Adam Sztykiel
Best known as a Screenwriter based on credits in that role in 7 films, with $1,341,545,092 worldwide aggregate box office (rank #178) |
Best-known technical roles: Black Adam (Screenwriter), Black Adam (Story Creator), Rampage (Screenwriter), Alvin and the Chipmunks: The Road Chip (Screenwriter), Due Date (Screenwriter) |
Best-known acting roles: Officer Casey (Scoob!) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $2,188,425 | $24,087,786 | $26,276,211 |
In Technical Roles | Screenwriter | 7 | $478,664,756 | $862,880,336 | $1,341,545,092 |
Story Creator | 1 | $168,283,344 | $222,171,744 | $390,455,088 | |
Executive Producer | 1 | $2,188,425 | $24,087,786 | $26,276,211 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: April
April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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2017 Preview: May
May 1st, 2017
April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth.
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2015 Preview: December
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 15, 2020 | Scoob! | Officer Casey | $2,188,425 | $24,087,786 | $26,276,211 |
Averages | $2,188,425 | $24,087,786 | $26,276,211 | ||
Totals | 1 | $2,188,425 | $24,087,786 | $26,276,211 |
Latest Ranking on All Acting Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 57,001-57,100) | 57,010 | $2,188,425 |
Top Below the Line Stars at the Domestic Box Office (Rank 53,801-53,900) | 53,854 | $2,188,425 |
Top Stars at the Domestic Box Office (Rank 61,401-61,500) | 61,465 | $2,188,425 |
Top 100 Stars in Supporting Roles at the International Box Office (Rank 37,101-37,200) | 37,137 | $24,087,786 |
Top Below the Line Stars at the International Box Office (Rank 34,401-34,500) | 34,497 | $24,087,786 |
Top Stars at the International Box Office (Rank 39,201-39,300) | 39,243 | $24,087,786 |
Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 47,501-47,600) | 47,503 | $26,276,211 |
Top Below the Line Stars at the Worldwide Box Office (Rank 44,501-44,600) | 44,575 | $26,276,211 |
Top Stars at the Worldwide Box Office (Rank 50,501-50,600) | 50,524 | $26,276,211 |
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 30, 2023 | Family Switch | Screenwriter | |||
Oct 21, 2022 | Black Adam | Screenwriter Story by |
$168,283,344 | $222,171,744 | $390,455,088 |
May 15, 2020 | Scoob! | Screenwriter Executive Producer |
$2,188,425 | $24,087,786 | $26,276,211 |
Apr 13, 2018 | Rampage | Screenwriter | $101,028,233 | $326,918,984 | $427,947,217 |
May 19, 2017 | Diary of a Wimpy Kid: The L… | Screenwriter | $20,738,724 | $14,870,853 | $35,609,577 |
Dec 18, 2015 | Alvin and the Chipmunks: Th… | Screenwriter | $85,886,987 | $163,630,969 | $249,517,956 |
Nov 5, 2010 | Due Date | Screenwriter | $100,539,043 | $111,200,000 | $211,739,043 |
Averages | $79,777,459 | $143,813,389 | $223,590,849 | ||
Totals | 7 | $478,664,756 | $862,880,336 | $1,341,545,092 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 30, 2023 | Family Switch | |||||
Oct 21, 2022 | Black Adam | $67,004,323 | 4,402 | $168,283,344 | $390,455,088 | 43.1% |
May 15, 2020 | Scoob! | $850,000 | 2,500 | $2,188,425 | $26,276,211 | 8.3% |
Apr 13, 2018 | Rampage | $35,753,093 | 4,115 | $101,028,233 | $427,947,217 | 23.6% |
May 19, 2017 | Diary of a Wimpy Kid: … | $7,126,084 | 3,174 | $20,738,724 | $35,609,577 | 58.2% |
Dec 18, 2015 | Alvin and the Chipmunk… | $14,287,159 | 3,705 | $85,886,987 | $249,517,956 | 34.4% |
Nov 5, 2010 | Due Date | $32,689,406 | 3,365 | $100,539,043 | $211,739,043 | 47.5% |
Averages | $26,285,011 | 3,544 | $79,777,459 | $223,590,849 | 35.9% | |
Totals | 7 | $478,664,756 | $1,341,545,092 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 5,301-5,400) | 5,312 | $2,188,425 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 221 | $478,664,756 |
Top Grossing Story Creator at the Domestic Box Office (Rank 301-400) | 394 | $168,283,344 |
Top Grossing Executive Producer at the International Box Office (Rank 2,901-3,000) | 2,966 | $24,087,786 |
Top Grossing Screenwriter at the International Box Office (Rank 101-200) | 166 | $862,880,336 |
Top Grossing Story Creator at the International Box Office (Rank 401-500) | 411 | $222,171,744 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,801-3,900) | 3,863 | $26,276,211 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 101-200) | 178 | $1,341,545,092 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 301-400) | 383 | $390,455,088 |