Larry Ferguson
Best known as a Screenwriter based on credits in that role in 6 films, with $587,656,473 worldwide aggregate box office (rank #507) |
Best-known technical roles: Beverly Hills Cop II (Screenwriter), The Hunt for Red October (Screenwriter), Rollerball (Screenwriter), Maximum Risk (Screenwriter), The Presidio (Screenwriter) |
Best-known acting roles: Chief of the Boat (The Hunt for Red October) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $120,709,866 | $79,790,134 | $200,500,000 |
In Technical Roles | Screenwriter | 6 | $333,404,373 | $254,252,100 | $587,656,473 |
Post-Production Supervisor | 1 | $3,818,664 | $744,416 | $4,563,080 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 16,101-16,200) | 16,101 | $120,709,866 |
Top Stars at the International Box Office (Rank 24,201-24,300) | 24,202 | $79,790,134 |
Top Stars at the Worldwide Box Office (Rank 20,401-20,500) | 20,424 | $200,500,000 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 382 | $333,404,373 |
Top Grossing Screenwriter at the International Box Office (Rank 601-700) | 662 | $254,252,100 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) | 507 | $587,656,473 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 2, 1990 | The Hunt for Red October | Chief of the Boat | $120,709,866 | $79,790,134 | $200,500,000 |
Averages | $120,709,866 | $79,790,134 | $200,500,000 | ||
Totals | 1 | $120,709,866 | $79,790,134 | $200,500,000 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 14, 2016 | Max Steel | Post-Production Supervisor | $3,818,664 | $744,416 | $4,563,080 |
Feb 8, 2002 | Rollerball | Screenwriter | $18,990,542 | $6,861,966 | $25,852,508 |
Sep 13, 1996 | Maximum Risk | Screenwriter | $14,102,929 | $37,600,000 | $51,702,929 |
Mar 2, 1990 | The Hunt for Red October | Screenwriter | $120,709,866 | $79,790,134 | $200,500,000 |
Jun 10, 1988 | The Presidio | Screenwriter | $20,036,000 | $20,036,000 | |
May 20, 1987 | Beverly Hills Cop II | Screenwriter | $153,665,036 | $123,000,000 | $276,665,036 |
Mar 7, 1986 | Highlander | Screenwriter | $5,900,000 | $7,000,000 | $12,900,000 |
Averages | $48,174,720 | $42,499,419 | $84,602,793 | ||
Totals | 7 | $337,223,037 | $254,996,516 | $592,219,553 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 8, 2002 | Rollerball | $9,013,548 | 2,762 | $18,990,542 | $25,852,508 | 73.5% |
Sep 13, 1996 | Maximum Risk | $5,612,707 | 2,358 | $14,102,929 | $51,702,929 | 27.3% |
Mar 2, 1990 | The Hunt for Red October | $17,161,835 | 1,817 | $120,709,866 | $200,500,000 | 60.2% |
Jun 10, 1988 | The Presidio | $5,119,031 | 1,168 | $20,036,000 | $20,036,000 | 100.0% |
May 20, 1987 | Beverly Hills Cop II | $26,348,555 | 2,326 | $153,665,036 | $276,665,036 | 55.5% |
Mar 7, 1986 | Highlander | $2,453,021 | 1,040 | $5,900,000 | $12,900,000 | 45.7% |
Averages | $10,951,450 | 1,912 | $55,567,396 | $97,942,746 | 60.4% | |
Totals | 6 | $333,404,373 | $587,656,473 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 382 | $333,404,373 |
Top Grossing Screenwriter at the International Box Office (Rank 601-700) | 662 | $254,252,100 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) | 507 | $587,656,473 |