The Protégé (2021)

The Protégé
Theatrical Performance
Domestic Box Office $7,446,823Details
International Box Office $809,206Details
Worldwide Box Office $8,256,029
Home Market Performance
Est. Domestic DVD Sales $1,744,265 Details
Est. Domestic Blu-ray Sales $1,664,920 Details
Total Est. Domestic Video Sales $3,409,185
Further financial details...

Synopsis

Rescued as a child by the legendary assassin Moody and trained in the family business, Anna is the world’s most skilled contract killer. But when Moody — the man who was like a father to her and taught her everything she needs to know about trust and survival — is brutally killed, Anna vows revenge. As she becomes entangled with an enigmatic killer whose attraction to her goes way beyond cat and mouse, their confrontation turns deadly and the loose ends of a life spent killing will weave themselves ever tighter.

Metrics

Opening Weekend:$2,908,221 (39.1% of total gross)
Legs:2.56 (domestic box office/biggest weekend)
Domestic Share:90.2% (domestic box office/worldwide)
Theater counts:2,577 opening theaters/2,577 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $7,893,483

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: August 20th, 2021 (Wide) by Lionsgate
International Releases: August 19th, 2021 (Wide), released as Кодекс киллера (Russia (CIS))
August 27th, 2021 (Wide), released as A Protegida (Portugal)
August 27th, 2021 (Wide) (Romania)
September 3rd, 2021 (Wide) (Lithuania)
December 1st, 2021 (Wide), released as 더 프로티제 (South Korea)
... Show all releases
Video Release: September 21st, 2021 by Lionsgate Home Entertainment
MPAA Rating: R for strong and bloody violence, language, some sexual references and brief nudity.
(Rating bulletin 2685 (cert #53000), 6/16/2021)
Running Time: 109 minutes
Comparisons: vs. Ava
Create your own comparison chart…
Keywords: Revenge, Set in Vietnam, Action Thriller, Hitmen, Orphan, Death of a Mentor
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Millennium Media, Campbell Grobman Films, Seven Stars Entertainment, Lionsgate, Ingenious Media, I Road, Fourteen Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 20, 2021 7 $2,908,221   2,577 $1,129   $2,908,221 1
Aug 27, 2021 8 $1,631,042 -44% 2,577 $633   $5,705,279 2
Sep 3, 2021 11 $508,415 -69% 1,451 $350   $6,874,645 3
Sep 10, 2021 - $127,464 -75% 394 $324   $7,307,791 4
Sep 17, 2021 - $53,552 -58% 153 $350   $7,419,867 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 19, 2021 P $270,000     0     $270,000  
Aug 20, 2021 5 $1,140,407     2,577 $443   $1,140,407 1
Aug 21, 2021 - $1,030,222 -10%   2,577 $400   $2,170,629 2
Aug 22, 2021 - $737,592 -28%   2,577 $286   $2,908,221 3
Aug 23, 2021 - $271,786 -63%   2,577 $105   $3,180,007 4
Aug 24, 2021 - $392,317 +44%   2,577 $152   $3,572,324 5
Aug 25, 2021 - $255,007 -35%   2,577 $99   $3,827,331 6
Aug 26, 2021 - $246,906 -3%   2,577 $96   $4,074,237 7
Aug 27, 2021 - $480,136 +94% -58% 2,577 $186   $4,554,373 8
Aug 28, 2021 - $690,067 +44% -33% 2,577 $268   $5,244,440 9
Aug 29, 2021 - $460,839 -33% -38% 2,577 $179   $5,705,279 10
Aug 30, 2021 - $160,713 -65% -41% 2,577 $62   $5,865,992 11
Aug 31, 2021 - $237,840 +48% -39% 2,577 $92   $6,103,832 12
Sep 1, 2021 - $160,245 -33% -37% 2,577 $62   $6,264,077 13
Sep 2, 2021 - $102,153 -36% -59% 2,577 $40   $6,366,230 14
Sep 3, 2021 10 $137,168 +34% -71% 1,451 $95   $6,503,398 15
Sep 4, 2021 11 $184,253 +34% -73% 1,451 $127   $6,687,651 16
Sep 5, 2021 10 $186,994 +1% -59% 1,451 $129   $6,874,645 17
Sep 6, 2021 9 $141,784 -24% -12% 1,451 $98   $7,016,429 18
Sep 7, 2021 - $62,375 -56% -74% 1,451 $43   $7,078,804 19
Sep 8, 2021 - $52,356 -16% -67% 1,451 $36   $7,131,160 20
Sep 9, 2021 - $49,167 -6% -52% 1,451 $34   $7,180,327 21
Sep 10, 2021 - $40,082 -18% -71% 394 $102   $7,220,409 22
Sep 11, 2021 - $56,655 +41% -69% 394 $144   $7,277,064 23
Sep 12, 2021 - $30,727 -46% -84% 394 $78   $7,307,791 24
Sep 13, 2021 - $12,317 -60% -91% 394 $31   $7,320,108 25
Sep 14, 2021 - $17,189 +40% -72% 394 $44   $7,337,297 26
Sep 15, 2021 - $15,668 -9% -70% 394 $40   $7,352,965 27
Sep 16, 2021 - $13,350 -15% -73% 394 $34   $7,366,315 28
Sep 17, 2021 - $16,509 +24% -59% 153 $108   $7,382,824 29
Sep 18, 2021 - $24,225 +47% -57% 153 $158   $7,407,049 30
Sep 19, 2021 - $12,818 -47% -58% 153 $84   $7,419,867 31
Sep 20, 2021 - $6,024 -53% -51% 153 $39   $7,425,891 32
Sep 21, 2021 - $7,955 +32% -54% 153 $52   $7,433,846 33
Sep 22, 2021 - $6,522 -18% -58% 153 $43   $7,440,368 34
Sep 23, 2021 - $6,455 -1% -52% 153 $42   $7,446,823 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 20, 2021 7 $4,074,237   2,577 $1,581   $4,074,237 1
Aug 27, 2021 8 $2,291,993 -44% 2,577 $889   $6,366,230 2
Sep 3, 2021 11 $814,097 -64% 1,451 $561   $7,180,327 3
Sep 10, 2021 - $185,988 -77% 394 $472   $7,366,315 4
Sep 17, 2021 - $80,508 -57% 153 $526   $7,446,823 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Japan 7/1/2022 $0000$0
Lithuania 9/3/2021 $1,582 10 10 11 $2,290 10/20/2022
Mexico 3/24/2022 $200,602 0 0 0 $200,602 4/3/2022
Portugal 8/27/2021 $29,419 41 41 79 $64,452 10/20/2022
Romania 8/27/2021 $51,846 79 79 174 $121,292 10/20/2022
Russia (CIS) 8/19/2021 $123,885 867 867 1,328 $211,694 10/20/2022
South Korea 12/1/2021 $31,536 129 129 129 $51,030 12/8/2021
Spain 3/18/2022 $82,306 210 210 400 $157,846 4/8/2022
 
International Total$809,206 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 24, 2021810,226 10,226$218,427$218,4275
Oct 31, 2021147,472-27% 17,698$159,602$378,0296
Nov 7, 2021176,128-18% 23,826$106,811$484,8407

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 24, 2021618,904 18,904$403,789$403,7895
Oct 31, 20211010,373-45% 29,277$221,567$625,3566
Nov 7, 2021167,579-27% 36,856$132,102$757,4587

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Michael Keaton Rembrandt
Maggie Q Anna
Samuel L. Jackson Moody Dutton

Supporting Cast

Robert Patrick Billy Boy
David Rintoul Edward Hayes
Patrick Malahide Vohl
Ray Fearon Duquet
Ori Pfeffer Athens
Caroline Loncq Claudia
Florin Piersic, Jr. Ram
Tudor Chirila Petru
Velizar Binev Don Preda
George Pistereanu Vali
Eva Nugyen Thorsen Young Anna
Alex Bordea Anna’s Father
Tanja Keller Anna’s Mother
Sara Maria Groseanu Anna’s Sister 1
Alina Wang Anna’s Sister 2
Taj Atwal Seema
Gamba Cole Benny
Phong Giang Chu
Richena Carey Madam Lucia
Dimitar Nikolov Lucas Hayes
Aida Economu Anna’s Friend 1
Madalina Anea Anna’s Friend 2
David Sterne Doctor
Jack Derges Randy
Stefan Nikolaev Ivanov Doll
Lili Rich Doll’s Friend
Kent Sherwood Tough Biker
Ekaterina Baker Technician Lotta
Temirkhan Tursungaliyev Border Guard
Cosmin Dominte Anton
Carmen Palcu Shop Clerk
Kiante Elam Hitman
Duk Minh Than Da Nang Taxi Driver
Don Michael Paul Steverino
Chunsheng He Fisherman 1
Tiechen Zhang Fisherman 2
Miylin Georgieva Noveva Nun Bringing the Papers
Hai Anh Kong Vu Boy Playing the Flute

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Martin Campbell Director
Richard Wenk Screenwriter
Arthur Sarkissian Producer
Moshe Diamant Producer
Rob Van Norden Producer
Avi Lerner Producer
Christopher Milburn Producer
Christa Campbell Executive Producer
Lati Grobman Executive Producer
Avi Lerner Executive Producer
Trevor Short Executive Producer
Jeffrey Greenstein Executive Producer
Jonathan Yunger Executive Producer
Boaz Davidson Executive Producer
Bruno Wu Executive Producer
Gareth West Executive Producer
Andrei Boncea Executive Producer
Dragos Buliga Executive Producer
Simon Williams Executive Producer
Daniel Negret Executive Producer
Balan Melarkode Executive Producer
Euzebio Munhoz Jr Executive Producer
Claiton Fernandes Executive Producer
Vladimir Fernandes Executive Producer
Luke Daniels Executive Producer
Kyle Stroud Executive Producer
Regina Seifert Co-Producer
Eduard Irimia Associate Producer
Bernard Mazauric Line Producer
Gabriel Popescu Line Producer
David Tattersall Director of Photography
Angela Catanzaro Editor
Wolf Kroeger Production Designer
Irina Kotcheva Costume Designer
Rupert Parkes Composer
Ryan Svendsen Music Supervisor
Daniel Hubbard Casting Director
Bruce G. Moriarty First Assistant Director
Diyan Hristov Second Unit Director
Lonnie Ramati Co-Executive Producer
Diyan Hristov Stunt Coordinator
Paula Crickard Post-Production Supervisor
Ned Tudzharov First Assistant Editor
Danail Hadzhiyski Visual Effects Producer
Nikolay Gachev Visual Effects Supervisor
Kris Casavant Sound Designer
Ryan Nowak Sound Designer
Gord Hillier Sound Designer
Axel Nicolet Set Decorator
Oana Panaite Set Decorator
Adina Zota Script Supervisor
Vladimir Kaloyanov Sound Mixer
Sagiv Diamant Production Supervisor
Nick Allder Special Effects Coordinator
Daniel Parvulescu Special Effects Supervisor
Razvan Radutiu Location Manager
Oana Draghici Costume Supervisor
Bianca Boeroiu Make up
Domnica Bodogan Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend predictions: 355 won’t stop Spider-Man

January 7th, 2022

The 355

The 355 goes up against the unstoppable force that is Spider-Man: No Way Home at the box office this weekend, and there’s really only one possible winner. Although the webbed crusader won’t be dislodged from the top spot, 355 could do decent business, and will tell us something about where the market stands as we start out 2022. More...

Weekend estimates: Candyman lands with strong $22.37-million opening

August 29th, 2021

Candyman

Candyman went into the weekend a firm favorite for top spot at the box office after posting $1.9 million in previews on Thursday. That number pointed to a weekend just shy of $20 million, but the film posted an excellent $9.14 million on Friday, and will hold on for an opening weekend projected at $22.37 million by Universal this morning. While that’s only the third-best weekend in August, after Free Guy’s $28.4-million debut and The Suicide Squad’s $26.2-million opening, it comfortably out-performs our model’s prediction, and it gives the theatrical market a welcome, and much-needed, boost. More...

Weekend estimates: strong hold for Free Guy keeps it top for second weekend

August 22nd, 2021

Free Guy

Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Rescued as a child by the legendary assassin Moody and trained in the family business, Anna is the world’s most skilled contract killer. But when Moody — the man who was like a father to her and taught her everything she needs to know about trust and survival — is brutally killed, Anna vows revenge. As she becomes entangled with an enigmatic killer whose attraction to her goes way beyond cat and mouse, their confrontation turns deadly and the loose ends of a life spent killing will weave themselves ever tighter.

Metrics

Opening Weekend:$2,908,221 (39.1% of total gross)
Legs:2.56 (domestic box office/biggest weekend)
Domestic Share:90.2% (domestic box office/worldwide)
Theater counts:2,577 opening theaters/2,577 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $7,893,483

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: August 20th, 2021 (Wide) by Lionsgate
International Releases: August 19th, 2021 (Wide), released as Кодекс киллера (Russia (CIS))
August 27th, 2021 (Wide), released as A Protegida (Portugal)
August 27th, 2021 (Wide) (Romania)
September 3rd, 2021 (Wide) (Lithuania)
December 1st, 2021 (Wide), released as 더 프로티제 (South Korea)
... Show all releases
Video Release: September 21st, 2021 by Lionsgate Home Entertainment
MPAA Rating: R for strong and bloody violence, language, some sexual references and brief nudity.
(Rating bulletin 2685 (cert #53000), 6/16/2021)
Running Time: 109 minutes
Comparisons: vs. Ava
Create your own comparison chart…
Keywords: Revenge, Set in Vietnam, Action Thriller, Hitmen, Orphan, Death of a Mentor
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Millennium Media, Campbell Grobman Films, Seven Stars Entertainment, Lionsgate, Ingenious Media, I Road, Fourteen Films
Production Countries: United States
Languages: English

Leading Cast

Michael Keaton Rembrandt
Maggie Q Anna
Samuel L. Jackson Moody Dutton

Supporting Cast

Robert Patrick Billy Boy
David Rintoul Edward Hayes
Patrick Malahide Vohl
Ray Fearon Duquet
Ori Pfeffer Athens
Caroline Loncq Claudia
Florin Piersic, Jr. Ram
Tudor Chirila Petru
Velizar Binev Don Preda
George Pistereanu Vali
Eva Nugyen Thorsen Young Anna
Alex Bordea Anna’s Father
Tanja Keller Anna’s Mother
Sara Maria Groseanu Anna’s Sister 1
Alina Wang Anna’s Sister 2
Taj Atwal Seema
Gamba Cole Benny
Phong Giang Chu
Richena Carey Madam Lucia
Dimitar Nikolov Lucas Hayes
Aida Economu Anna’s Friend 1
Madalina Anea Anna’s Friend 2
David Sterne Doctor
Jack Derges Randy
Stefan Nikolaev Ivanov Doll
Lili Rich Doll’s Friend
Kent Sherwood Tough Biker
Ekaterina Baker Technician Lotta
Temirkhan Tursungaliyev Border Guard
Cosmin Dominte Anton
Carmen Palcu Shop Clerk
Kiante Elam Hitman
Duk Minh Than Da Nang Taxi Driver
Don Michael Paul Steverino
Chunsheng He Fisherman 1
Tiechen Zhang Fisherman 2
Miylin Georgieva Noveva Nun Bringing the Papers
Hai Anh Kong Vu Boy Playing the Flute

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Martin Campbell Director
Richard Wenk Screenwriter
Arthur Sarkissian Producer
Moshe Diamant Producer
Rob Van Norden Producer
Avi Lerner Producer
Christopher Milburn Producer
Christa Campbell Executive Producer
Lati Grobman Executive Producer
Avi Lerner Executive Producer
Trevor Short Executive Producer
Jeffrey Greenstein Executive Producer
Jonathan Yunger Executive Producer
Boaz Davidson Executive Producer
Bruno Wu Executive Producer
Gareth West Executive Producer
Andrei Boncea Executive Producer
Dragos Buliga Executive Producer
Simon Williams Executive Producer
Daniel Negret Executive Producer
Balan Melarkode Executive Producer
Euzebio Munhoz Jr Executive Producer
Claiton Fernandes Executive Producer
Vladimir Fernandes Executive Producer
Luke Daniels Executive Producer
Kyle Stroud Executive Producer
Regina Seifert Co-Producer
Eduard Irimia Associate Producer
Bernard Mazauric Line Producer
Gabriel Popescu Line Producer
David Tattersall Director of Photography
Angela Catanzaro Editor
Wolf Kroeger Production Designer
Irina Kotcheva Costume Designer
Rupert Parkes Composer
Ryan Svendsen Music Supervisor
Daniel Hubbard Casting Director
Bruce G. Moriarty First Assistant Director
Diyan Hristov Second Unit Director
Lonnie Ramati Co-Executive Producer
Diyan Hristov Stunt Coordinator
Paula Crickard Post-Production Supervisor
Ned Tudzharov First Assistant Editor
Danail Hadzhiyski Visual Effects Producer
Nikolay Gachev Visual Effects Supervisor
Kris Casavant Sound Designer
Ryan Nowak Sound Designer
Gord Hillier Sound Designer
Axel Nicolet Set Decorator
Oana Panaite Set Decorator
Adina Zota Script Supervisor
Vladimir Kaloyanov Sound Mixer
Sagiv Diamant Production Supervisor
Nick Allder Special Effects Coordinator
Daniel Parvulescu Special Effects Supervisor
Razvan Radutiu Location Manager
Oana Draghici Costume Supervisor
Bianca Boeroiu Make up
Domnica Bodogan Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend predictions: 355 won’t stop Spider-Man

January 7th, 2022

The 355

The 355 goes up against the unstoppable force that is Spider-Man: No Way Home at the box office this weekend, and there’s really only one possible winner. Although the webbed crusader won’t be dislodged from the top spot, 355 could do decent business, and will tell us something about where the market stands as we start out 2022. More...

Weekend estimates: Candyman lands with strong $22.37-million opening

August 29th, 2021

Candyman

Candyman went into the weekend a firm favorite for top spot at the box office after posting $1.9 million in previews on Thursday. That number pointed to a weekend just shy of $20 million, but the film posted an excellent $9.14 million on Friday, and will hold on for an opening weekend projected at $22.37 million by Universal this morning. While that’s only the third-best weekend in August, after Free Guy’s $28.4-million debut and The Suicide Squad’s $26.2-million opening, it comfortably out-performs our model’s prediction, and it gives the theatrical market a welcome, and much-needed, boost. More...

Weekend estimates: strong hold for Free Guy keeps it top for second weekend

August 22nd, 2021

Free Guy

Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 20, 2021 7 $2,908,221   2,577 $1,129   $2,908,221 1
Aug 27, 2021 8 $1,631,042 -44% 2,577 $633   $5,705,279 2
Sep 3, 2021 11 $508,415 -69% 1,451 $350   $6,874,645 3
Sep 10, 2021 - $127,464 -75% 394 $324   $7,307,791 4
Sep 17, 2021 - $53,552 -58% 153 $350   $7,419,867 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 19, 2021 P $270,000     0     $270,000  
Aug 20, 2021 5 $1,140,407     2,577 $443   $1,140,407 1
Aug 21, 2021 - $1,030,222 -10%   2,577 $400   $2,170,629 2
Aug 22, 2021 - $737,592 -28%   2,577 $286   $2,908,221 3
Aug 23, 2021 - $271,786 -63%   2,577 $105   $3,180,007 4
Aug 24, 2021 - $392,317 +44%   2,577 $152   $3,572,324 5
Aug 25, 2021 - $255,007 -35%   2,577 $99   $3,827,331 6
Aug 26, 2021 - $246,906 -3%   2,577 $96   $4,074,237 7
Aug 27, 2021 - $480,136 +94% -58% 2,577 $186   $4,554,373 8
Aug 28, 2021 - $690,067 +44% -33% 2,577 $268   $5,244,440 9
Aug 29, 2021 - $460,839 -33% -38% 2,577 $179   $5,705,279 10
Aug 30, 2021 - $160,713 -65% -41% 2,577 $62   $5,865,992 11
Aug 31, 2021 - $237,840 +48% -39% 2,577 $92   $6,103,832 12
Sep 1, 2021 - $160,245 -33% -37% 2,577 $62   $6,264,077 13
Sep 2, 2021 - $102,153 -36% -59% 2,577 $40   $6,366,230 14
Sep 3, 2021 10 $137,168 +34% -71% 1,451 $95   $6,503,398 15
Sep 4, 2021 11 $184,253 +34% -73% 1,451 $127   $6,687,651 16
Sep 5, 2021 10 $186,994 +1% -59% 1,451 $129   $6,874,645 17
Sep 6, 2021 9 $141,784 -24% -12% 1,451 $98   $7,016,429 18
Sep 7, 2021 - $62,375 -56% -74% 1,451 $43   $7,078,804 19
Sep 8, 2021 - $52,356 -16% -67% 1,451 $36   $7,131,160 20
Sep 9, 2021 - $49,167 -6% -52% 1,451 $34   $7,180,327 21
Sep 10, 2021 - $40,082 -18% -71% 394 $102   $7,220,409 22
Sep 11, 2021 - $56,655 +41% -69% 394 $144   $7,277,064 23
Sep 12, 2021 - $30,727 -46% -84% 394 $78   $7,307,791 24
Sep 13, 2021 - $12,317 -60% -91% 394 $31   $7,320,108 25
Sep 14, 2021 - $17,189 +40% -72% 394 $44   $7,337,297 26
Sep 15, 2021 - $15,668 -9% -70% 394 $40   $7,352,965 27
Sep 16, 2021 - $13,350 -15% -73% 394 $34   $7,366,315 28
Sep 17, 2021 - $16,509 +24% -59% 153 $108   $7,382,824 29
Sep 18, 2021 - $24,225 +47% -57% 153 $158   $7,407,049 30
Sep 19, 2021 - $12,818 -47% -58% 153 $84   $7,419,867 31
Sep 20, 2021 - $6,024 -53% -51% 153 $39   $7,425,891 32
Sep 21, 2021 - $7,955 +32% -54% 153 $52   $7,433,846 33
Sep 22, 2021 - $6,522 -18% -58% 153 $43   $7,440,368 34
Sep 23, 2021 - $6,455 -1% -52% 153 $42   $7,446,823 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 20, 2021 7 $4,074,237   2,577 $1,581   $4,074,237 1
Aug 27, 2021 8 $2,291,993 -44% 2,577 $889   $6,366,230 2
Sep 3, 2021 11 $814,097 -64% 1,451 $561   $7,180,327 3
Sep 10, 2021 - $185,988 -77% 394 $472   $7,366,315 4
Sep 17, 2021 - $80,508 -57% 153 $526   $7,446,823 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Japan 7/1/2022 $0000$0
Lithuania 9/3/2021 $1,582 10 10 11 $2,290 10/20/2022
Mexico 3/24/2022 $200,602 0 0 0 $200,602 4/3/2022
Portugal 8/27/2021 $29,419 41 41 79 $64,452 10/20/2022
Romania 8/27/2021 $51,846 79 79 174 $121,292 10/20/2022
Russia (CIS) 8/19/2021 $123,885 867 867 1,328 $211,694 10/20/2022
South Korea 12/1/2021 $31,536 129 129 129 $51,030 12/8/2021
Spain 3/18/2022 $82,306 210 210 400 $157,846 4/8/2022
 
International Total$809,206 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 24, 2021810,226 10,226$218,427$218,4275
Oct 31, 2021147,472-27% 17,698$159,602$378,0296
Nov 7, 2021176,128-18% 23,826$106,811$484,8407

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 24, 2021618,904 18,904$403,789$403,7895
Oct 31, 20211010,373-45% 29,277$221,567$625,3566
Nov 7, 2021167,579-27% 36,856$132,102$757,4587

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.