After Hours (1985)

Theatrical Performance
Domestic Box Office $10,609,321Details
International Box Office $15,098Details
Worldwide Box Office $10,624,419
Further financial details...

Metrics

Opening Weekend:$45,435 (0.4% of total gross)
Legs:5.10 (domestic box office/biggest weekend)
Domestic Share:99.9% (domestic box office/worldwide)
Production Budget:$4,500,000 (worldwide box office is 2.4 times production budget)
Theater counts:1 opening theaters/503 max. theaters, 5.9 weeks average run per theater
Infl. Adj. Dom. BO $32,216,472

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: September 13th, 1985 (Wide) by Warner Bros.
International Releases: February 29th, 2024 (Limited) (New Zealand)
March 22nd, 2024 (Limited) (4K Restoration) (United Kingdom)
Video Release: August 17th, 2004 by Warner Home Video
MPAA Rating: R
Running Time: 97 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Relationships Gone Wrong, Black Comedy, Crime, Film Noir, Cult Movie, One Night, Framed, Set in New York City, Set in New York, Suicide, Artists, Fugitive / On the Run, Punk Rock
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 272 $6,445,701 Oct 11, 1985 31

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 1985 30 $45,435   1 $45,435   $45,435 1
Sep 20, 1985 24 $107,446 +136% 4 $26,862   $198,147 2
Sep 27, 1985 11 $519,253 +383% 39 $13,314   $784,799 3
Oct 4, 1985 14 $405,875 -22% 39 $10,407   $1,373,750 4
Oct 11, 1985 9 $2,082,095 +413% 496 $4,198   $3,605,603 5
Oct 18, 1985 9 $1,543,891 -26% 503 $3,069   $5,560,543 6
Oct 25, 1985 9 $1,172,430 -24% 485 $2,417   $7,182,799 7
Nov 1, 1985 11 $948,198 -19% 439 $2,160   $8,493,677 8
Nov 8, 1985 16 $613,110 -35% 350 $1,752   $9,399,143 9
Nov 15, 1985 16 $512,816 -16% 362 $1,417   $10,115,497 10
Nov 22, 1985 20 $336,431 -34% 255 $1,319   $10,609,321 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 1985 25 $90,701   1 $90,701   $90,701 1
Sep 20, 1985 19 $174,845 +93% 4 $43,711   $265,546 2
Sep 27, 1985 10 $702,329 +302% 39 $18,008   $967,875 3
Oct 4, 1985 12 $555,633 -21% 39 $14,247   $1,523,508 4
Oct 11, 1985 9 $2,493,144 +349% 496 $5,027   $4,016,652 5
Oct 18, 1985 9 $1,993,717 -20% 503 $3,964   $6,010,369 6
Oct 25, 1985 8 $1,535,110 -23% 485 $3,165   $7,545,479 7
Nov 1, 1985 11 $1,240,554 -19% 439 $2,826   $8,786,033 8
Nov 8, 1985 15 $816,648 -34% 350 $2,333   $9,602,681 9
Nov 15, 1985 16 $670,209 -18% 362 $1,851   $10,272,890 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
New Zealand 2/29/2024 $0 0 1 2 $285 5/6/2024
United Kingdom 3/22/2024 $14,813 8 8 8 $14,813 3/27/2024
 
International Total$15,098 5/6/2024

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 16, 20231011,551 11,551$267,406$267,406987

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Leading Cast

Griffin Dunne Paul Hackett

Supporting Cast

Tommy Chong Pepe
Rosanna Arquette Marcy Franklin
Catherine O'Hara Gail
Linda Fiorentino Kiki Bridges
Bronson Pinchot Lloyd
John Heard Tom the Bartender
Teri Garr Julie
Cheech Marin Neil
Will Patton Horst
Dick Miller Waiter

Cameos

Martin Scorsese Club Berlin Searchlight Operator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Martin Scorsese Director
Joseph Minion Screenwriter
Howard Shore Composer

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Metrics

Opening Weekend:$45,435 (0.4% of total gross)
Legs:5.10 (domestic box office/biggest weekend)
Domestic Share:99.9% (domestic box office/worldwide)
Production Budget:$4,500,000 (worldwide box office is 2.4 times production budget)
Theater counts:1 opening theaters/503 max. theaters, 5.9 weeks average run per theater
Infl. Adj. Dom. BO $32,216,472

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: September 13th, 1985 (Wide) by Warner Bros.
International Releases: February 29th, 2024 (Limited) (New Zealand)
March 22nd, 2024 (Limited) (4K Restoration) (United Kingdom)
Video Release: August 17th, 2004 by Warner Home Video
MPAA Rating: R
Running Time: 97 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Relationships Gone Wrong, Black Comedy, Crime, Film Noir, Cult Movie, One Night, Framed, Set in New York City, Set in New York, Suicide, Artists, Fugitive / On the Run, Punk Rock
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 272 $6,445,701 Oct 11, 1985 31

Leading Cast

Griffin Dunne Paul Hackett

Supporting Cast

Tommy Chong Pepe
Rosanna Arquette Marcy Franklin
Catherine O'Hara Gail
Linda Fiorentino Kiki Bridges
Bronson Pinchot Lloyd
John Heard Tom the Bartender
Teri Garr Julie
Cheech Marin Neil
Will Patton Horst
Dick Miller Waiter

Cameos

Martin Scorsese Club Berlin Searchlight Operator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Martin Scorsese Director
Joseph Minion Screenwriter
Howard Shore Composer

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 1985 30 $45,435   1 $45,435   $45,435 1
Sep 20, 1985 24 $107,446 +136% 4 $26,862   $198,147 2
Sep 27, 1985 11 $519,253 +383% 39 $13,314   $784,799 3
Oct 4, 1985 14 $405,875 -22% 39 $10,407   $1,373,750 4
Oct 11, 1985 9 $2,082,095 +413% 496 $4,198   $3,605,603 5
Oct 18, 1985 9 $1,543,891 -26% 503 $3,069   $5,560,543 6
Oct 25, 1985 9 $1,172,430 -24% 485 $2,417   $7,182,799 7
Nov 1, 1985 11 $948,198 -19% 439 $2,160   $8,493,677 8
Nov 8, 1985 16 $613,110 -35% 350 $1,752   $9,399,143 9
Nov 15, 1985 16 $512,816 -16% 362 $1,417   $10,115,497 10
Nov 22, 1985 20 $336,431 -34% 255 $1,319   $10,609,321 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 1985 25 $90,701   1 $90,701   $90,701 1
Sep 20, 1985 19 $174,845 +93% 4 $43,711   $265,546 2
Sep 27, 1985 10 $702,329 +302% 39 $18,008   $967,875 3
Oct 4, 1985 12 $555,633 -21% 39 $14,247   $1,523,508 4
Oct 11, 1985 9 $2,493,144 +349% 496 $5,027   $4,016,652 5
Oct 18, 1985 9 $1,993,717 -20% 503 $3,964   $6,010,369 6
Oct 25, 1985 8 $1,535,110 -23% 485 $3,165   $7,545,479 7
Nov 1, 1985 11 $1,240,554 -19% 439 $2,826   $8,786,033 8
Nov 8, 1985 15 $816,648 -34% 350 $2,333   $9,602,681 9
Nov 15, 1985 16 $670,209 -18% 362 $1,851   $10,272,890 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
New Zealand 2/29/2024 $0 0 1 2 $285 5/6/2024
United Kingdom 3/22/2024 $14,813 8 8 8 $14,813 3/27/2024
 
International Total$15,098 5/6/2024

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 16, 20231011,551 11,551$267,406$267,406987

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.