Nick Damici
Best known as a Supporting Actor based on credits in that role in 5 films, with $165,441,301 worldwide aggregate box office (rank #21,587) |
Best-known acting roles: Lieutenant Kassimatis (World Trade Center), Ray Price (Cold in July), Sheriff Meeks (We Are What We Are), Mister (Stake Land) |
Best-known technical roles: Cold in July (Screenwriter), We Are What We Are (Screenwriter), Stake Land (Screenwriter) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 5 | $70,783,497 | $94,657,804 | $165,441,301 |
Leading | 2 | $33,245 | $646,237 | $679,482 | |
In Technical Roles | Screenwriter | 4 | $537,849 | $2,287,322 | $2,825,171 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 8,001-8,100) | 8,054 | $33,245 |
Top Stars at the Domestic Box Office (Rank 25,101-25,200) | 25,121 | $70,816,742 |
Top 100 Stars in Leading Roles at the International Box Office (Rank 5,501-5,600) | 5,584 | $646,237 |
Top Stars at the International Box Office (Rank 21,601-21,700) | 21,632 | $95,304,041 |
Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 7,301-7,400) | 7,399 | $679,482 |
Top Stars at the Worldwide Box Office (Rank 23,001-23,100) | 23,057 | $166,120,783 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 6,201-6,300) | 6,205 | $537,849 |
Top Grossing Screenwriter at the International Box Office (Rank 4,301-4,400) | 4,340 | $2,287,322 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,401-6,500) | 6,497 | $2,825,171 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 13, 2015 | Condemned | Hoobler | |||
Jul 24, 2015 | Dark Was the Night | Earl | |||
Nov 21, 2014 | Late Phases | Ambrose | |||
May 23, 2014 | Cold in July | Ray Price | $423,223 | $1,369,354 | $1,792,577 |
Sep 27, 2013 | We Are What We Are | Sheriff Meeks | $81,381 | $271,689 | $353,070 |
Apr 22, 2011 | Stake Land | Mister | $33,245 | $646,237 | $679,482 |
Aug 9, 2006 | World Trade Center | Lieutenant Kassim… | $70,278,893 | $93,016,761 | $163,295,654 |
Averages | $17,704,186 | $23,826,010 | $41,530,196 | ||
Totals | 7 | $70,816,742 | $95,304,041 | $166,120,783 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 21, 2014 | Late Phases | |||||
Apr 22, 2011 | Stake Land | $7,258 | 5 | $33,245 | $679,482 | 4.9% |
Averages | $7,258 | 5 | $33,245 | $679,482 | 4.9% | |
Totals | 2 | $33,245 | $679,482 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 13, 2015 | Condemned | |||||
Jul 24, 2015 | Dark Was the Night | |||||
May 23, 2014 | Cold in July | 73 | $423,223 | $1,792,577 | 23.6% | |
Sep 27, 2013 | We Are What We Are | $13,727 | 13 | $81,381 | $353,070 | 23.0% |
Aug 9, 2006 | World Trade Center | $18,730,762 | 3,021 | $70,278,893 | $163,295,654 | 43.0% |
Averages | $9,372,245 | 1,036 | $23,594,499 | $55,147,100 | 29.9% | |
Totals | 5 | $70,783,497 | $165,441,301 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 25, 2017 | Bushwick | Screenwriter | $42 | $42 | |
May 23, 2014 | Cold in July | Screenwriter | $423,223 | $1,369,354 | $1,792,577 |
Sep 27, 2013 | We Are What We Are | Screenwriter | $81,381 | $271,689 | $353,070 |
Apr 22, 2011 | Stake Land | Screenwriter | $33,245 | $646,237 | $679,482 |
Averages | $179,283 | $571,831 | $706,293 | ||
Totals | 4 | $537,849 | $2,287,322 | $2,825,171 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 25, 2017 | Bushwick | $42 | ||||
May 23, 2014 | Cold in July | 73 | $423,223 | $1,792,577 | 23.6% | |
Sep 27, 2013 | We Are What We Are | $13,727 | 13 | $81,381 | $353,070 | 23.0% |
Apr 22, 2011 | Stake Land | $7,258 | 5 | $33,245 | $679,482 | 4.9% |
Averages | $10,493 | 30 | $179,283 | $706,293 | 17.2% | |
Totals | 4 | $537,849 | $2,825,171 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 6,201-6,300) | 6,205 | $537,849 |
Top Grossing Screenwriter at the International Box Office (Rank 4,301-4,400) | 4,340 | $2,287,322 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,401-6,500) | 6,497 | $2,825,171 |