Japan Box Office for Kimi no na wa (2016)

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Kimi no na wa
Theatrical Performance (US$)
Japan Box Office $225,984,110Details
Worldwide Box Office $347,641,192Details
Home Market Performance
North America DVD Sales $2,158,285 Details
North America Blu-ray Sales $8,578,278 Details
Total North America Video Sales $10,736,563
Further financial details...

Metrics

Movie Details

Japan Releases: August 26th, 2016 (Wide)
Video Release: November 7th, 2017 by Funimation Productions
MPAA Rating: PG for thematic elements, suggestive content, brief language, and smoking.
(Rating bulletin 2462 (Cert #50863), 2/8/2017)
Running Time: 106 minutes
Keywords: Anime, High School, Body Swap, Set in Tokyo, Life in a Small Town, Supernatural, Romance, Set in Japan, Surprise Twist, Time Travel, Disaster, Novel or Other Work Adapted by Author, Romantic Drama
Source:Original Screenplay
Genre:Drama
Production Method:Digital Animation
Creative Type:Fantasy
Production Countries: Japan
Languages: English, Japanese

Home Market Releases for January 30th, 2018

January 31st, 2018

Professor Marston & The Wonder Women

This is one of the worse times of year for the home market. Until we start getting the holiday blockbusters landing on DVD / Blu-ray, there’s not much to talk about. That’s not to say there are no good releases, as God’s Own Country, The Square, and Steven Universe: Season One are all easily worth picking up. There are just no big releases. For example, the Pick of the Week goes to Professor Marston & The Wonder Women on Blu-ray, which was sadly ignored by moviegoers when it first hit theaters. More...

Home Market Releases for November 7, 2017

November 8th, 2017

Your Name.

It is not a particularly strong week on the home market. Cars 3 is the biggest new release, but it is far from the best. There were not a lot of contenders for Pick of the Week. The Philadelphia Story and Your Name were the two best with the latter coming out on top and its Blu-ray Combo Pack is the Pick of the Week. More...

Theater Averages: Jane Towers Above the Competition with $15,726

April 26th, 2017

Citizen Jane: Battle for the City

There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters. More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Theater Averages: Colossal Lives up to its Name with $30,057

April 12th, 2017

Colossal

Colossal led the way on the theater average chart with an average of $30,057 in four theaters. Meanwhile, Their Finest was the only other film in the $10,000 club with an average of $19,049 also in four theaters. More...

Limited and VOD Releases: Sign Your Name. Here

April 7th, 2017

Your Name.

It is a busy week for limited releases with more than a dozen titles on this week’s list. This includes a quartet of releases with good reviews and loud buzz. Gifted’s reviews are good, but likely not good enough for limited release. That said, it has a shot at becoming a sleeper hit. Their Finest is a stellar British World War II dramedy, but the cast is more famous in the U.K. than here. Your Name is arguably the best film on this week’s list and it is a monster hit worldwide. However, it is playing in over 300 theaters and that might turn out to be too many. This leaves Colossal as the film with the best shot at mainstream success. Its reviews are not the best, but the combination of reviews, cast, buzz, and commercial viability is. More...

International Box Office: Passengers Takes the Wheel with $30.59 million

January 19th, 2017

Passengers

For the first time in its run, Passengers earned first place with $30.59 million on 17,000 screens in 78 markets for totals of $136.34 million internationally and $226.07 million worldwide. At this point, the studio has either earned back the $110 million production budget, or has come close. If it can find an audience on the home market, then it could break even, eventually. This weekend, the film’s biggest opening was in China where it earned first place with $17.45 million on an estimated 10,000 screens over the weekend for a total of $17.52 million including previews. China is already the film’s biggest market overtaking Russia, where it has $16.25 million after four weeks of release, including $618,000 on 528 screens this past weekend. More...

International Box Office: Beasts have a Fantastic Month

December 14th, 2016

Fantastic Beasts and Where to Find Them

For the fourth and final time, Fantastic Beasts and Where to Find Them earned first place on the international chart, this time earning $33.1 million in 67 markets. It now has totals of $480.7 million internationally and $679.6 million worldwide. This will be the last weekend the film will spend in first place, but it should last long enough to overtake Suicide Squad on the 2016 Worldwide chart. More...

International Box Office: Fantastic Beasts have Double Milestone Weekend With $60.4 million

December 8th, 2016

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them remained locked in first place with $60.4 million in 67 markets for totals of $424.4 million internationally and $607.5 million worldwide. It reached both $400 million internationally and $600 million worldwide, which is twice the reason to celebration. On the down side, the film has run out of major markets to open in, so it will quickly drop down the chart from now on. On the positive side, the film is already in the top ten on the 2016 Worldwide chart and will climb a little bit more before it is done. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/01/13 - $1,477,875   0     $201,903,851 21
2017/01/20 - $1,509,107 +2% 0     $204,336,513 22

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/6/2017 $14,418 0 0 0 $43,648 1/1/2019
Australia 11/25/2016 $264,270 46 46 222 $870,864 6/19/2023
China 12/1/2016 $41,270,000 81518 81518 150634 $83,678,208 8/13/2018
France 12/30/2016 $401,859 0 0 0 $1,412,916 8/17/2018
Germany 1/12/2018 $938,042 0 0 0 $938,042 6/11/2018
Japan 8/26/2016 $9,137,933 0 354 354 $225,984,110 8/20/2018
Mexico 8/4/2017 $253,568 0 0 0 $434,466 8/17/2017
Netherlands 11/3/2017 $51,523 37 37 100 $173,454 11/20/2017
New Zealand 12/2/2016 $56,652 11 11 41 $119,592 10/19/2022
North America 4/7/2017 $1,637,510 292 292 978 $5,000,181 3/6/2019
Russia (CIS) 9/1/2017 $68,923 277 390 1190 $596,839 1/1/2019
South Korea 12/24/2016 $514,313 0 947 5016 $23,837,032 1/31/2024
Spain 4/7/2017 $155,013 92 92 273 $425,907 6/29/2017
Turkey 8/25/2017 $4,977 14 14 24 $18,096 2/26/2019
United Kingdom 11/18/2016 $27,009 17 23 40 $466,772 10/2/2018
 
Rest of World $3,641,065
 
Worldwide Total$347,641,192 1/31/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ryunosuke Kamiki Taki Tachibana
Michael Sinterniklaas Taki Tachibana
Mone Kamishiraishi Mitsuha Miyamizu
Stephanie Sheh Mitsuha Miyamizu

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Makoto Shinkai Director
Makoto Shinkai Screenwriter