Russia (CIS) Box Office for Полуночный человек (2017)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $478,538 | Details |
| Worldwide Box Office | $2,526,184 | Details |
| Home Market Performance | ||
| North America DVD Sales | $10,027 | Details |
| North America Blu-ray Sales | $32,962 | Details |
| Total North America Video Sales | $42,989 | |
| Further financial details... | ||
Synopsis
It was supposed to be just an urban legend… On a snowy night in her grandmother’s sprawling mansion, teenage Alex and her best friend Miles discover a mysterious box hidden away in the attic. Inside are instructions for The Midnight Game, an ancient Pagan ritual said to summon the players’ greatest fears. It all seems like harmless fun—until they unleash the terrifying spirit of The Midnight Man, an unholy force who pits them against their darkest demons and dares them to survive.
Metrics
Movie Details
| Russia (CIS) Releases: | December 15th, 2017 (Wide), released as Полуночный человек |
| Video Release: | June 5th, 2018 by Shout Factory |
| MPAA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Keywords: | Supernatural, Early / Simultaneous Video-on-Demand release, Prologue, 1950s, Faulty Memory, Autumn Years, Same Role, Multiple Actors |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Midnight, Armory Films, Gussi Films, Elevated, Voltage Pictures, The Bridge Finace Company, Stormchaser Films, Scooty Woop Entertainment, Elite Filmproduktion, Buffalo Gal Pictures, Wooden Rocket |
| Production Countries: | Canada, United States |
| Languages: | English |
Home Market Releases for June 5th, 2018
June 4th, 2018
This is a busier week than usual on the home market, but that’s only because there are a higher than usual number of box office flops coming out the same week. The biggest box office hit of the week is A Wrinkle in Time, which did okay here, but bombed internationally. I’m still waiting for a screener to see if it is at least worth a rental. As for Pick of the Week contenders, there’s My Hero Academia: Season Two, Part Two and Thoroughbreds on Blu-ray. In the end, I went with Thoroughbreds, but both are worth owning.
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Limited and VOD Releases: These Limited Releases are Actually Really Good
January 19th, 2018
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There are two major awards ceremonies this weekend, so it is no surprise there are not many great limited releases to talk about. The art house aficionados are distracted. That’s not to say there are no films worth checking out. Mary And The Witch’s Flower and This Giant Papier-Mâché Boulder Is Actually Really Heavy both look good. Neither look like they will be hits at the box office, but I do want to watch them.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/12/15 | 8 | $260,981 | 536 | $487 | $260,981 | 1 | |
| 2017/12/22 | 12 | $47,591 | -82% | 360 | $132 | $413,176 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/30/2018 | $30,540 | 37 | 37 | 63 | $53,697 | 1/5/2019 |
| Italy | 1/12/2018 | $788,529 | 0 | 0 | 0 | $1,176,778 | 1/26/2018 |
| Mexico | 2/23/2018 | $429,992 | 0 | 0 | 0 | $817,171 | 3/5/2018 |
| North America | 1/19/2018 | $0 | 0 | 0 | 0 | $0 | |
| Russia (CIS) | 12/15/2017 | $260,981 | 536 | 536 | 896 | $478,538 | 12/30/2018 |
| Worldwide Total | $2,526,184 | 1/5/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Gabrielle Haugh | Alex |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Travis Z* | Director |
| Travis Z* | Screenwriter |
| Rob Kennedy | Story based on the original screenplay by |
| Travis Z* | Additional Story by |
| Jimmy Loweree | Additional Story by |
| Frankie Lindquist | Producer |
| Cassian Elwes | Producer |
| Jeff Beesley | Producer |
| Kyle Tekiela | Co-Producer |
| Christopher Lemole | Executive Producer |
| Tim Zajaros | Executive Producer |
| Horacio Altamirano | Executive Producer |
| Penny Karlin | Executive Producer |
| Louise Linton | Executive Producer |
| Zulfikar Guzelgun | Executive Producer |
| Steffan Aumueller | Executive Producer |
| Nicolas Chartier | Executive Producer |
| Jonathan Deckter | Executive Producer |
| Robert Ogden Barnum* | Executive Producer |
| Dave Hansen | Executive Producer |
| Phyllis Laing | Executive Producer |
| Devan Towers | Executive Producer |
| Mary Cybriwsky | Executive Producer |
| Michael Sirow | Executive Producer |
| Vishal Rungta | Executive Producer |
| Josh Sternfeld | Executive Producer |
| Ike Suri | Executive Producer |
| Jaclyn Ann Suri | Executive Producer |
| Rob Kennedy | Executive Producer |
| Lorcan Kavanagh | Executive Producer |
| Edward Kennedy | Executive Producer |
| Gavin Kelly | Director of Photography |
| Melanie Rein | Production Designer |
| Kyle Tekiela | Editor |
| Olaf Pyttlik | Composer |
| Patricia J. Henderson | Costume Designer |
| Chelsea Ellis Bloch | Casting Director |
| Carmen Kotyk | Casting Director |