2014 (Limited) by Hannover House
Video Release: February 10th, 2015 by Anchor Bay Home Entertainment
MPAA Rating: PG for perilous action, some crashes and brief language.
(Rating bulletin 2340, 9/17/2014)
Running Time: 94 minutes
Franchise: On Any Sunday
Comparisons: vs. Racing Dreams
Create your own comparison chart…
Keywords: Delayed Sequel, Motorcycle Racing, Auto Racing, Motorsports
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Red Bull Media House, Freeride Entertainment
Production Countries: United States
Languages: English

Interviewee(s)

Carlin Dunne Himself
Ashley Fiolek Herself
Doug Henry Himself
Robbie Maddison Himself
Marc Marquez Himself
Brad Oxley Himself
Travis Pastrana Himself
Dani Pedrosa Himself
Kenny Roberts Himself
Roland Sands Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dana Brown Director
Dana Brown Screenwriter
Scott Rousseau Screenwriter
Bruce Brown Story Creator
Jonnie Broi Producer
Ben Bryan Producer
Nicholas Schrunk Producer
Bruce Brown Executive Producer
Scott Bradfield Executive Producer
Derek Westerlund Executive Producer
Charlie Rosene Executive Producer
Philipp Manderla Executive Producer
Todd Huffman Executive Producer
Don Paul Hoffman Executive Producer
Patrick Panzarella Executive Producer
Andrew Boucher Editor
Dave Palmer Composer
Alex Fostvedt Director of Photography

Per Theater Chart: Everything Above All Others

November 12th, 2014

The Theory of Everything poster

There were four films in the $10,000 club, including The Theory of Everything, which led the way with an average of $41,753 in five theaters. This is high enough to make some measure of mainstream success nearly inevitable. Up next were a pair of wide releases. Big Hero 6 earned an average of $14,947, while Interstellar was right behind with an average of $13,342. The final film in the $10,000 club was National Gallery, which earned $10,049 in one theater over the weekend for a total opening of $13,165.

More...

Everything is a Limited Release

November 7th, 2014

The Theory of Everything poster
There are a ton of limited releases coming out this week, including The Theory of Everything, which many people think will be an Awards Season contender. There are also a couple of foreign-language films worth checking out, Why Don't You Play in Hell and The Way He Looks. And finally, there are a trio of documentaries, Actress, Death Metal Angola, and National Gallery. Unfortunately, there are also a lot of films earning mixed or weaker reviews, so hopefully the good films don't get squeezed out.

More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 7, 2014 21 $320,984   231 $1,390   $320,984 1
Nov 14, 2014 39 $48,602 -85% 73 $666   $474,377 2
Nov 21, 2014 55 $13,586 -72% 16 $849   $507,324 3

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 7, 2014 - $143,586     231 $622   $143,586 1
Nov 8, 2014 - $105,290 -27%   231 $456   $248,876 2
Nov 9, 2014 - $72,108 -32%   231 $312   $320,984 3
Nov 10, 2014 - $27,819 -61%   231 $120   $348,803 4
Nov 11, 2014 - $30,921 +11%   231 $134   $379,724 5
Nov 12, 2014 - $21,223 -31%   231 $92   $400,947 6
Nov 13, 2014 - $24,828 +17%   231 $107   $425,775 7
Nov 14, 2014 - $12,012 -52% -92% 73 $165   $437,787 8
Nov 15, 2014 - $19,186 +60% -82% 73 $263   $456,973 9
Nov 16, 2014 - $17,404 -9% -76% 73 $238   $474,377 10
Nov 17, 2014 - $4,554 -74% -84% 73 $62   $478,931 11
Nov 18, 2014 - $4,424 -3% -86% 73 $61   $483,355 12
Nov 19, 2014 - $6,206 +40% -71% 73 $85   $489,561 13
Nov 20, 2014 - $4,177 -33% -83% 73 $57   $493,738 14
Nov 21, 2014 - $8,905 +113% -26% 16 $557   $502,643 15
Nov 22, 2014 34 $2,512 -72% -87% 16 $157   $505,155 16
Nov 23, 2014 - $2,169 -14% -88% 16 $136   $507,324 17
Nov 24, 2014 - $779 -64% -83% 16 $49   $508,103 18
Nov 25, 2014 - $1,425 +83% -68% 16 $89   $509,528 19
Nov 26, 2014 - $284 -80% -95% 2 $142   $509,812 20
Nov 27, 2014 - $104 -63% -98% 2 $52   $509,916 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 7, 2014 23 $425,775   231 $1,843   $425,775 1
Nov 14, 2014 41 $67,963 -84% 73 $931   $493,738 2
Nov 21, 2014 56 $16,178 -76% 2 $8,089   $509,916 3

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.