Impostor (2002)

Theatrical Performance
Domestic Box Office $6,114,237Details
International Box Office $1,860,370Details
Worldwide Box Office $7,974,607
Further financial details...

Metrics

Opening Weekend:$3,022,523 (49.4% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:76.7% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,870 opening theaters/1,870 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $11,493,097

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,201-6,300) 6,240 $6,114,237
All Time International Box Office (Rank 8,901-9,000) 8,978 $1,860,370
All Time Worldwide Box Office (Rank 8,301-8,400) 8,389 $7,974,607

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 4th, 2002 (Wide) by Miramax
MPAA Rating: PG-13 for intense sci-fi violence, some sensuality and language (previously rated R)
Running Time: 102 minutes
Comparisons: vs. Push
Create your own comparison chart…
Keywords: Prologue, Alien Invasion, Voiceover/Narration, War, Young Child Dealing with the Death of a Parent, Intertitle, Political, Robot, Fugitive / On the Run, Surprise Twist, Doppelganger, Non-Chronological, Hitmen, Psychological Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 433 $5,878,576 Jan 4, 2002 3
New Year's Day (Opening, 3-Day) 7 $3,022,523 Jan 4, 2002 3
New Year's Day (Opening, 3-Day, Inflation Adjusted) 8 $5,878,576 Jan 4, 2002 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,201-6,300) 6,240 $6,114,237
All Time Domestic Inflation Adjusted Box Office (Rank 5,701-5,800) 5,781 $11,493,097
All Time Domestic Non-Sequel Box Office (Rank 5,401-5,500) 5,467 $6,114,237
Top 2002 Movies at the Domestic Box Office (Rank 101-200) 160 $6,114,237
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 1,301-1,400) 1,306 $6,114,237
All Time Domestic Box Office for Live Action Movies (Rank 5,501-5,600) 5,556 $6,114,237
All Time Domestic Box Office for Science Fiction Movies (Rank 501-600) 508 $6,114,237
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 501-600) 587 $6,114,237
All Time Domestic Box Office for PG-13 Movies (Rank 1,901-2,000) 1,922 $6,114,237
All Time Domestic Box Office for Miramax Movies (Rank 101-200) 137 $6,114,237

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 4, 2002 13 $3,022,523   1,870 $1,616   $3,022,523 1
Jan 11, 2002 18 $1,445,680 -52% 1,870 $773   $5,250,001 2
Jan 18, 2002 26 $325,995 -77% 890 $366   $6,114,237 3

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jan 4, 2002 11 $1,065,000   1,870 $570   $1,065,000 1
Jan 5, 2002 11 $1,314,000 +23% 1,870 $703   $2,361,000 2
Jan 6, 2002 11 $662,000 -50% 1,870 $354   $3,022,523 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 4, 2002 13 $3,804,321   1,870 $2,034   $3,804,321 1
Jan 11, 2002 18 $1,983,921 -48% 1,870 $1,061   $5,788,242 2
Jan 18, 2002 27 $325,995 -84% 890 $366   $6,114,237 3

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,901-9,000) 8,978 $1,860,370
All Time International Non-Sequel Box Office (Rank 8,001-8,100) 8,017 $1,860,370
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 1,201-1,300) 1,300 $1,860,370
All Time International Box Office for Live Action Movies (Rank 7,401-7,500) 7,472 $1,860,370
All Time International Box Office for Science Fiction Movies (Rank 501-600) 510 $1,860,370
All Time International Box Office for Thriller/Suspense Movies (Rank 701-800) 782 $1,860,370
All Time International Box Office for PG-13 Movies (Rank 1,601-1,700) 1,672 $1,860,370
All Time International Box Office for Miramax Movies (Rank 101-200) 106 $1,860,370

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 8,301-8,400) 8,389 $7,974,607
All Time Worldwide Non-Sequel Box Office (Rank 7,301-7,400) 7,396 $7,974,607
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 1,501-1,600) 1,512 $7,974,607
All Time Worldwide Box Office for Live Action Movies (Rank 7,201-7,300) 7,272 $7,974,607
All Time Worldwide Box Office for Science Fiction Movies (Rank 501-600) 575 $7,974,607
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 701-800) 749 $7,974,607
All Time Worldwide Box Office for PG-13 Movies (Rank 2,001-2,100) 2,009 $7,974,607
All Time Worldwide Box Office for Miramax Movies (Rank 101-200) 151 $7,974,607

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Uncategorized

Gary Sinise Spencer John Olham
Madeleine Stowe Maya Olham
Vincent D'Onofrio Hathaway
Kimberly A. Scott Comms Officer
Gary Dourdan Captain Burke
Tracey Walter Mr. Siegel
Jack Truman Xenon
Shane Brolly Lt. Burrows
Tim Guinee Dr. Carone
Mekhi Phifer Cale
Tony Shalhoub Nelson Gittes
Ivana Milicevic Gang girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gary Fleder Director
Caroline Case Screenwriter
Ehren Kruger Screenwriter
David Twohy Screenwriter
Philip K. Dick Story Creator
Bob Weinstein Co-Executive Producer
Harvey Weinstein Co-Executive Producer
Mark Isham Composer
Nelson Coates Production Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Contest: Bourne Bequest

August 3rd, 2012

The Bourne Legacy will dominate new releases next weekend, but will it live up to its predecessors? Regardless of the answer to that question, it is the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Bourne Legacy. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Impostor on Blu-ray. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Dirty Pretty Things on Blu-ray Finally, one other entrant will be chosen regardless of what they predicted, and they will win the last copy of Darkness on Blu-ray. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

DVD and Blu-ray Releases for July 17th, 2012

July 17th, 2012

It's broken record time. As is usual for this time of year, it is a slow week on the home market. There are two first run releases coming out, Lockout and The Three Stooges, but neither film was a box office hit. On the other hand, there are a number of catalogue titles (Singin' In the Rain); limited releases (Salmon Fishing in the Yemen); and TV on DVD releases (Sanctuary: The Complete Fourth Season). All three of those releases are contenders for Pick of the Week, but in the end I went with Leverage: Season Four. More...

Featured Blu-ray Review: Impostor

July 11th, 2012

Impostor began as a short story by Philip K. Dick. It was adapted as a short film that was to be one of three segments in a sci-fi anthology, but before the other two segments could be filmed, the project fell apart. Instead of just shelving the film, they expanded it into a feature-length movie. Given the film's box office numbers, it would have been wiser to try and sell the short film, or just leave it on the shelf. But did it at least work in a narrative sense, if not a box office sense? More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$3,022,523 (49.4% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:76.7% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,870 opening theaters/1,870 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $11,493,097

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,201-6,300) 6,240 $6,114,237
All Time International Box Office (Rank 8,901-9,000) 8,978 $1,860,370
All Time Worldwide Box Office (Rank 8,301-8,400) 8,389 $7,974,607

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 4th, 2002 (Wide) by Miramax
MPAA Rating: PG-13 for intense sci-fi violence, some sensuality and language (previously rated R)
Running Time: 102 minutes
Comparisons: vs. Push
Create your own comparison chart…
Keywords: Prologue, Alien Invasion, Voiceover/Narration, War, Young Child Dealing with the Death of a Parent, Intertitle, Political, Robot, Fugitive / On the Run, Surprise Twist, Doppelganger, Non-Chronological, Hitmen, Psychological Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 433 $5,878,576 Jan 4, 2002 3
New Year's Day (Opening, 3-Day) 7 $3,022,523 Jan 4, 2002 3
New Year's Day (Opening, 3-Day, Inflation Adjusted) 8 $5,878,576 Jan 4, 2002 3

Uncategorized

Gary Sinise Spencer John Olham
Madeleine Stowe Maya Olham
Vincent D'Onofrio Hathaway
Kimberly A. Scott Comms Officer
Gary Dourdan Captain Burke
Tracey Walter Mr. Siegel
Jack Truman Xenon
Shane Brolly Lt. Burrows
Tim Guinee Dr. Carone
Mekhi Phifer Cale
Tony Shalhoub Nelson Gittes
Ivana Milicevic Gang girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gary Fleder Director
Caroline Case Screenwriter
Ehren Kruger Screenwriter
David Twohy Screenwriter
Philip K. Dick Story Creator
Bob Weinstein Co-Executive Producer
Harvey Weinstein Co-Executive Producer
Mark Isham Composer
Nelson Coates Production Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Contest: Bourne Bequest

August 3rd, 2012

The Bourne Legacy will dominate new releases next weekend, but will it live up to its predecessors? Regardless of the answer to that question, it is the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Bourne Legacy. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Impostor on Blu-ray. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Dirty Pretty Things on Blu-ray Finally, one other entrant will be chosen regardless of what they predicted, and they will win the last copy of Darkness on Blu-ray. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

DVD and Blu-ray Releases for July 17th, 2012

July 17th, 2012

It's broken record time. As is usual for this time of year, it is a slow week on the home market. There are two first run releases coming out, Lockout and The Three Stooges, but neither film was a box office hit. On the other hand, there are a number of catalogue titles (Singin' In the Rain); limited releases (Salmon Fishing in the Yemen); and TV on DVD releases (Sanctuary: The Complete Fourth Season). All three of those releases are contenders for Pick of the Week, but in the end I went with Leverage: Season Four. More...

Featured Blu-ray Review: Impostor

July 11th, 2012

Impostor began as a short story by Philip K. Dick. It was adapted as a short film that was to be one of three segments in a sci-fi anthology, but before the other two segments could be filmed, the project fell apart. Instead of just shelving the film, they expanded it into a feature-length movie. Given the film's box office numbers, it would have been wiser to try and sell the short film, or just leave it on the shelf. But did it at least work in a narrative sense, if not a box office sense? More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,201-6,300) 6,240 $6,114,237
All Time Domestic Inflation Adjusted Box Office (Rank 5,701-5,800) 5,781 $11,493,097
All Time Domestic Non-Sequel Box Office (Rank 5,401-5,500) 5,467 $6,114,237
Top 2002 Movies at the Domestic Box Office (Rank 101-200) 160 $6,114,237
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 1,301-1,400) 1,306 $6,114,237
All Time Domestic Box Office for Live Action Movies (Rank 5,501-5,600) 5,556 $6,114,237
All Time Domestic Box Office for Science Fiction Movies (Rank 501-600) 508 $6,114,237
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 501-600) 587 $6,114,237
All Time Domestic Box Office for PG-13 Movies (Rank 1,901-2,000) 1,922 $6,114,237
All Time Domestic Box Office for Miramax Movies (Rank 101-200) 137 $6,114,237

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 4, 2002 13 $3,022,523   1,870 $1,616   $3,022,523 1
Jan 11, 2002 18 $1,445,680 -52% 1,870 $773   $5,250,001 2
Jan 18, 2002 26 $325,995 -77% 890 $366   $6,114,237 3

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jan 4, 2002 11 $1,065,000   1,870 $570   $1,065,000 1
Jan 5, 2002 11 $1,314,000 +23% 1,870 $703   $2,361,000 2
Jan 6, 2002 11 $662,000 -50% 1,870 $354   $3,022,523 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 4, 2002 13 $3,804,321   1,870 $2,034   $3,804,321 1
Jan 11, 2002 18 $1,983,921 -48% 1,870 $1,061   $5,788,242 2
Jan 18, 2002 27 $325,995 -84% 890 $366   $6,114,237 3

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,901-9,000) 8,978 $1,860,370
All Time International Non-Sequel Box Office (Rank 8,001-8,100) 8,017 $1,860,370
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 1,201-1,300) 1,300 $1,860,370
All Time International Box Office for Live Action Movies (Rank 7,401-7,500) 7,472 $1,860,370
All Time International Box Office for Science Fiction Movies (Rank 501-600) 510 $1,860,370
All Time International Box Office for Thriller/Suspense Movies (Rank 701-800) 782 $1,860,370
All Time International Box Office for PG-13 Movies (Rank 1,601-1,700) 1,672 $1,860,370
All Time International Box Office for Miramax Movies (Rank 101-200) 106 $1,860,370

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 8,301-8,400) 8,389 $7,974,607
All Time Worldwide Non-Sequel Box Office (Rank 7,301-7,400) 7,396 $7,974,607
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 1,501-1,600) 1,512 $7,974,607
All Time Worldwide Box Office for Live Action Movies (Rank 7,201-7,300) 7,272 $7,974,607
All Time Worldwide Box Office for Science Fiction Movies (Rank 501-600) 575 $7,974,607
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 701-800) 749 $7,974,607
All Time Worldwide Box Office for PG-13 Movies (Rank 2,001-2,100) 2,009 $7,974,607
All Time Worldwide Box Office for Miramax Movies (Rank 101-200) 151 $7,974,607

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.