Anna Waterhouse
Best known as a Screenwriter based on credits in that role in 8 films, with $68,637,074 worldwide aggregate box office (rank #2,236) |
Best-known technical roles: Snake Eyes: G.I. Joe Origins (Screenwriter), Race (Screenwriter), The Aftermath (Screenwriter), Frankie & Alice (Screenwriter), Seberg (Screenwriter) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 8 | $50,152,569 | $18,484,505 | $68,637,074 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,801-1,900) | 1,869 | $50,152,569 |
Top Grossing Screenwriter at the International Box Office (Rank 2,601-2,700) | 2,675 | $18,484,505 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) | 2,236 | $68,637,074 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 23, 2021 | Snake Eyes: G.I. Joe Origins | Screenwriter | $28,264,325 | $6,412,896 | $34,677,221 |
Oct 21, 2020 | Rebecca | Screenwriter | |||
Feb 21, 2020 | Seberg | Screenwriter | $448,009 | $817,110 | $1,265,119 |
Mar 15, 2019 | The Aftermath | Screenwriter | $1,618,497 | $6,623,918 | $8,242,415 |
Feb 19, 2016 | Race | Screenwriter | $19,115,191 | $4,630,581 | $23,745,772 |
Apr 4, 2014 | Frankie & Alice | Screenwriter | $706,547 | $706,547 | |
Averages | $10,030,514 | $4,621,126 | $13,727,415 | ||
Totals | 6 | $50,152,569 | $18,484,505 | $68,637,074 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 23, 2021 | Snake Eyes: G.I. Joe O… | $13,367,853 | 3,540 | $28,264,325 | $34,677,221 | 81.5% |
Oct 21, 2020 | Rebecca | |||||
Feb 21, 2020 | Seberg | $47,180 | 373 | $448,009 | $1,265,119 | 35.4% |
Mar 15, 2019 | The Aftermath | $56,419 | 344 | $1,618,497 | $8,242,415 | 19.6% |
Feb 19, 2016 | Race | $7,353,922 | 2,387 | $19,115,191 | $23,745,772 | 80.5% |
Apr 4, 2014 | Frankie & Alice | $7,768 | 171 | $706,547 | $706,547 | 100.0% |
Averages | $4,166,628 | 1,363 | $10,030,514 | $13,727,415 | 63.4% | |
Totals | 6 | $50,152,569 | $68,637,074 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,801-1,900) | 1,869 | $50,152,569 |
Top Grossing Screenwriter at the International Box Office (Rank 2,601-2,700) | 2,675 | $18,484,505 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) | 2,236 | $68,637,074 |