Tim Holland
Best known as a Supervising Sound Editor based on credits in that role in 6 films, with $721,495,322 worldwide aggregate box office (rank #145) |
Best-known technical roles: Jurassic Park (Sound Effects Editor), The Ring (Supervising Sound Editor), Terminator 2: Judgment Day (Sound Effects Editor), The Mexican (Supervising Sound Editor), Driving Miss Daisy (Sound Effects Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Supervising Sound Editor | 6 | $377,346,657 | $344,148,665 | $721,495,322 |
Sound Effects Editor | 5 | $845,174,159 | $1,059,747,106 | $1,904,921,265 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Effects Editor at the Domestic Box Office | 43 | $845,174,159 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 132 | $377,346,657 |
Top Grossing Sound Effects Editor at the International Box Office | 54 | $1,059,747,106 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 101-200) | 154 | $344,148,665 |
Top Grossing Sound Effects Editor at the Worldwide Box Office | 46 | $1,904,921,265 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 101-200) | 145 | $721,495,322 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 18, 2002 | The Ring | Supervising Sound Editor | $129,094,024 | $119,124,462 | $248,218,486 |
Mar 2, 2001 | The Mexican | Supervising Sound Editor | $66,808,615 | $78,429,635 | $145,238,250 |
Feb 13, 1998 | Sphere | Supervising Sound Editor | $37,068,294 | $13,100,000 | $50,168,294 |
Dec 25, 1997 | Wag the Dog | Supervising Sound Editor | $43,057,470 | $21,194,568 | $64,252,038 |
Oct 18, 1996 | Sleepers | Supervising Sound Editor | $53,300,852 | $112,300,000 | $165,600,852 |
Jun 11, 1993 | Jurassic Park | Sound Effects Editor | $415,404,543 | $643,049,687 | $1,058,454,230 |
Aug 14, 1992 | Single White Female | Supervising Sound Editor | $48,017,402 | $48,017,402 | |
Jul 2, 1991 | Terminator 2: Judgment Day | Sound Effects Editor | $203,464,105 | $311,897,419 | $515,361,524 |
May 24, 1991 | Backdraft | Sound Effects Editor | $77,868,585 | $74,500,000 | $152,368,585 |
Dec 22, 1989 | Always | Sound Effects Editor | $41,843,630 | $30,300,000 | $72,143,630 |
Dec 13, 1989 | Driving Miss Daisy | Sound Effects Editor | $106,593,296 | $106,593,296 | |
Averages | $111,138,256 | $155,988,419 | $238,765,144 | ||
Totals | 11 | $1,222,520,816 | $1,403,895,771 | $2,626,416,587 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Effects Editor at the Domestic Box Office | 43 | $845,174,159 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 132 | $377,346,657 |
Top Grossing Sound Effects Editor at the International Box Office | 54 | $1,059,747,106 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 101-200) | 154 | $344,148,665 |
Top Grossing Sound Effects Editor at the Worldwide Box Office | 46 | $1,904,921,265 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 101-200) | 145 | $721,495,322 |